god bless all petty thieves

man with excellent self restraint dismayed to realize that not wanting anything is more likely a depression symptom than a carefully honed skill that atones for other aspects of his character

is it a bad sign that "man" is the least accurate part of this post

is it a bad sign that large birds circle above me whenever i leave the house and they scream and scream and scream

my copy has finally arrived... sixteen old songs from my earnest friends

THE CORONER'S GAMBIT LINER NOTES

TRANSCRIPT:

HE was a guy from California who'd fallen in love with a woman from Iowa. She was working at a water testing lab. They lived in a very small house whose pipes froze every winter. The landlord would come by and put space heaters under the sink. Years later, they retained the memory of the water coming back on - the sudden sound of the shower, the rush from the sink. They slept on a foam mattress in the bedroom in the summer, and on the couch in the living room in the winter, since the house did not have central heating, rendering the bedroom essentially uninhabitable from December through March.

They were not really the kind of people to plan things: they had fun when and where they could on an austere budget. The ice skates they bought used from Play It Again Sports made for fun Christmas mornings on West Indian Creek in Nevada, one town over from where they lived. He learned to cook, and to bake: they didn't go out to eat, because there really wasn't any place to go out and eat, though on occasion they would get a pizza from Casey's, because their town had a Casey's. Under the right circumstances a gas station pizza can be just the thing, and they sometimes found themselves in those circumstances.

He made music which was slowly reaching a wider audience. If he played in New York or Chicago as many as a hundred people might show up. He was idly entertaining the idea of becoming ambitious about it: as a child, he'd been pretty pretentious, and although he was working hard to shake most of that off, a little pretension isn't a bad thing in an artist. Just as a seasoning, as a little extra flavor here or there.

One summer he took a job as a harvest help at the Farmers Cooperative Exchange down the street from the very small house where the pipes froze in winter: getting the corn and soybeans into the grain elevator and into a big Morton building where the beans formed giant mountains, which he sometimes had to climb to knock down the peaks. If you don't knock down the peaks the beans get too hot and might rot. The job didn't pay much, and he wasn't good at it, but during slow stretches he would write song lyrics on scraps of paper or in a small notebook, and when he got home from work and washed off the crop dust, he'd set the lyrics to music. "Elijah" was written like this. So was "The Alphonse Mambo."

He took a Greyhound bus to Omaha to record some of the songs, so that the album would have a nice varied feel to it, but he got very sick, which is not an uncommon thing to have happen after a Greyhound ride, and only a few songs came out the way he wanted. He kept those, and then they got married and moved to Ames because the City of Colo had purchased their home from that landlord and intended to knock it down, which they did do, he affirmed years later: and in Ames he put the album together, and then later they moved to North Carolina and a whole lot of other things happened, too, but the main thing is that this album is a document of a time when two young people in love hadn't yet located the spot on the current that would carry them to their destination, twenty-five years later, parents of two beautiful children, worlds away from Colo, the place where, for better or worse, as the saying goes, all this really began.

Dedicated to my wife, Lalitree, and to the City of Colo, Iowa.

This is the original text of the paper bag that housed the first edition of this album. I am leaving it intact rather than revising it. Stage Bidet's moment comes ever closer: let the people tremble in fear.

Elijah, Baboon, Horseradish Road, Onions, and the Alphonse Mambo recorded in Omaha with Simon Joyner, Chris Deden, Lonnie Methe, Brad Smith, John Kotchen, Steve Micek, and Pat Oakes. All of them are owed money and are to be treated with deference and respect. Five of the remaining songs were recorded at Main St. in Colo, which is a small town in Iowa, and the rest were recorded two blocks north of Emma McCarthy Lee Park in Ames, which is a considerably larger town half and hour west of Colo. Though happy circumstances currently have the Mountain Goats claiming Ames, we continue to straight up represent Colo and will put the slap down on anyone who disrespects it. Transfer and levels by Bob Durkee at FBE in Pomona, California, with Joel Huschle attending. As a result of some regrettable but inevitable conversations that took place during the transfer, Bob, Joel, and the Mountain Goats have formed a new, super-powerful punk rock machine called Stage Bidet, and we urge you to watch for us and clear us a wide berth whenever we're in your town. Instead of thanking all the people I always thank to whom I say, collectively and with no less sincerity: thanks. I am just going to spend the time left us here addressing an absent friend. Rozz: I wish you hadn't've gone and killed yourself. Though I hadn't seen or spoken with you in eight years since that night when, as far as I can tell from the reports I was later able to piece together, you tried, not without reason, to strangle the life out of me out there on the landing of Damien's apartment and I probably never would have ever seen you again anyway, it was still hard to hear that you were gone. All your friends had been predicting your death since the early eighties, and no-one could bear the thought of you growing old, but none of that did anything to soften the blow when I heard. I don't really believe that the dead see or hear what we do out here in the realm of corruptible things and I don't imagine that the anyone reads the scribblings on the backs of album jackets to them, either, so I am really only addressing a memory. To that memory I say: I thought of you now and then when I was writing these songs. I don't suppose they'd do much for you, but I thought of you all the same. All your friends miss you in some way, a little or a lot. The rumors about your final hours are dismal and tawdry: I am sure they would please you immensely. For your sake, I hope that the Christians were wrong and that you were right about whether the faithless are destined for eternal torment. In the event that you are a ghost and are wandering the earth moaning and rattling chains, I moved to Iowa from California four or five years ago, stop by any time. Have a seat on the couch until I get home from work. Help yourself to anything in the refrigerator, or to the whiskey and sake on top of it. Make yourself right at home.

Album cover design by Tom Hart

Constantly thinking about this thing John Darnielle of The Mountain Goats said about the song “Love, Love, Love”.

The point of the song is, you know, that we are fairly well damaged by the legacy of the Romantic poets–that we think of love as this, you know, thing that is accompanied by strings and it’s a force for good, and if something bad happens then that’s not love. And the therapeutic tradition that I come from–I used to work in therapy–you know, also says that it’s not love if it feels bad. I don’t know so much about that. I don’t know that the Greeks weren’t right. I think they were–that love can eat a path through everything–that it will destroy a lot of things on the way to its own objective, which is just its expression of itself, you know. I mean, my stepfather loved his family, right? Now he mistreated us terribly quite often, but he loved us. And, you know, well, that to me is something worth commenting on in the hopes of undoing a lot of what I perceive as terrible damage in the way people talk about this–love is this benign, comfortable force. It’s not that. It’s wild, you know?

unreleased song “rescue breathing” by the mountain goats, live at swedish american hall, february 20, 2020

hey, dont cry. three hundred sixty five mountain goats live sets on archive.org, okay?

some bootlegs i like bc this post didnt get enough attention the first time imo:

anyways imo everyone should go to the mountain goats wiki pages for their favorite deep cuts and just like . look through the live shows they were played at until u find one with a recorded setlist u like! its a good time! been doing it a lot lately bc i have mental illness and theyre not touring the west coast this spring

toxic yaoi this toxic yuri that what about toxic lavender marriage. what then

moon colony bloodbath available on vinyllllll johns i don't own a record player

It's pay what you want on their Bandcamp too lol

Drew this after seeing the Mountain Goats yesterday, so presumably this is me processing how good it was. Or a ghost offering john darnielle a cool orb. Either way.

Fit check... I guess

(trying to subtly ask if a girl is trans) is she, y'know...

[image description: A photo of a pair of circular badge-style pins with a trans flag border and text reading "friend of john darnielle". end ID]

WHEN THE LAST DAYS COME / WE SHALL SEE VISIONS

the last judgement, john martin (1845) + against pollution, the mountain goats

[ID: john martin's 1845 painting 'the last judgement', depicting a biblically apocalyptic landscape, with angels and a pit opening in the earth to swallow an army. the lyrics "i would do it again, i would do it again" are overlayed on the image.]

youve died a thousand times before who caaares just climb out of this grave again & again &agaian & agaian & again & again & aga