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Marillion are a progressive rock band hailing from Aylesbury, Buckinghamshire, UK, who rose to prominence along with several other bands as part of the 80s neo-prog revival.
Taking their name from a J.R.R. Tolkien novel, the band came together in 1979, but it took them until 1984 to form their core lineup, featuring Steve Rothery (lead guitar), Pete Trewavas (bass), Mark Kelly (Keyboards) and Ian Mosley (drums), having had their frontman, Fish (Derek Dick) leave the band in 1988, being replaced with Steve Hogarth.
Their debut album, "Script for a Jester's Tear" was released in 1983, gaining a loyal fan base through their album and commitment to touring. In 1984, their second, "Fugazi" was unleashed, featuring a more straight-up hard rock approach, with singles "Assassin" and "Punch and Judy" becoming hits in the UK. But it was with their third record, the more progressive concept album Misplaced Childhood" (1985) that Marillion had their biggest success, with the single "Kayleigh" reaching number two in the UK charts and doing well in the US.
After vocalist Fish left the band, Marillion took a stylistic change, moving to a more accessible, mainstream rock sound, although still incorporating progressive elements, such as in "Brave," (1992) which whilst being straightforward rock, it incorporated a dark and complex symphonic sound reminiscent of classic prog acts.
The band moved to a softer sound in 1998, incorporating influences from The Beatles, U2 and Radiohead, especially the kraut-rock prog of Radiohead's "OK Computer." "Radiation" (1998), "Anoraknophobia" (2001) and "Marbles" (2004) all followed in this same vein, continuing the band's popularity into the new millennium. Marillion continued to be progressive and ambitious in their sound, culminating in their 2012 record, "Sounds That Can't Be Made," a politically motivated album that featured a 17-minute epic titled "Gaza."
Marillion were one of the first bands to use crowd-funding in order to support their activities, setting up a fund in order to raise money to support them upon a US tour in 1997, following their record label's refusal to offer adequate money for the tour. They have had a hugely successful career, selling over 15 million albums worldwide.
Leia maisAwesome. As a long time fan of the Fish Era of the band (in fact, the last time I saw Marillion was at the Glenn Miller Ballroom in Boulder, Colorado in 1987, and my hero Fish was still the vocalist), finally after nearly 30 years I am able to give Steve Hogarth his due props. What sealed the deal for me was finally getting the chance to see him fronting the band last night, a first for me. He sounded better live than on their studio recordings, and he had a great stage presence and aura about him. I was very impressed. As any sensible fan knows, Marillion has been a very different band for a very long time since Fish left and H joined. Their work as a band should be appreciated for what they were then and are now. If you are a fan you probably lean towardd one era over the other, as I definitely do, but sides dont have to be taken and you can love both eras. I have alot of catching up to do with their back catalog since H joined now that I haveca new appreciation for his talent amd place in the Marillion world. I will love and respect Fish forever and will never forget that show back in '87. That was definitely a different time for all. By the way, 'Sugar Mice' sounded great last night. Thanks to the band for being able to still play those old tracks without any ill feelings.
So anyway, great show, the whole band was great, the venue and staff were great, and I have to add that even the process of buying a tour shirt was great, thanks to the friend of the band manning the merch booth. She was so awesome and so nice and she really helped me out by being accomodating when what I wanted was not available in my size anymore. Just wanted to say that as I'm sure she does not get the thanks and appreciation that she should get as a very important part of the touring entourage.
P.S. When Marillion played in Boulder in 1987, the campus radio station (I think it was them) simulcast the entire show live. My friend who did not go to the show recorded it for me since obviously i was not at home to work my cassette recorder. I re-lived the show through this recording for many years, but when I thought about it about a year ago I searched my cluttered house for it but could not find it anywhere. I do have my personal cassette collection all stored in three dresser drawers, and it was not there. So I wanted to take this opportunity of reaching out to Colorado Marillion fans since they just played in Colorado again to ask if anyone might have a recording of the 1987 Boulder CO show simulcast. If so I would love to hear from you and somehow get a copy as long as the band is okay with it. I guess the best way is to email me at the addrress i provided below if im allowed to list it here. If not, i guess just comment here like I did and if so I will contact people running the website and see what the best course of action would be. Its a very long shot but hey, it was an amazing recording and i can't think of any other way to replace it. Thanks! [email protected]
A lot of people still regard Marillion as a band that had a few hits in the 80s with a singer called Fish. Well, since those commercially successful days, Marillion have ploughed a very different field with a very different singer. Steve Hogarth has been with the band since 1989 and has steadily led the band away from their Genesis inspired roots into a more diverse and sustainable path.
One of Marillion's attributes is the special relationship they have with their fans and consequently their live shows retain an intimate feel despite several thousand people being in attendance. As a result, you can generally see people singing every word as the audience lap up every song from their now huge back catalogue. Behind the theatrical Hogarth there's four splendid musicians quietly going about their business and brimming with the confidence that comes from having played together as a unit for 30 years. From Steve Rothery's distinctive and soaring guitar sound through to Mark Kelly's atmospheric keyboard flourishes, this is band still at the top of their game, despite essentially disappearing from the eyes of the general public over a quarter of a century ago.
Marilion's tenacity coupled with their huge ability makes for a passionate and inclusive live experience and I heartily recommend them to lovers of quality, well constructed music that touches the emotions both in a live and studio setting.
I've been waiting for this gig for 35 years and the anticipation amongst the fans was palpable; fans who had came from all corners of the world to see the best band in the world.
Looking down from up with the pigeons in the gallery I could see that almost every seat was taken and it was a wondrous sight to behold.
The moment the band hit the stage with the opening guitar lines from The Long Shadowed Sun I knew we were going to be just fine and the love from the audience to the band grew with every note they played. The whole of F E A R passed in what seemed an instant and then same the break.
The second half ushered the all girl orchestra, augmented by flute and French horn for a meander through classics from the back catalogue. The Space, Afraid of Sunlight and then in to Go! when the lights went off and 5,000 people waived their finger lights in the air. A truly magnificent sight and I for one shed a tear.
The band were fantastic and h's voice was in brilliant shape, especially on The Space which is so hard to sing.
Special mention to the extra musicians who added another dimension to the songs and the lighting guys who did a fantastic job too.
The fans were, as ever, utterly brilliant and I'm proud to be a member of the great 'Marillion family'.
The opening night gremlins were apparent, with Mark Kelly being hit hardest, but the gig flowed smoothly and the sound was excellent.
An unusual set list (H said as much) saw a few old favourite of the H era aired, the best of these a stunning Seasons End, alongside half of the latest album.
The light show and projection screen was entertaining but it was the band interaction that captivated. In contrast to many other groups, it's clear by the smiles, jokes and story telling, just how much these guys love performing. When, in the middle of 'This Strange Engine', the keyboards didn't arrive as planned, H kept ringing his forlorn little bell while Mark Kelly scuttled around trying to get things working and the rest of the band had bemused little grins. No tantrums, just good humour.
The 2 and a bit hours flew by and as the last guitar notes of set closer 'Neverland' faded I was left in awe once more at the emotional journey these 5 people take me on every time I see them live.
The crowd were respectful but lacking a little enthusiasm (often the way with seated concerts).
As always, a great evening. See them while you can.
Fantastic show as always. The passion that H and the whole band put into every song is truly enlightening....
The Vic Theater however needs improvements. Almost slipped going down the narrow winding staircase to the men's restroom. Steel stairs?? Oh, $5 for a coke???
I stood behind the crew that ran the lights and sound board and the video showing in that space was nothing like what was appearing on the "screen" behind the band. You basically couldn't even see what was behind the band most of the time which is a shame, because if would had made the show much better if that's even possible.
Also, even if many of the concert attendees aren't baseball fans, a TV or two showing the World Series would had been a nice perk. Ultimately, everyone would be watching the band, but c'mon, the Cubs are playing in the World Series and you don't have a single TV??? How about even showing the game on the "screen" before the concert and between John Wesley and Marillion?
Hopefully when Marillion returns to Chicsgo, they'll go back to the Park West.
Loved the concert, hated the venue.
It's been a while since I last saw Marillion and as they soared through the openong of El Dorado I realised what a big big mistake that was.
Cruising apparently effortlessly between complex arrangements and rhythms they deftly create a swirling sonic landscape in which the listener is lost, transcended to a place of beauty and light. Lyrics and themes witj passion and intensity fill out the canvas and the production adds to the atmosphere with artful and clever use of lighting and a moving kaleidoscope of imagery spread out behind the band.
The set was heavy on the new album (Fuck Everyone And Run) but that's no bad thing as it is a real tour de force and has plenty of scope for all members to flex their musical muscles yet at the same time deliver a harmonious almost symphonic whole. Interspersed between the three sides of FEAR that the band played were highlights from a catalogue stretching back over 35 years.
This is a band very much for today and with something to say. And they are absolutely killer live. Go see them. Now.
Marillion are known as pioneers of the British progressive rock scene and remain one of the most successful exports selling over 15 million albums globally. Progressive is a genre born from technical abilities and instrumental prowess so therefore the live show is a celebration of the musicianship of the five member onstage this evening.
Fans old and new gather as one to pay homage to one of the UK's most prolific rock acts. It really does not make any difference when you discovered them, it is all the enjoyment of the music and the celebration of the albums. They take music from across their back catalogue tonight as opposed to simply relying on the popularity of 'Misplaced Childhood'. The fans remain enthusiastic to everything played and cheer on intently during huge instrumentals which resonate around the venue. They say their thank yous and close on 'King' before returning for a well selected encore of 'The Release' and 'Cannibal Surf Babe'.
WOW WHAT A SPECTACULAR EXCPERIENCE. MARILLION LIVE..........KNOW I HAVE SEEN THEM PERFORM LIVE THERE IS NOT ENOUGH PAPER TO DESCRIBE HOW MESMERISING AND TOTALLY COMITTED THIS BAND IS TO TAKE THE AUDIENCE TO ANOTHER LEVEL.EVERY BAND MEMBER ENJOYED GIVING A TRULEY WONDERFUL ENTERTAINING NONE STOP PERFORMANCE.
FOR ME WATCHING 'H' EXCPRESS HIS MUSICAL TALENT WAS SIMPLEY MAGICAL,HIS ENERGY, HIS VOICE,HIS SPIRIT CHARGED OUT OF EVERY OUNCE OF THIS MAN.
'H' IS FOR HERO.
CAN NOT PRAISE THIS BAND ENOUGH,IF YOU LOVE THERE MUSIC..WAIT TILL YOU SEE AND HEAR THEM LIVE!!! XXXXXXX
MELSEY 57
Fantastic band ..perfect show ... unique atmosphere .Great music..Big thanks for Marillion...Thanks.Thanks..Thanks....Thanks...Thanks..Thanks Thanks thanks thanks..thanks..ThanksThanksThankshttps://youtu.be/WwH0zuBJJ6k. https://youtu.be/WwH0zuBJJ6k. Fantastic band ..perfect show ... unique atmosphere .Great music..Big thanks for Marillion...Thanks.Thanks..Thanks....Thanks...Thanks..Thanks Thanks thanks thanks..thanks..ThanksThanksThankshttps://youtu.be/WwH0zuBJJ6k. https://youtu.be/WwH0zuBJJ6k
It's been 35 years since i saw the band for the first time and one thing is certain time is on their side.
They're getting better and better. The show of yesterday night was even better than the one they gave one year ago in Paris.
Yeasterday night they invite on stage some classical musicians to sustain their music.
Lightshow and soundstage were awesome.
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