Feist 

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  1. Set

    10Arrow right icon

    Fredericton, NB, Canada

    Harvest Music Festival

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Próximos shows (8)

  1. Set

    10Arrow right icon

    Fredericton, NB, Canada

    Harvest Music Festival

  2. Set

    17

    St Catharines, ON, Canada

    Firstontario Performing Arts Centre

  3. Set

    18

    St Catharines, ON, Canada

    Firstontario Performing Arts Centre

  4. Set

    19

    Burlington, ON, Canada

    Royal Botanical Gardens - Hendrie Park

  5. Set

    22

    Simcoe, ON, Canada

    Burning Kiln Winery

  6. Set

    26

    Montreal, QC, Canada

    Pop Montreal

  7. Set

    29Arrow right icon

    Montreal, QC, Canada

    La Route Chante: Hommage à Lhasa

  8. Nov

    9

    London, ON, Canada

    Budweiser Gardens

Biografia

  • Born 13 February 1976, Leslie Feist is a Canadian-American indie pop singer who is known individually as a vocalist and as part of band Broken Social Scene.

    Though she made her solo career debut in 1999 with album “Monarch (Lay Your Jewelled Head Down)” Feist had previous experience as a singer and guitarist for various bands. She was the lead singer of punk band Placebo as a teen living in Calgary, Canada. Having damaged her voice from singing so loudly and forcefully with punk rock music, Feist moved to Toronto the following year to rest her vocal instrument. She played bass for alternative rock band hHead and then rhythm guitar for the band By Divine Right. Before the release of her first album she was featured on several Peaches songs and also collaborated with Gonzales.

    Gonzales inspired Feist to move to Europe and, whilst in Paris, Feist appeared as a guest vocalist on Norwegian music group Kings of Convenience’s album. She sung and recorded her second album “Let it Die” in 2002 and supported her work by touring the next few years. The album won Feist a nomination in Canada as “Best New Artist” at the Canadian Grammy awards.

    Feist reached international fame with the album “The Reminder” released in 2007. The single “1234” was inspired by her participation as a performer in the opening ceremony of the Calgary Winter Olympics at age twelve. The song was featured as the song in an iPod nano commercial in 2007. Her song "Mushaboom" was on the soundtrack of feature film "500 Days of Summer."

    Critics have compared Feist to singers like Norah Jones and Ella Fitzgerald. During an interview with NPR in 2007 Feist revealed her music is inspired by Toni Morrison’s writing and the color indigo blue.

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Avaliações ao vivo

  • Feist

    WOW. What a night. Slow dancing on stage. Dancing in the stalls in the unusually seated Shepherds Bush Empire.

    An absolutely fabulous show from the wonderfully talented Canadian Feist.

    Plenty of material from the new album Pleasure.

    From the opening guitar riff on set opener Pleasure its evident that the songs have a much heavier feel than the album and highlights what a great guitarist she is.

    We get more songs from the album i wont list them all a couple from Metals, 3 from Reminder and 1 from Let it Die. Plus 3 others a 2 hour set filled with love, anger , and some beautiful vocal moments and to top that an appearance by the man himself Jarvis Cocker on the track Century. The roof was being blown off the Empire.

    She had the audience from the off. Florescent opening fans and a rotating globe of hanging percussion bits and pieces and a bank of Florescent tubes behind to light up the skys.

    She is a great performer( even though she sometimes looks awkward when moving around the stage) and there was plenty of interaction with the crowd.

    This was no nonsense Folk/Rock/Pop/Indie call it what you will there for me was never a dull moment.

    Her vocal performance was one of beauty especially when it was tracked and you had a bank of vocals ringing around the old Empire walls.

    She seems to be able to sing in all styles and this really comes across live far more than on record.

    The show was over all to quickly.

    She came on for an encore which ended with 1234 she left the band onstage and disappeared out the door. Wonderful.

    This is one of the best gigs ive been to this year. Top quality performance from all of her band. Great violinist by the way.

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  • Leslie Feist isn’t really known in Britain for her prodigious touring schedules, so it tends to be the bigger rooms she’s playing when she does make it over; that, in itself, provides the Canadian with a unique problem. A sense of intimacy has long been crucial to her recorded output - particularly on key albums Let It Die and The Reminder - and replicating that in yawning theatres is likelier easier said than done. Not that she makes it look particularly difficult, though; on her last UK jaunt, in support of the criminally-underrated Metals, she put together a terrific live band that included vocal trio Mountain Man. The new tracks - many of which, like ‘Graveyard’, ‘A Commotion’ and ‘Undiscovered First’ - sounded thrillingly huge, thumping percussion providing an anchor for group vocals, but the decision to huddle the extensive live lineup around the centre of the expansive stages proved a masterstroke; when the classics were aired - ‘I Feel It All’, or a reworked version of ‘Mushaboom’ - you felt like you could have been watching them in the back of a bar. So impressively did Feist pull off that delicate balance on her last tour, in fact, that it almost seems a travesty that we don’t get a chance to bear witness to it too often; with any luck, she won’t leave it quite so long before she returns.

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  • Considered to be one of the iconic female vocalist of our time, Leslie Feist has gained both critical and commercial success since her career began in the late 90's following the release of 'Monarch (Lay Your Jewelled Head Down)'. The Canadian songstress is a true believer of quality over quantity as with a career that has spanned over 15 years, she has only released four studio albums.

    This is good news for her fans as there is a likelihood you will hear tracks from your preferred album. As Feist appears onstage, the cheers from the audience gives you the impression she could play anything from her discography and the fans would be delighted. Demonstrating her abilities with her guitar during the first two tracks 'Undiscovered First' and 'A Commotion' the audience are attentive and clap, cheer and sing in all the right places.

    She flies through an extensive setlist supported by her fantastic, on point live band. There is a lot of music taken from fourth LP 'Metals' including the single 'How Come You Never Go There' which the audience clearly love. The largest applause of the night go to encore of 'Limit to Your Love' which is a true moment of the evening.

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  • My first encouter with Feist since on stage! I love her work since 2004, and saw her yesterday at the Tempodrom in Berlin. I was at first shocked to find out that there is a real person behind the voice. She is so funny, and moving, and close to her audience. The first half of the concert was all "Pleasure", which is a fine album, but there came so much more afterwards. It was a concert with seating, which is usually a reason for me not to go, but she invited us to the stage (and some of us even on the stage) at around half time. She made us all sing as promised, and everyone known at least a few lines from a Feist song. I think the most moving part for me was when she told us about a song that left her about 10 years ago (they did not part on good terms) and that recently stood at her doorstep. The song had been in the world for all that time, getting in fights, having sex, geting in more fights, having more sex. It looked very different from when it left her 10 years ago. Then she sang a wonderful slow version of "1234". Ach, what can I say. Unforgettable.

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  • Fiest has one of the greatest female voices I've ever heard. With her soothing, jazz-flare tone she makes you feel calm, cool, and collected. Her incredible vocal abilities give you a feeling like no other. She vaguely sounds like a mixture of Norah Jones and Colbie Callait. From 'Gatekeeper' to 'Mushaboom', Fiest will always make you feel comforted and happy. She has the appeal of a young female artist with the capabilities of a distinguished and adorned older artist. With her elegant guitar playing, she fills you ears with an ever-pleasing sound. Without a doubt, you could never go wrong listening to Fiest.

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  • That moment when Feist turned into a giant woman was amazing! The music was great too. Introduced to some new songs...

    But in all, it was overshadowed by a bad experience with the ticketing service. Had some trouble at the door with a Ticketfly transfer gone wrong. I probably just won't buy tickets online anymore if this is how it's going to be in the future. If I can't get tickets at the door, I just won't go.

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  • Fue un concierto muy íntimo, muy a tono con su último disco. Me agrada la humildad de Feist y su irreverencia, es muy entregada al público. Aunque quería interactuar más con el público, lo cierto es que nos hipnotizó y estábamos más atentos a escuchar sus canciones que a levantarnos del asiento.

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  • When Feist brings it she brings it like no other. Without any sort of fanfare, she played her new album, Pleasure, from start to end and then treated us to greatest hits from her previous studio albums. All of this mixed with some very creative lighting made for an unforgettable music experience.

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  • Feist was pumped to play her hometown and put an extra special performance on! She showed the diversity of her talent to the pleasure of her audience. I was pleasantly surprised at the age range of the crowd. Great show and of course a great venue!

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  • Leslie Feist is that kind of gifted artists for live performances. She can also hypnotise the audience and make them do whatever she wants, like learning lyrics that they didn't know before the concert or make germans get up and dance to her music ;)

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Shows anteriores

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  3. Jul

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