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Arizona Financial Theatre
Soundside Music Festival
The Coves Amphitheater
Firefly Distillery
Exploreasheville.com Arena
Andrew J. Brady Music Center
Everwise Amphitheater at White River State Park
FirstBank Amphitheater
Pier Six Pavilion
Ting Pavilion
Gregory Alan Isakov is an indie folk artist whose music captures America’s scenic ruralism and working class ethos. His style can be gritty and reminiscent of the tortured desolateness heard from Woody Guthrie, but it can also be reflective and calming like the music of his contemporary Iron and Wine.
Though Isakov was born in Johannesburg, South Africa, he moved to the United States at a very young age and spent the majority of his childhood growing up in Philadelphia, Pennsylvania. He got an early start in the music industry and started touring with a band when he was only 16. Later in his career Isakov moved to Colorado and started producing solo material. He drew inspirations from a diverse range of artists including delta-blues revivalist/ jazz aficionado Kelly Joe Phelps, evocative gypsy poet and acclaimed folk artist Leonard Cohen, and heartland rock sensation Bruce Springsteen.
Isakov takes musical ideas from a variety of sources, both musically and experiential; however he never comes off sounding redundant or like a simulation of one of his musical idols. He has honed in on a sound uniquely his own. It is weathered, spacious and filled with transformative moods. His music can create an atmosphere in the same vein as pioneering delta blues musician’s like Son House and it can just as likely channel in the slowcore minimalism of artists like Mark Kozelek.
Isakov’ first solo effort “Rust Colored Stones” came out in 2003 and was followed up two years later with “Songs for October”. In 2007 Isakov released his third full length “That Sea, The Gambler”. That same year he won the Westword competition for Best Singer/Songwritter as well as the Telluride Competition. “The Empty Northern Hemisphere” came out in 2009 and helped him gain a cult following along with wider publicity as his song “Big Black Car” was featured in a 2012 McDonald’s commercial. Isakov was signed on to Suitcase Town Music and in 2013 he released his heavily anticipated 5th album “The Weatherman”.
Gregory Alan Isakov has been on multiple tours across the US and other cities outside the country. He garnered a positive reputation for himself with his 2009 tour in support for his “The Empty Northern Hemisphere” album. He was accompanied by Brandi Carlile who also contributed to the album. Isakov’s work has also made appearances on several soundtracks such as “Ride the Devine”, “Where the Yellowstone Goes”, and the wildly successful TV program “Veronica Mars”.
Leia maisI discovered Gregory Alan Isakov's music five or so years ago and have been hooked ever since! His brand of songwriting evokes the wanderlust so typical of folk, as well as an expansiveness that can transport you to the wide-open, star-speckled sky. There’s something soothing about his voice, something that makes you feel as though he could be speaking directly to you. Although his sound has grown with his latest album, the songs still maintain a certain level of intimacy.
I’d been waiting for ages to see him live, and what a treat it was. Along with his banjo-wielding bandmate, Steve, he somehow made the tiny Privatclub in Berlin feel even cozier than it normally does, giving the German term 'gemütlich' a whole new meaning. They cracked jokes, took requests, and played what Isakov so aptly called “kitchen versions” of a handful of his songs, during which the two of them unplugged their instruments, huddled closely around a single mic, and serenaded us in earnest, closing out what felt like a musical night with friends.
Isakov's third full-length album, The Weatherman, was released a year ago after a four-year pause, but here’s to hoping we won’t have to wait as long for the next one.
Being my third Isakov show, i was excited to see some development and something new within his live act. Some growth at the least in interaction with the crowd, reading the room, and maybe a little bit more jamming or taking a song with some great anthem-ish sounds (Northern Hemisphere , Caves, Stable Song) but in the end it was a very similar show to the first two we heard at the Imperial last May. Start with “She always takes it black” , dim the lites for “The Universe” , bring out the old school microphone and play Saint Valentine. Even the set list was very similar, although he did play some songs from his new album ( Southern Star, Chemicals , and I believe Berth) but missed big by not hitting us with what appears to be everyone’s favorite song “San Luis”. Don’t get me wrong, all in all I enjoyed the show, and would go back time and time again to see this 6 piece perform, but the show has become somewhat predictable, and would really like to see and hear a little more story telling, maybe a little jamming and stinging some sounds out for an extra 3-4 minutes. (Show seemed very short, not quite an hour and a half, but ripped through about 13-15 songs)
I have been to quite a few gigs, but I can say with almost 100% confidence that this has been the best so far. The tone was set when Gregory played the wonderful Amsterdam, bringing back memories of my capital city. The rest of the concert was spent being captivated by Gregory's surprisingly deep vocals and wonderful interplay of violin, double bass and banjo. The only downside to the concert would be the coda. The band wanted the audience to sing along to one lyric, but being so enthralled they did not join, sparking some frustration in the singer. One can say that the extraordinary impression the musicians left on the spectators worked against them in the end. Nevertheless, I went home with a very, very satisfied feeling. 5/5
This was my third time seeing Gregory in Chicago. Him and his band always put on an amazing show, with a good mix of new and old music.
The songs even more intense and excellent live; it is commonplace to get goosebumps during the show. Gregory separates himself from other concerts with his sincerity to put on a good show. You know you are enjoying yourself when you are genuinely sad when the show is over.
Highly recommended to anyone remotely interested in Gregory's music. Hope to see him again soon.
The concert, venue, and ambiance were all incredible. Gregory sounded even better live and I was amazed by his talent both vocally and with the instruments he played. My favorite part, though, is that the show was not all about him. Gregory did an incredible job showcasing the other talented musicians he admirably introduced as his best friends. Overall the show was incredible and I hope I can see him again soon!
Another fantastic performance by Gregory Alan Isakov. Solid performance and showmanship by him and his bandmates. He has definitely improved his stage presence since the first time I saw him several years ago. He actively engaged the audience, asking if there was anything specific we wanted to hear. Incredibly enough, he complied with pretty much every request.
Come back to San Diego soon Gregory!
A magical evening, up close and intimate with Gregory, his band, and the symphony. I loved how quite the venue would get during songs, with the audience quiet and respectful like any symphony or performing arts event would be.
The set was incredible, venue charming, and music exciting. I hope more mainstream musicians pair up with the symphony - this was a huge success.
Hearing him live for the first time gave me chills. I couldn't have asked for a better show and the sound quality was on point!
Experiencing a double encore was somethin' else too, especially because the first one was acoustic with the whole band and the second was just with Leif Vollebekk.
Just an overall astounding moment in my life that I won't soon forget.
Absolutely amazing show!! Such a beautiful stage performance by everyone involved including the opening act by the talented Laura Gibson. Definitely will see him again. It felt as if I was watching a full orchestra with all the beautiful instruments working as one. I was completely moved the raw emotion expressed in every song. A concert worth every penny.
My first chance to see Gregory and his band. I’ve been wanting to see him for a few years now and he did not disappoint. The band were tight and his voice was exceptional. From song one to the last the crowd were in stunned silence.
The support act was also superb and set up the gig perfectly. And as always the venue was as good as it always is
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Gregory Alan Isakov não tem previsão de se apresentar perto da sua localização, mas está programado para se apresentar em 22 Shows - 1 país em 2024-2025. Ver todos os shows.
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