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Metric, formed in 1998 by Emily Haines and James Shaw, is a Canadian synth-pop, new wave and indie-rock band, hailing from Toronto, Ontario, Canada.
Metric, originally formed under the moniker Mainstream, was founded in 1998 by Emily Haines and James Shaw. Having studied at the Etobicoke School of the Arts, Haines met future Broken Social Scene member Kevin Drew and the future Stars and Broken Social Scene member Amy Millan, the latter of which Haines briefly formed a band with in 1990. James Shaw is a Boston Music School graduate, as well as a Juilliard Music School graduate, after which he moved to Toronto where he met Haines. By 1998 the pair had moved to Montreal, Canada, and recorded a 5-track EP entitled “Mainstream”, noted for its downtempo and electro style.
In 2000, having caught the attention of London-based producer Stephen Hague, Metric moved to London, UK and signed a publishing deal with Chrysalis Records. Feeling restricted by the deal however, the duo moved back to New York City in November 2000 and began working on their debut album “Grow Up and Blow Away”, which wouldn’t find a released until 2007. The five-track EP “Static Anonymity” arrived in 2001, featuring both upbeat and downtempo songs, and showcasing the group’s electronic layering prowess. In late 2001 looking to expand the scope of their live performance, Haines and Shaw enlisted the services of drummer Joules Scott-Key and bassist Joshua Winstead.
Metric’s first official full-length album “Old World Underground, Where Are You Now?” was released 2003 on Everloving Records. The critically acclaimed release became a stepping stone for the band’s success, aided by the videos “Combat Baby”, “Calculation Theme”, “IOU”, and “Succexy”. The band’s sophomore album “Live It Out”, was released in 2005 by Last Gang Records, significantly out-performing its predecessor, later being certified double platinum in Canada. Supported by the singles “Monster Hospital”, “Poster of a Girl”, and “Empty”, the band promoted the album by touring in support of the Rolling Stones in New York City, and Bloc Party in the UK. Following subsequent touring of the UK, including Reading and Leeds Festival, and the rest of the world, including shows in France, Germany, Brazil, Norway and Japan, the band took a hiatus.
During the hiatus, Haines released two records as Emily Haines & the Soft Skeleton, Shaw opened a recording studio, and Scott-Key and Winstead formed the band Bang Lime. Metric’s subsequent full-length “Fantasies” was independently released in April 2009, marking the group’s most successful to date. Selling over 250,000 in one year, the album led to the group winning the 2010 Juno Awards for Alternative Album of the Year and Band of the Year. In support of the album, Metric played shows at Coachella Music Festival and Ottawa Bluesfest, and performed across Canada alongside Tokyo Police Cub and The Dears.
After contributing to the soundtracks of “Twilight Saga: Eclipse” and “Scot Pilgrim vs. the World”, Metric toured in support of Muse and released the remix album “Fantasies Flashback” in 2011. The full-length “Synthetica” was issued in July 2012 on the band’s own Metric Music International label. Led by the single “Youth Without Youth”, the album once again won the Juno Award for Alternative Album of the Year, and also saw James Shaw win the award for Producer of the Year.
Read moreThe concert itself was excellent, although my OH said they were better the last time she saw them. For me, i was really impressed as the show went on as the band warmed up and they got the crowd going.
There was a good mix of old and new stuff. We had taken our 4 kids along of varying ages and the youngest was so tired that she fell asleep but she loved what she listened to. How she managed to fall asleep with that much noise i will never know (the mandatory earplugs provided by the venue probably helped).
What wasnt good (and i want to comment on this because I dont want other fans to be taken in for what i believe to be a complete con) was the meet the band bit organised by (live nation?). I had bought this for my fiancee and then had to buy another one as she didnt want to do it alone. With booking fees, delivery etc these tickets were nearly £100 each. For this they got to chat to the band (briefly), have 1 photo (which had to be approved by the band/promoter) and they got a signed pic and a lanyard that said VIP on it.
As true fans who will, unfortunately, stay as long as it takes to meet whatever band they go to see, this is a total waste of money. The only people who got to sit in the VIP area (in this case the tabled section in the balcony) were the two ladies who worked for vip nation? or whatever they were called.
Definitely see metric if you can. Buy their album. Listen to them on spotify. Support live music. Oh and the support act was good. Check him out.
Just go to 3 gigs rather than waste your money on what effectively amounts to a signed poster and a pic with the band. We have always got both of the above before without having to shell out at least 3 times the normal ticket price.
In summary a great end to their tour.
For those either well versed in the Metric opus or those only acquainted with their most recent hits the Cureapalooza V.3 show was a complete eye opening success. The front band, The Elwins, did a superb job stoking the crowd of nearly 1,000 to a feverish pitch. When Metric hit the stage the audience was overwhelmed with a sound and light plethora that few had ever seen up this close before. Fortunately, I got there prior to the tidal wave of fans and was mere feet away from the stage. At Metric's previous show at the Scotia Bank Arena in April I sat in the VIP section which was nothing compared to last night's 'up close and intimate' affair. The range of songs interspersed with driving tempos and melodic renditions captivated all in attendance. It may be said by some naysayers that all in attendance were die-hard fans, but I went with someone relatively unfamiliar with Metric's work and as she bounced and gyrated to the beat I knew she was hooked! Guitars and percussion were bang on and wildly animated. Emily Haines' voice traversed the gamut of songs in fiery fashion. Her gymnastic gesturing convinced everyone that she was the Queen holding court. I still don't know how Emily can move so gracefully, yet dynamically and still lay out those lilting sounds with ease. All in all, coupled with a multi song encore, Metric demonstrated once again their powerhouse placement in not only Canadian, but International music rankings. Dan Bowyer~~~~~
I saw Metric for the first time at the Deck the Hall Ball in Seattle, Washington at the Key Arena. What an amazing experience. It was one of my first concerts, actually. It was a long time ago, but I remember it vividly. Even though they were a minor part in a large concert series, you could tell that they were a bit naiive and maybe even unexperienced, yet very excited to be there. The group let off a vibe that got the rest of the crowd excited- not only for their show, but all of the ones coming up as well. Emily Haines' sultry sound resonated throughout the building, filling up the stadium to the very back row. The entire band- particularly James Shaw, the lead guitarist, seemed ecstatic to be there. They all danced giddily and interacted with one another in a unique way, almost as if they were experiencing as one soul. Yet- they were all apart from the whole as well, each producing their specially assigned component that is vital to the 'Metric' sound. The intense guitar chords kept the crowd's head bobbing, the fast-paced kick-drum ensured that the seated fan's feet were tapping, and the bass kept the general admission jumping. I look forward to seeing Metric perform again in the future. I know that their sound will continue to progress and develop and mature.
Metric are a four piece indie rock band, led by cooler than cool female vocalist Emily Haines. Originating from Toronto, Canada and founded in 1998 this band are incredibly tight, with perfect on stage chemistry and a look straight from the fashion pages of Vice magazine. Metric have mostly played smaller venues in the USA and Europe, often opening for some of the world's most exciting bands such as Modest Mouse, Arcade Fire and The Rolling Stones. But Metric are so much more than a support act. They have an old school 70's glam rock vibe and tonnes of raw sex appeal that is amazing to watch live. The music is catchy with a contagious beat, even those who haven't witnessed them before will start to move. The crowds aren't usually the most energetic dancers - but Metric don't seem to care with bassist Joshua Winstead dancing enough for everyone and Emily taking over the stage like a younger, sexier Deborah Harry. Songs to watch out for are fan favorites "Dead Disco" from the 'Old World Underground, Where are You Now?' album and "Gimme Sympathy" from the album 'Fantasies.' Fans can also look forward to some amazing bass and guitar solos but don’t expect much crowd to band communication, Metric would rather dance than check up on their admirers.
Metric was awesome for the 15 seconds that they were on stage. The collaboration was missing between the two bands. Metric has rad lights and a great set but none were present at this show. If Billy Corgan was put in the same position, he never would have gone on tour with what other opening act would have relegated him to "just an opener". For the record, Metric is NOT "just an opener". Metric deserved more time.
I loved the (extreeeeeeeeeeeeeeeeemly long) Smashing Pumpkins set but it was too long and I sadly found myself hoping that it was over sooner instead of leaving on cloud nine and craving that it would never end… weird. I was disappointed in the length of both bands.
I’m not sure if it was just poor planning or bullying and selfishness. After 18 years, it’s likely that BC was totally stoked to be back in front of his fans. Either way, I’ll be stalking Metric because I certainly didn’t get enough of them on September 5th.
Metric has just surpassed the Beatles as my favourite band. Yep. THE BEATLES.
Probably the only reason I say that is because you can't go back in time and see them live. But man, Metric here at the smaller Roseland Theater was better than seeing them at the Moda Center. They're genuinely talented musicians. Hearing them live is even better than they're already exceptional recordings. And they're so great to their fans. Metric isn't a band touring to get publicity for their new album. They perform because they love music. And they love people that share that love.
Metric is fan loyal. I love that. Every artist could learn a lot from Metric as far as performance, fans, and being true to who you are is concerned.
Thank you for the best concert of my life, Emily, Jimmy, Josh and Joules. That hour-long stand in the rain was more than worth it.
Phenomenal venue and a speechless performance. ☆☆☆☆☆ I loved so much that the band has the vip show members on stage to sing with them and also the wide variety of songs they performed. I saw them open for imagine dragons in Omaha which wasn't too great personally due to the lack of intimacy since it the show was held in an huge arena and tickets were Hella expensive, not to mention they weren't the headliners. I also saw them in Tulsa at Caines ballroom which was also a very nice venue that had less attendees so it was roomy for the patrons. But this venue and show was by far the best experience I've had seeing one of my favorite bands.
Saw Metric twice! First time in San Diego this was a great concert even with the "interesting" weather! Thankfully it cleared before Metric hit the stage and We thoroughly enjoyed the night! Our second time was in Riverside at the Riverside Municipal Auditorium! A very beautiful venue! The show was full of energy and Metric was great! Sadly the sound was off, several other fans and I discussed this, Emily's vocals were too low and the guitar and bass almost drowned her out :( I have seen other shows here and this was not a problem then so I don't know what was going on. Other than that Metric rocked the house!!! I LOVE Metric!!!!!
It was fabulous! The wind made an appealing touch, the lighting was wild, and of course the music was outstanding :) the people around me were kind of lame, but I stood up alone and grooved my lil heart out. I was dancing solo, but who cares when you have an A band preforming for you ,right? I was so into the music, after a few minutes nothing else mattered except me jamming out to one of my favourite bands ❤ come back soon please! Had an amazing time, and I truly mean it. Imagine dragons was FAB too:) thanks guys for coming out! Higily appreciated
Do you have a band you love so much you'd suspend your life for a while to follow them on tour, city to city, like a modern-day Deadhead? That's me and Metric. I haven't actually followed them, but I've seen them twice at the Masonic, and also when they opened for another artist last year in Oakland.
Metric put on a tight, focused show last night, with an emphasis on the more familiar hits from their large catalog. The sound mixing and light effects were on point, and overall it was another magnificent show.
I can't want to see them again.
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