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An SCA Nerd

@sca-nerd / sca-nerd.tumblr.com

Stuff about my nerdy adventures in the Society for Creative Anachronism (SCA) in the Kingdom of Atlantia, and other medieval and Scadian related things. Atlantian | Man-at-Arms | Combat Archer | Sword & Shield | Goldsmith | Landsknecht Lover | Your SCA Mom/Aunt | she/her
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teaboot

Not pertinent to anything in particular but I do think it's kinda weird that we keep depicting cavemen in media crawling around on all fours covered in dirt with tangled, matted hair, speaking in broken, cobbled-together toddler language when like.

They were us.

Like literally genetically they were US, just like. A while ago.

Like

Would you trust a TV caveman with a baby? Probably not

A real life caveman though??? I think they'd be at least okay at it

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sheilikhal

This is actually really important and comes up in Anthropology classes all. The. Time.

As long as homo sapiens have existed, we have had the same emotional and mental capacity as you and I do today. You nailed it. They were US. Even Neaderthals existed alongside and had offspring with Homo Sapiens for many thousands of years.

There's much evidence that cavemen would have had complex spoken language, culture (learned information passed down), symbolic interpretation, and I think they most certainly would have been able to handle holding a baby. In fact I have my suspicisions that an ancient homo sapiens mother may be a more present, attentive, and knowledgable mom than I could be today.

Do not let media trick you into believing we are the pinnacle of humanity. Unilinial evolution theory (google it quick I beg) is BUNK, GARBAGE, and the root of so much evil.

We've been human for a long, long time, and we are not inherently better than all those who came before.

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arinrowan
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sca-nerd

My sister has given me the plague.

She also gave me a ticket to Hamilton, so while I may die it will be with a bop stuck in my head.

Now I'm wondering if my sister is, in fact, the Devil and I have made a terrible wager for my soul. Eternal sickness and damnation for an extravagant afternoon of entertainment.

I spoke with my priest. He seemed to think there was something wrong with my humors.

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sca-nerd

My sister has given me the plague.

She also gave me a ticket to Hamilton, so while I may die it will be with a bop stuck in my head.

Now I'm wondering if my sister is, in fact, the Devil and I have made a terrible wager for my soul. Eternal sickness and damnation for an extravagant afternoon of entertainment.

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I'm a really big fan of the way demons were, for some time, depicted as being covered in beastly faces. Especially on their torso. Thinking up a tattoo in that style. Would you know of a collection of examples? Or some particularly interesting sources? Trying to collect them for inspiration.

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gastrocephalic demons my beloved! idk of any collections but here are of some of my favs, all from 15th or 16th c. manuscripts 😌

signatures & links to the digitized manuscripts (in order): Hannover, GWLB, Ms I 57, fol. 27v // Solothurn, ZB, Cod. S II 43, fol. 367v // Oxford, Bodleian Library, MS. Douce 134, fol. 99r // Paris, BnF, Latin 1171, fol. 71r // Munich, BSB, Cgm 48, fol. 95r // Luzern, ZHB, Msc. 39. fol., fol. 71v // Oxford, Bodleian Library, MS. Douce 134, fol. 95v // Paris, BnF, Français 1537, fol. 54r // Gotha, Forschungsbibl., Cod. Chart. A 863, fol. 73v // Vienna, ÖNB, Cod. 3085, fol. 196r // Berlin, SBB, Ms. germ. fol. 245, fol. 56v // Paris, BnF, Latin 1171, fol. 56r // Munich, BSB, Clm 28345, fol. 109r // Paris, BnF, Français 166, fol. 139r // Oxford, Bodleian Library, MS. Douce 134, fol. 67v // Augsburg, UB, Cod. I.3.8º 1, fol. 150v // LA, Getty Museum, Ms. Ludwig XV 9, fol. 280r // Valenciennes, Médiathèque Simone Veil, 244 (234), fol. 27r // Paris, BnF, Français 166, fol. 79v //Nürnberg, STN, Cent. V, App. 34a, fol. 114r // Oxford, Bodleian Library, MS. Douce 134, fol. 83r

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cheapsweets

"THYS IS FYNE"

🙂

😃

Ok but why were they covered in faces?

well. that's a good question.

martha bayless talks about this in her book sin and filth in medieval culture (2011). here's a passage from the chapter the symbolic order of the body:

In a sense good had the top half and evil the lower half of every human body. It was in the top half that reason resided; the lower half was the province of the belly, defecation, filth and the cravings of gluttonous and lustful corporeality. The Christian struggle was the struggle to keep the head paramount; to sin was to give way to the lower body. [...] This system of moral polarities was widely reflected in images of the Devil and demons. The Devil is in fact the 'locus classicus' of this infernal inversion, having given his lower body the ascendancy and thus ceding the place of the head as paramount. In the iconography of the Devil this scrambling of the right order of the body took visual form: as the Devil fell from heaven, so his face fell from its rightful ascendancy and finds itself a part of the sinful body. This accounts for the fact that medieval art often depicts him with faces on his bottom, his groin or his stomach, sometimes even as far down as his knees. [...] At times such depictions are accompanied by other signs of inversion. In many cases the upper head, the one that remains up top, is almost wholly beast-like, signifying the lowly animalistic desires that have supplanted reason. Other images are ingenious in their method of envisioning the lower body as the significant element of the demons’ character, as the visual and physical correlate to their evil.

Martha Bayless, Sin and Filth in Medieval Culture, p. 75-77

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lemonbubble

me, eating a pile of nuts, cheese, and apple: mmmm tasty

the medieval peasant in my head watching me eat: thou knowst what would MAKETH this meal? dried fruits.

me, getting out the raisins: god damn, etheldred, you are SO right

the medieval peasant in my head: yet thou art still not heeding mine words regarding the blasphemy

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hail from the stellar lands of ansteorra! your queen did us the honour of visiting during war recently and was a total sweetheart! one of my close friends was honoured with a request to be the one heralding her into (our notoriously long) court and had a blast getting to know her! vivat!

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Greetings Cousin! Thank you so much for taking care of our Rose of Atlantia - I'm so glad that you enjoyed her company. She really is an absolute treasure.

I hope that your war was a happy one. If you ever find yourself in Atlantia, I wish for you to find the same generous hospitality that was bestowed on our Crown. Vivat!

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I thought today - the TV show I'd really like to see is one about a medieval monastery.

You could have all kinds of characters: the pious guy who joined because he wanted to serve God, the son born out of wedlock sent there to cover up his parents' shame, the geek who wanted to study Latin but couldn't afford to go into university, the former knight sick of violence and afraid for his soul... Plus monasteries were centres of pilgrimage and places where criminals could take refuge, so we can have a lot of characters who crop up for a few episodes and leave.

Some plotlines I thought of:

  • Our relics aren't bringing in the pilgrims the way they used to - what do we do?
  • A women fleeing an abusive marriage has taken shelter in the monastery - how will the brothers respond to having a women in their midst?
  • One of the monks wants to leave - will the abbot accept or not?
  • A murderer has taken refuge in the abbey, and the abbot decides to try and save his soul - what will happen?
  • People are coming to the monastery for food during the famine, but the monastery is itself short of food - how will this be dealt with?
  • War has broken out between two local lords, and the monks attempt to broker a treaty - will it work?

I've already mentioned some reasons why I think this setting would lend itself to television, but I'd also love to make it for two other reasons:

  • Get people to understand how weird medieval religion could get, but also that, within its own frame of reference, it was a reasonable and consistent belief system.
  • Show people that the Middle Ages consisted of more than just muddy people stabbing each other and burning scientists at the stake.

You have just literally described Cadfael

a 90's BBC procedurial where an up and coming Derek Jacobi is a former Crusader turned monk who solves crimes

VERY historically accurate, with a big focus on the belief systems of the time and practical discussion of world Views

He has to deal with local politics during the Anarchy, wrestle with religious extremism, discusses the seperation between Catholicism and Islam, rival Abbeys, the protection of knowledge in what some percieve as an ignorant world

The entire Series is free on Youtube

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I am not on Bluesky and you cannot make me join, but if there was anything that could make me do it, it would be seeing this contrarian bullshit while procrastinating from studying on my Early Modern History exams. Because someone needs to give these historically illiterate morons a reality check.

Listen. I don't *like* Middle Ages. I don't vibe with their art, philosophy, politics, anything. But they existed. They brought something of value to the world. Over the course of the Middle Ages, Europe experienced important societal developments. Without these developments, renaissance literally wouldn't happen. Renaissance was in many ways (art, philosophy, science) a continuation of the Middle Ages, in that there really isn't hard cut between Late Medieval period and the renaissance. In other ways, it was exactly like the Middle Ages AND WORSE. The panic over witchcraft reached its zenith in the 16th and the first half of the 17th century. Lots of unscientific bullshit about medicine, alchemy etc. was still going strong well into the 17th century. In fact, 17th century really was the worst, I'd just despise it with all my heart if it wasn't for a few bright spots like baroque architecture, beginnings of the scientific revolution and the like. And are you seriously calling out medieval Europeans for their silly religious beliefs and tendency for violence when renaissance was THE era of bullshit religious conflicts?! Like, my man! Thirty Years wasn't a medieval thing! Even the thing about "going to war with your cousin" - THAT'S LITERALLY WAR OF SPANISH SUCCESSION WHAT ARE YOU EVEN TALKING ABOUT

I am not even going to talk about the 16th and 17th century on other continents, because in the Americas it was the era of LITERAL APOCALYPSE. Like how can you talk about any progress when that part of the world saw a brutality that would make the crusaders blush.

It sucks that Early Modern Era still effectively doesn't exist in the popular imagination. Its best parts are subsumed into "renaissance" and "enlightenment". Its worst parts are grouped in with the Middle Ages - not the least because they didn't actually improve that much, and in fact got worse a lot of the time. But you cannot celebrate the art of Da Vinci and just ignore the atmosphere of constant warfare between petty duchies it was born in. That's not how historical eras work. In fact, historical eras aren't really discreet categories with a clear cutoff point, but more like approximate divisions of a continuum. There is very little that separates the art of 1599 from 1600, but by 1650, you do kinda start seeing the difference.

Also! I know I keep repeating this, but Middle Ages didn't suck equally throughout their entirety. "Dark Ages" were the Early Medieval Era, which itself was a several centuries long period by most estimates. High Middle Ages were mostly as good as the Middle Ages got, you get gothic architecture, invention of universities, scholastic philosophy, the works. 14th century is when the things really start to suck again, Black Plague comes, you get wars and peasant rebellions, yada yada. But you also get the earliest "renaissance" art, so if you like that style, you can't disavow the Middle Ages entirely. And the 15th century is also mostly bad, except that one is when the renaissance and humanism period begins in earnest, so.

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