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The SSE Arena, Belfast
3Arena
AO Arena
Utilita Arena Cardiff
BP Pulse Live
Utilita Arena Newcastle
OVO Hydro
Utilita Arena Sheffield
The O2
The Corrs (formed in 1991) is an Irish family pop, rock and celtic fusion band, best known for their third full-length pop album “In Blue”, hailing from Dundalk, Country Louth, Ireland.
Prior to the formation of the Coors, siblings Jim and Sharon Corr began playing music together at their aunt’s pub, McManus’s. Fellow siblings Caroline and Andrea Corr subsequently joined and the Corrs was born. The group’s breakthrough came when they landed roles in the 1991 film, “The Commitments”, and secured John Hughes as their manager. Following a successful show at Whelan’s Bar in Dublin, the group were invited by the U.S. ambassador for Ireland to play at the 1994 FIFA World Cup in Boston.
After singing with Atlantic Records, the Corrs released their debut studio album “Forgiven, Not Forgotten” in September 1995. Combining the traditional celtic fiddle work and vocals with folk and alternative rock, the album spawned the singles “Runaway”, “Forgiven, Not Forgotten”, “The Right Time”, and “Love to Love You”. In support of the record, which charted in over 18 countries, the Corrs embarked on a world tour from April 1996 which included Europe, Australia, Asia, America, and Canada.
The band’s sophomore album “Talk On Corners” was released in 1997 and produced by Glen Ballard, known for his work with Alanis Morissette. Aided by the Top 10 singles “Only When I Sleep”, “I Never Loved You Anyway”, “What Can I Do”, and “Dreams”, the record catapulted the group to UK success, topping the Irish and the UK Albums Chart. The Corrs’ third full-length to date, “In Blue”, followed in July 2000, marked by a move towards mainstream pop and away from celtic traditions. Toping the charts in nine countries including the UK, Ireland, Germany, and Australia, the record produced the singles “Breathless”, “Irresistible”, and “Give Me a Reason”.
In 2001, the band issued the compilation “Best of The Corrs” before contributing to Josh Groban’s debut album “Canto Alla Vita”. The Corrs subsequently performed a successful show at Ardmore Studios in which U2’s Bono and the Rolling Stones’ Ronnie Wood made appearances, which culminated in the live album, “VH1 Presents: The Corrs, Live in Dublin”. Returning to their folk rock roots, the band’s fourth studio album “Borrowed Heaven” arrived in May 2004. Led by the singles “Summer Sunshine”, “Angel”, and “Long Night”, the record didn’t prove as popular with mainstream audiences however was seen as a return to form.
Completely dropping the mainstream pop influences, released exactly 10 years after “Forgiven, Not Forgotten”, the Corrs’ fifth studio album “Home” arrived in September 2005. Earning a string of positive reviews, the record went on to sell over a million copies, led by the single “Heart Like a Wheel/Old Town”.
Read moreThis was the first time I'd seen the Corrs since their memorable St Patrick's Day gig at the Royal Albert Hall in 1998, in part due to them taking a decade break from 2005. The other reason for that was the gradual move towards mainstream pop, and starting to play at Arenas such as this, which made them a lot less appealing. The Corrs are not suited to arena gigs - their sound is just, well, not big enough. A theatre is much more them.
Anyhow, this was at the O2 arena, and to be fair they made a good fist of it. However, too often they were neglecting their roots (e.g. playing a medley of great folk instrumentals, rather than giving the songs the time they deserve, and playing them in full), and particularly Sharon's fab fiddle playing. When they did go back to them (e.g. on 'Toss the Feathers', and 'Radio', with an excellent extended fiddle outro), they were excellent, there just needed to be more of it. And there needed to be more, full stop, with the set around 1 hr 45 minutes, at least 15 minutes too short for an established act.
The set was also far too heavy on their second album 'Talk on Corners', with 6 songs from it played (including 'Dreams'), although a couple of the highlights - a very rocky 'So Young' and 'Queen of Hollywood' (featuring a storming guitar solo) - were from that album.
All, in all, a good gig, albeit one with ups and downs - and well worth seeing.
With countless platinum selling albums and singles released over the years, the Corr siblings continue to produce and perform their famous combination of traditional Celtic Irish themes, with pop/rock music which maintains its appeal of originality. When I saw them in concert, the night flew past, it all seems like an incredibly magical blur. I was lucky enough to get tickets for myself and a few friends in Manchester, and it really was the best gig i've ever been to. There was something extremely special about seeing the musicians perform with such passion and enthusiasm to such a vast audience, whilst seeming to personally interact with everyone in the concert hall.
They came to the stage just after 19.30, to the backing track of a prerecorded introduction that fuelled the enthusiasm of the audience even further. They launched straight into their first song without any introduction, which created tumultuous screams from the fans. After a few of their classics, they stopped to introduce the show, and thank us for being there which was really great. I loved how they played a great balance of the classics, really well known songs, and also some of their new material which is great! A simply unbelievable concert, don't miss out if you get the chance to go.
Hi, I am 72 years old, and I believe i am one of the eldest followers\fans of The Corrs.
I follow this wonderful group ever since when the first album "Forgiven Not Forgotten" was launched in 1996, and after having listened to it, I haven't rested until I bought it. I own the whole band's discography either in CD's and DVD's and I was present in the first live concert in Portugal - Braga when it took place in 2005, it was a spectacular performance and one of the last before the band fell apart, and since it did I became interested in Sharon Corr and her performances instead. Which remind me of her concert in Galicia - S. Tiago de Compostela in the Lope de Vega theater, and in Dublin - The Sugar Club in which I was also present.
In regard to what I think about the White Light Tour in Dublin - Arena 3 no words can describe it, it was the best concert I watched in my whole life and is one that I will forever remember.
I was touched by that performance and the experience it was. Easily the best concert of The Corrs for me, they know how value the merit given to them by their fans and naturally you can count on me in future events.
Best regards from Domingos Silvestre.
Ireland has produced good musicians & great musicians over the years but The Corrs would be very top of the pile.
I'm an Irishman living in Australia for many years but my sister lives in Jenkinstown Dundalk.
Every time I visit I hope I might run into one of The Corrs in a local pub, well no harm in dreaming!
Really hoping the Corrs might do a world tour in the next few years?
I'm thinking most of the band members are married now with families so it's probably very difficult to tour these days.
The Corrs are adored worldwide & especially here in Australia.
That raw fresh Irish sound which is so original comprising the fiddle, tin whistle etc. to the pure voice of Andrea,there is simply nothing else like it.
The entire Corr family are just so talented & when they combine the music they create together is just magic!
Please Corrs try to do a tour in the next 3 years? I seriously would go anywhere in the world to see you again in concert.
This was not just a Corrs concert. It was their first performance in 11 years!
We've been following them for years so when we heard that they were working on a new album and were expected to perform at BBC Radio 2 Live at Hyde Park we were very excited!
Before their set, a clip of their hit songs and some live footage was shown, getting cheers from the audience.
They played a 30 minutes set which included Breathless, Runaway, Dreams, What Can I Do, Radio and Toss The Feathers.
There were some technical problems during the first song and it was clear they were very nervous, but who could blame them! They probably weren't sure of the audience reaction but they really had nothing to worry about, as everyone was clapping, cheering and singing along. Runaway was a very emotional moment!
It was great to see them back on stage together and, if anyone is wondering, YES, they still got it!!
I had seen the Corrs live twice before but after a gap of 10 years and a rather subdued performance in Hyde Park (seen on TV) I was concerned that the family band may have lost their touch.
Seconds into the set I felt reassured and by the end I knew they are back, back, back.
There was an instant standing ovation from their first appearance on stage which continued throughout the set.(NB: if you like sitting get a banked seat)
A mix of fast, slow, new, old (plus the 'traditional section') would have pleased most fans.
The new album 'White Light' was given a fair hearing but sprinkled throughout.
The staging was also up to standard with projection and various light effects enhancing the music rather than being a distraction.
There was no escaping the warmth of affection between audience and the group and I was pleased to witness the first leg of the revival
The Corrs at Epsom Racecourse on a cold windy evening did not seem a promising prospect -any more than the 50-1 outsider that I backed, but how wrong I was. With the strong wind blowing into their faces the whole concert they were magnificent, even more polished than they were when they were last touring. They performed the best from their extensive back catalogue including all the hits plus their wonderful repertoire of traditional irish songs faultlessly, and a few new songs, I guess from their new album thrown in. Their one and a half hour concert just flew by and sadly the crowd were not granted 'more'. Despite contending the wind full on, the sound mix was excellent. If I was being a bit picky, maybe the vocals could have been a bit louder. If you liked the Corrs don't miss seeing them. You won't regret it. Forgiven for the break, and definitely not forgotten
Llevo desde los catorce años deseando ir a un concierto aunque sólo sea una vez e intentar conseguir sus autógrafos y una foto con ellos.
Su música me ayudo a superar una gran depresión con intentos de suicidio, al ser agredido sexualmente a esos 14 años.
Ellos me dieron fuerzas a salir del hospital en
donde estaba paseándome por un pasillo muchas veces (tres meses) y algo cambio en mi.
Si consiguiese hace realidad este sueño, podría dejar atrás ese horrible suceso porque si no lo hago para mi, no tiene sentido la vida.
Una vez tocaron en el monte do gozo y no pude ir.
Pagaría millones de euros para poder estar a su lado y dejando de lado la firma y sus autógrafos, también fallé en poder conocer a sus padres T.T
Blenheim Palace 24th June.What can you say? Send out the ever popular Caroline to energise the crowd with a drum solo before launching into 'I do What I Like' . As always a rock based opening with well established favourites before slowing down to the 'Irish' and acoustic sections.Kiss of life and Ellis Island are becoming fan favourites. Andrea , delightfully, couldn't understand why the crowd laughed when she introduced Ellis Island as a song about immigration!We all joined in with Runaway, stood for Breathless and generally had a superb time.Only dampener was the band not being allowed to play 'toss the Feathers' as they reached the site curfew time.Shame on you BP.
I adore The Corrs and have every CD. Looking forward to their new CD release on Nov 10th! I’ve seen them in the states at the Jones Beach Concert Hall on LI, saw Sharon perform at the Bolton Center in Bayshore, NY, and again saw The Corrs at the Titanic in Belfast in 2016. Their beautiful lilting and uplifting music is a joy to listen to, and their stage presence is vibrant!
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