Superchunk 

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  1. dec

    10

    Perth, WA, Australia

    Rosemount Hotel

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Próximos conciertos (17) Ver todo

  1. ago

    14Arrow right icon

    Paredes de Coura, Portugal

    Vodafone Paredes de Coura

  2. ago

    19

    San Sebastián, Spain

    Dabadaba

  3. ago

    21

    Girona, Spain

    Sala Las Vegas

  4. oct

    14

    Columbus, OH, US

    Skully's Music Diner

  5. oct

    15

    Chicago, IL, US

    Lincoln Hall

  6. oct

    16

    Minneapolis, MN, US

    First Avenue

  7. oct

    17

    Omaha, NE, US

    The Waiting Room Lounge

  8. oct

    18

    Sioux Falls, SD, US

    ICON Event Hall & Lounge

  9. oct

    19

    Lawrence, KS, US

    The Granada (half house)

  10. oct

    21

    Austin, TX, US

    Radio East

Ver todos los conciertos próximos 17

Biografía

  • Superchunk’s import on the indie music scene can not be overstated. Not only did they help lay the framework for 90s alternative rock, they also founded one of the most revered and influential labels in this circuit, Merge whose credits includes acts like Arcade Fire, Neutral Milk Hotel, and Caribou.

    Superchunk was founded in Chapel Hill, North Carolina, United States in 1989 by guitarist/vocalist Mac McCaughan, bassist Laura Ballance, lead guitarist Jack McCook, and drummer Chuck Garrison. The band initially called themselves Chunk, a derivation of drummer Chuck Garrison’s name, but eventually added the prefix “super”. Their debut single “Slack Motherfucker” came out later that year and was met with critical acclaim. It has since been included on Pitchfork’s list “Best Singles of the 90s” and was featured on their self-titled debut album. This release as well as their follow up “No Pocky for Kitty” both came out through Matador Records. “No Pocky for Kitty” also received overwhelmingly positive feedback and was produced by venerated musician/sound engineer Steve Albini. It was also their 1st album to feature lead guitarist Jim Wilbur.

    The group experienced yet another line up change as Garrison was replaced by Jon Wurster; however, the band has since retained this line up. In 1993 Superchunk released their 3rd studio album “On the Mouth”. This album also generated favorable reviews and housed their widely respected track “Precision Auto”, which has been covered by Jimmy Eat World, Fucked Up, and Tom Scharpling.

    Superchunk decided to independently release their following albums through Merge once Matador entered in a partnership with the major label Atlantic Records. Their 1st album through Merge was their 4th and perhaps most critically acclaimed release “Foolish”. This release was proceeded by “Incidental Music 1991-95”, their b-side compilation album, which boasted covers ranging from the Magnetic Fields’ “100,000 Fireflies” to Motorhead’s “I’ll Be Your Sister”.

    Their next studio album “Here’s Where the Strings Come In” was issued in 1995 and contained 2 songs, which made appearances in major feature films such as the Keanu Reeves sci-fi movie “Johnny Mnemonic” and Jim Carey’s comedy “Yes Man”. “Indoor Living” was the next album Superchunk released and it was produced by John Plymale (Mya, Meat Puppets, etc..). The track “Watery Hands” was featured on the album and was supplemented by a music video starring comedians David Cross and Jeneane Garofalo.

    For their follow up album “Come Pick Me Up” the band recruited the production assistance of experimental musician, Jim O’Rourke . O’Rourke strongly helped Superchunk hone in on a richer/vibrant sound that featured lush orchestration and horn sections. This album was a bold move for the band and was fairly uncharacteristic of their previous guitar oriented works. However in 2001 Superchunk returned to their fuzzed out pop punk constructs with the album “Here’s to Shutting Up” and proceeded this record with several compilations and live albums.

    Their next cd release of new material “Leaves In the Gutter EP” did not arrive until 2009; however, they remained busy in the 2000s touring and recording oddity tracks such as “Misfits and Mistakes”, which was written specifically for the Aqua Teen Hunger Force soundtrack and covers artists such as Destiny’ Child and the Cure.

    Nine years after the release of “Here’s to Shutting Up” Superchunk issued their 9th studio album “Majesty Shredding”. The album was both a critical and commercial success for the band. It entered the US Billboard 200 at no. 85 and the Independent Albums chart at no.17. “I Hate Music” hit the market on 20 August 2013 and likewise received glowing reviews.

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Críticas en vivo

  • Superchunk's unique blend of punk energy and indie DIY philosophy has carried them through a 20 year career that continues to evolve and present them as one of the most exciting and important rock and roll bands on the planet. In fact, Superchunk belongs to that subset of rock bands about whom it is frequently said “Well, the records are good...but you gotta see them live.”

    Indeed, few groups can match the sheer energy and excitement that the group brings to the stage. Front man Mac Macaughan still—as he did two decades ago—punctuates his band's anthemic riffs by bouncing and pogo-ing all over the stage. His bandmates, guitarist Jim Wilbur and drummer Jon Wurster, match him rip for rip.

    A Superchunk show is going to be loud, so have earplugs ready. In fact, original bassist Laura Ballance had to beg off the group's latest series of tours, citing chronic hearing loss as a cause. The band recruited Jason Narducy of Sugar to fill in on their most recent live gigs and have missed nary a beat (no pun in intended).

    The area in front of the stage at a Superchunk show can still be pretty wild, especially when the group launches into anthemic fan favorites like “Cool”, “Precision Auto”, and the band's signature stomp, “Slack Motherfucker”. And while the older material may be plenty familiar to longtime fans, it's a tribute to how strong the group has emerged from a long hiatus that songs from their two most recent albums fit in perfectly with the rest of the set.

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    Por Anonymous
  • Being that I've followed them since day ONE and consider myself their biggest fan (no, really, really) the show was EPIC! Those guys always know how to put on such an incredible performance, which always includes a ton of laughter and chatter on stage, which only makes them more loveable. Now to the music, well this album - What a Time to Be Alive was really such a hit, so much so that it brought me back to the early 90's when they jammed out all the time. 30 years later these guys are still rocking and rolling like their 15 years old, jumping higher than any basketball player!! It was just such a wild and fun show, with a band so humble, never to care about fame or fortune. These guys play because they love it, just as much as I love them! YES to SUPERCHUNK! Mac, I was the one screaming too loud - out of love and excitement because you guys will always be number one in my book!

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  • There was a time when seeing the Chunk live was about as good as it gets. That was a generation ago, and they simply don’t have the same sheen anymore. I saw them last in 2019, and was really hoping some of that old magic would somehow be mystically channeled. It wasn’t and I was left wanting. The new songs are ok, I guess...but not much better than that. The old songs sounded slower, and more grown up than they ever did before, and that’s a bad thing. I swear they may have been playing everything at half speed. They simply lacked the spark and urgency that was once their hallmark.

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Conciertos pasados

  1. jul

    24Arrow right icon

    Carrboro, NC, US

    Merge 35

  2. mar

    25

    Tokyo, Japan

    Live House Fever

  3. mar

    24

    Tokyo, Japan

    Live House Fever

Ver todos los conciertos pasados

Superchunk fechas del tour y entradas 2024-2025 cerca de ti

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