Oftentimes in life, the actions of one person will create a ripple that will change the course of time for better or worse. When Y/N's fiance leaves her in a precarious position, a masked man takes her in, and none of their lives are ever the same again. Become one with the story as you navigate life between your betrothed, and the man whose voice you can't get out of your mind... or heart. Disclaimer: This is strictly a work of fiction. I am not making any profits from this publication, and I do not own the original TPOTO plot. All credit goes to where credit is due.

Christine left and the Phantom of the Opera sank into despair. Yet when he discovers something magical in Cornwall, it will set him on the road toward Christine again. And she now resides in Venice, the city of gondolas, carnivals and mists... A tale of anguish, heartbreak, hope and love; of obsession and redemption. The story of the Phantom of the Opera continues, and the everlasting emotions unravel once again. Act I -- A short story about Erik after the final lair Act II -- A brief insight into Christine's time with Raoul Act III, IV & V -- Main plot unravels and new mysteries arise. Packed with romance and all the feels. -- Cover by the wonderful @Juliette_Aurora :) -- The Phantom of the Opera (2004) fanfiction, set after the final lair scene, and best enjoyed after you've watched the movie or the stage musical. -- The Phantom of the Opera was originally created by Gaston Leroux, and the musical adaptation belongs to Lloyd Webber/Hart/Stilgoe. All concepts and characters belong to their respective owners, and this work is nonprofit. It's intended for entertainment and wish fulfillment only, not being a part of the official storyline.

{TRIGGER WARNINGS WILL BE AT THE TOP OF CHAPTERS WHERE IT APPLIES} Erik X OC Moving to Paris can erase the past, right? That is what Flint Hatcherfield is hoping to happen. If buying an opera house and moving away from your home of London is a good way to get over a horrible breakup then Flint is doing the right thing! It's just an abandoned opera house, how bad can it be? But when your plans to rot there as a forgotten ghost is interrupted by some bubbly Londoner, you aren't the most sociable. Erik's angel Christine Daae is gone forever, and now he plans to slowly die alone. He has to get Flint away somehow, and he knows what he has to do. {With betrayal, plot twists, drama, new beginnings, and hope that can either be cherished or shattered?..} Will this Opera House get new life, and will these broken men get one along with it? Because if I can fix an Opera House, then I can fix you.

Francois le Blanc was a violinist in the orchestra at the Opera Populaire. He was acquainted with his fellow musicians, the stagehands, and some of the actors. Everyone who met him found him to be a rather pleasant person. Francois had a fondness for Christine Daae, one of the ballerinas. But faster than he can comprehend, Christine becomes trapped in a love triangle between a handsome young nobleman and a monster who lurks underneath the opera house. It is Francois' friendship that comforts Christine during this time, and makes her begin to wonder if there is another path she could choose. [The Phantom of the Opera] [Christine Daae X OMC]

20 years after being shot at and surviving, Christine Daaé and the Phantom have made a happy life together. They've raised Gustave, war hero and musical genius, and a pair of twins, Maurice and Melodie. Unlike her siblings, Melodie was born with her father's trademark deformity. Melodie knows her father can't bear to be around her because she reminds him of his failures in life. One of which she is. Despite their families pleas, father and daughter can't seem to get along. They fight and rage at each other. But after one of their more heated fights, Melodie has had enough. She runs away from home and finds sanctuary in a run-down old theater, filled with strange secret passages behind the walls. There she stays and there she catches the eye of a young piano-playing stagehand. Melodie, wanting to get closer to the man, gives him piano lessons each night. But their lessons don't go unnoticed. A hate-filled mystery lingers just out of sight and threatens to crush Melodie and her stagehand. And on top of this dangerous mystery, ghosts from the past enter into their lives once more. Will father and daughter learn to fix things between them? Or will this mystery kill any chance they have? ---------- Takes place after 'Love Never Dies'

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster. Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows This is a public domain work

Everyone had heard rumors of the infamous Phantom of the Opera. But that's all they were. Rumors. That is, until the Opera Populaire's Prima Donna was terrorized by the Phantom. Lucille Atelier is a simple chorus girl. She was quiet and kept to herself, not even associating with many of the other dancers, except for a Christine Daae. Lucille hid the secret of her voice from everyone and kept behind a mask that she had created for herself. But when an unplanned meeting with the Opera Ghost occurs, she discovers that the Phantom of the Opera may not be what the rumors depict him as. Fighting against her wishes to learn more about the mysterious man, she becomes entangled in a trap of music between a ghost and an orphaned chorus girl who loves someone else.

One event changed everything in Christine Daae's life. Erik Destlar fell in love with her and decided to take her to live with him. Will she ever love him back? Modern day, E/C... COMPLETED ___________________________________________________________ I do NOT claim the original work of Gaston Leroux "The Phantom of the Opera." I also do NOT condone things discussed, written, or otherwise made known through my work such as stalking, kidnapping, marrying kidnappers/stalkers, or the like. My only wish is to make Leroux's book accessible to modern readers with a few plot twists here and there. I can only hope I have done his acclaimed work justice with my retelling.

Christine Daae's life is torn apart one summer night by a man who wears a mask. Then, another man enters the picture...or so he claims to be another man. He also wears a mask. Is it coincidence? Who can she trust? And how can she escape this nightmare in order to fulfill her dreams? Modern day, E/C

What if the curtain never fell? What if that bullet had never killed Christine? Could it be too good to be true? Christine Daae wakes up on a pier surrounded by frightened faces. She recognizes no one. She is thrown back into her life with out being able to remember what it was. She is a mother? She was a wife? Who is it she feels, but never fears, always standing by her side? The Phantom must fight himself now. How can he help Christine to remember their love without showing her the monster he once was? And their son...He needs her back. His world, his light, his Angel will remember their story. He will write the songs of their other time brought to life. (All rights to songs/ Characters/ Mentions of previous story lines go to Andrew Loyd Weber & whom ever else those rights concern.)