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The Bloody Beetroots is a dance punk project helmed by Sir Bob Cornelius Rifo. Born in Bassano del Grappa, Italy on the 18th of December 1977, the enigmatic, masked musician has released two studio albums, 14 E.P’s and countless remixes since his debut in 2007.
The only way that The Bloody Beetroots and their elusive ringmaster Sir Bob Cornelius Rifo could possibly make sense is if they were a cult band. A masked band playing raucous, abrasive music surely can only work if the venues they play are packed out sweatboxes with the same 300 or 400 die-hard fans stuffed inside. With every one of them dressed in the same Venom (the Spider-Man villain) mask as their hero, who are the only people in the world to own a copy of either of the project’s two albums.
However, this is indeed a strange and disturbing universe and one of the key reasons for that is the fact that The Bloody Beetroots are actually pretty massive. Strange and disturbing indeed, but undeniably awesome nonetheless. Rifo himself is a classically trained musician who has far more time for punk rock than Puccini, who initially made his name as a DJ and producer in 2007. His live sets, where he’s joined by fellow turntablist DJ Tommy Tea, made them infamous for starting brawls in the clubs they played in with their sheer power and energy.
Soon Rifo started remixing the likes of Alex Gopher and Etienne de Crecy, and in 2007 alone he released a whopping 28 remixes. As his profile grew he would do the same in the coming years for artists like Rob Zombie, The Killers, Groove Armada and Robyn. Soon after this Rifo began composing original music for The Bloody Beetroots, which saw acclaim from a lot of his peers, most notably Justice and MSTRKRFT. It also started spreading over the world, being used in TV show and video game soundtracks the world over, and it was with that exposure that Rifo gained his first record deal in the US, with EDM icon Steve Aoki’s label Dim Mak Records.
By 2010, Rifo had put together a live band for The Beetroots’ concerts, who he named The Blood Beetroots Death Crew 77. They’ve slayed festivals and concert halls the world over and back in the studio, even worked with Sir Paul McCartney himself on the single “Out Of Sight”. Clearly Rifo is the kind of once in a generation talent that is always a pleasure and a privilege to have around and it’s even more off a pleasure to see him get the recognition he arguably deserves. Highly recommended.
Mehr erfahrenSeeing The Bloody Beetroots live is an electrifying experience you won’t be forgetting anytime soon. The Italian duo, comprised of producer/ guitarist/ DJ Sir Bob Cornelius Rifo (what a name!) and sample-mixer Tommy Tea, first stormed onto the electro dance scene in 2008, with Rifo's EP 'Cornelius' making hard-hitting, ear-piercing waves in the charts. The Beetroots had huge anthems with banging house beats in 'Warp 1.9' and the single 'Cornelius', which fans will know to be patient for, if they can contain their frenetic dance energy for the finale.
The Bloody Beetroots' live shows are always a blast-high-energy, extremely loud, and an exhilarating, bass-laden DJ experience. The duo, after garnering support from big names in dance such as Steve Aoki, continue to tour frequently, and their original, fresh blend of sizzling synths and floor-shaking bass-drops, sounds just as good in person as their recorded versions-m or even better if you're dancing as close to the speakers as your ears can take.
When I saw The Bloody Beetroots at a home-crowd show in Milan last year, they were accompanied by a live drummer, guitarist and synth-wizard, which added a lot of dynamism and depth to their already-epic sound. They were also, of course, wearing the trademark black Venom (aka evil Spidey) masks which they have sported at their shows since their beginnings.
They certainly lived up to their reputation and the expectations of their fans. The blasting basstone of their opener was welcomed by the crowd in a venue-wide circle-pit, and what followed was an hour-long set of huge electro beats in onslaught of sound that left the crowd yelling for 'one more song' after the curtain fell.
There are a few different sides to the name The Bloody Beetroots, so it’s important to run through all of them; in terms of records, of which there’s two - Romborama and Hide - the moniker generally refers to solo endeavours by Sir Bob Cornelius Rifo, an Italian musician who’s classically trained, but primarily makes electronic music. We’ll also have to assume that that’s not what his mother calls him, seeing as he’s never revealed his real name. He’s toured the world as both ‘The Bloody Beetroots DJ Set’, which sees his friend Tommy Tea step in on sampling duties, and as ‘The Bloody Beetroots Live Crew’, where he’s joined by Edward Grinch on drums and Battle on synths. Most recently, they’ve toured the latter show, a genuinely raucous affair that blends electro house, funk and EDM; imagine a very European twist on The Prodigy. A particular highlight in 2013 was an appearance in front of a massive crowd at Germany’s Rock am Ring festival, where they took to the stage wearing masks and in front of a huge, neon Bloody Beetroots banner, delivering a set that was instrumentally diverse - guitars and keyboards included - and that saw them barely stop for breath throughout; there was an intensity to the performance that many of their electronic contemporaries struggle to match.
Bob Cornelius Rifo and Tommy Tea better known as the collective The Bloody Beetroots are an Italian electro/punk act. They know how to really put on a show that is often described as pushing the boundaries of a conventional electro show. This is partially due to the dance/punk influence that runs consistently throughout their discography along with the duos raucous stage persona.
Appearing beneath masks, the band has been known for its anonymity and this adds to the whole punk mentality. The crowd is not quite sure if to dance or mosh to the opening tones of 'Rocksteady' as Rifo launches himself around the stage head banging between the frantic strobe lighting.
This electric pace continues throughout the evening and keeps the crowd bouncing as one collective mass. The duo completely commands the show and keeps the audience moving, cheering and applauding during heavy renditions of 'Pistols & Hearts' and 'Runaway'. They easily prove it is possible to achieve mass appeal whilst remaining something of a cult phenomena.
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