Calling all creatives! Applications are now open for the 2025/26 Adobe Creative Residency at the Victoria and Albert Museum!
We are thrilled to be able to support three artists for a 12-month residency at V&A South Kensington. Find out more about the 2025/26 Adobe Creative Residency and apply here - https://lnkd.in/et5pHEmb
Watch the BSL versions of the Open Call below :
Mosaics and Ceramic Tilework Residency 2025 - https://lnkd.in/eJi5Twni
Inclusive Design Residency 2025 - https://lnkd.in/eSgUfqKg
Photography Residency 2025 - https://lnkd.in/eHHQmTAQ
Information on how to apply - https://lnkd.in/ekpw8HEP
The Adobe Creative Residency is supported by the Adobe Foundation.
We are pleased to announce that the Smartify app—first introduced in the Bela Lyon Pratt Gallery of Numismatics in spring 2022—is now available for use throughout our permanent-collection galleries. By using your smartphone or tablet to scan the artworks you encounter in the museum, or even entire groups of objects presented in vitrines, you can view additional photography, enjoy audio and video content, and more. Smartify can also be accessed remotely, whether from home or elsewhere, to explore the growing number of works on display at the Gallery. To download the app (or, if preferred, to open the web-based version of the software), scan one of the QR codes located at the front desk, throughout the lobby, and in the elevators or visit smartify.org for the web-based version.
https://lnkd.in/eVzruhEe
Yesterday, I had the pleasure of visiting the "Tell me more" exhibition at the Museum of Contemporary Art in Herzliya. It was truly a delightful experience, and I highly recommend exploring its 3D scan, especially since yesterday marked the exhibition's final day. During the guided tour, I was particularly moved by the story of Shmuel Katz.
Shmuel (Alexander) Katz, an Israeli painter, illustrator, and cartoonist, gained fame for his enchanting illustrations in the children's story "An Apartment for Rent." What struck me most about Katz's story was his interdisciplinary approach. He seamlessly integrated his artistic talent into various mediums, from painting to concrete walls and ceramic tiles.
Katz's ability to transcend traditional boundaries and express himself across different fields resonates deeply with me. As someone studying user experience design, I aspire to follow a similar path of interdisciplinary exploration. Typography, illustration, and animation are just a few areas where I see myself developing, driven by my passion for creativity and innovation.
1-54 is glad to continue its Global Media Partner with Art Review for Marrakech 2024!
From our Global Media Partner ArtReview
For the February issue, ArtReview asked its editors and a range of international artists to highlight their Future Greats, a broad and subjective category for what is essentially a group of less-established artists they think merit particular attention.
But tapping into the biennial and art-market stars of tomorrow isn’t really the point of Future Greats. It’s more about highlighting those who are making art that they find exciting and alluring, and who they think might be offering new definitions of what art can be. These artists, whether working in photography, film, puppetry, performance or sculpture, are capturing a complicated present as they seek ways through to future possibilities.
ArtReview launched its first Future Greats issue in 2007; many of the artists featured (Anne Imhof, Chris Evans, Thomas Zipp, Paulina Olowska, to mention just a few) are still readily recognisable names. In contemporary art, there’s often the impression that novelty, velocity and visibility are the markers of success. A cycle of new faces, changing endlessly, some of them destined to become art ‘stars’. (Who would have thought, during the early 2000s, that during the 2020s artists could become overnight ‘names’ on Instagram?)
But who are they new to, and great in what way? Sometimes it’s also about where, and how, people are paying close attention. This year’s ten up-and-coming artists have been selected by a mix of more-established artists and ArtReview’s editors.
Last week, I had the opportunity to contribute several images to an art story in the “Insight” section of the Toronto Star Here are some key takeaways from my experience photographing art in public spaces:
1. **Traditional Photojournalism Feature Images:** Capture the essence and context of the artwork in a way that tells a bit of a story.
2. **Interaction Between Geometry and Humans:** Look for moments where the artwork interacts with the surrounding geometry and the people passing by, adding a dynamic element to the image.
3. **Offbeat Moments:** Seek out unique, unexpected moments where the artwork remains prominent yet engages creatively with its environment.
These strategies might add a little visual storytelling to images but mostly serve to bring out the unique character of public art installations.
Richard Serra’s sculture Pearson Toronto Airport is a good example.
#Photojournalism#PublicArt#Toronto
What Makes an Image Iconic?
In conversation with Iconic Images Gallery
What transforms an artwork into an icon, an image that transcends time and space to embed itself in our visual culture? The journey to uncover what makes an image iconic is not just about appreciating a single frame or a stroke of genius: it is about dissecting an intricate tapestry of stories, eras, and innovations that converge in that decisive moment of creation. Indeed, true ‘icon’ status is attributed only to the most unforgettable and ubiquitous images of our time.
Read now: https://lnkd.in/gjRqNWHd
Colors of Humanity Art Gallery "WET PAINT" 2023 Call for Entry - Online Art Show - THEME- "Wet Paint" This show is open to any subject matter as long as it uses any type of paint. PAY IT FORWARD- We will be donating 10% of all entry fees from this show to Habitat for Humanity. Habitat for Humanity’s vision is a world where everyone has a decent place to live. Colors of Humanity Art Gallery, LLC is not affiliated with Habitat for Humanity. ELIGIBILITY- All artists 18 and over may enter. MEDIA- artwork must contain some form and amount of PAINT JUDGING CRITERIA- Originality, interpretation, quality, demonstration of ability, and usage of medium JUROR- Janelle Cogan ENTRY FEE- $20 for 1 or 2 pieces (You may enter more than once if you have additional works.) AWARDS- A cash prize will be given to the Best of Show winner. Additionally, the Best of Show winner will be featured. His or her artwork will be on the cover of the show and it will be largely displayed with an article about them and their work. Other winners will be featured and have similar recognition. All accepted works will be displayed with the artist name, title of work, and a link back to their website, or email address if they do not have a website. SALES- All sales are conducted solely between the artist and the buyer. Colors of Humanity Art Gallery does not handle any part of the sale or collect any commission. DEADLINE: August 15, 2023. https://lnkd.in/eY3a28k2#TheArtList#ColorsofHumanityArtGallery#WetPaint
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