urbanuncut GmbH’s Post

Possible futures

check here the full show of Jacquemus

Pleased to have supported on the comms strategy for the launch of Omenai Gallery, a hybrid, digital-physical model taking up its first physical space in Chicago's West town. ✨ Omenai, Inc, the gallery's parent company, was founded by Gbenro Adeyemo, who in 2021 launched the social media and editorial platform as a means of connecting African diasporic communities and democratising global access to contemporary African art. Collectors, artists and enthusiasts began engaing with the platform in novel ways, building circuits of trusts that would prompt Adeyemo to organically expand his mission into physical, exhibiting space. The move signals the importance of digital technology in transnational community building, and also presents new opportunities for cities, such as Chicago, to meaningfully and positively impact the ever-global, African art market. Presenting the works of Kwaku Osei Owusu Achim, in the artist's first ever solo exhibition, Omenai Gallery's inaugural exhibition opens to the public today. Click here for a recent article by Art Report Africa, for more details on the launch 🌟: - #contemporaryartmarket #chicagoartmarket #contemporaryafricanart #artbusiness

We love this piece from @rafarusan64! Unveil the layers of 'Fauna': What seems like a spontaneous burst of color is, upon closer look, a careful meticulous work built on decisions and raw emotions. Step into this wonderful dance of creativity, where every detail tells a story! For more of Rafa's art, follow him on IG! @rafarusan64 www.three43.com #digitalcollectibles

Photo : Taken in Nov 2003 at Museum, OLD GOA. After two decades this 2003 thought provoking photo formed the very base to write & create ALIEN's WORLD Sci-Fi movie story with enviable alien characters (on the anvil) ought to be the HOLLYWOOD production of highest budget as well as likely to be the highest grossed ever in World Cinema History. After it's release of first part, it will pave way for a radical transformation in world's geo, political, military, law, economic & science marching towards war free one world. # ABR's Alien's World Sci-fi movie (on the anvil).

Check out this post, this art and our observations

Beyond the current fog of hype and hysteria around AI, there are an abundance of both opportunities and challenges. In my new promo video, I give a highlight of what I typically talk about in my keynotes. A HUGE thank you to my excellent producer Morten Brøndmo and amazing headshot photographer Kristoffer Sandven! #artificialintelligence #generativeAI #responsibleAI https://lnkd.in/d6UWUhQF

“SUBLIME STONE 2024” By the artistic director of the event Bettino FRANCINI, president of the international association A.I.E.S.M. A new edition of Pietra Sublime returns to Cavriglia. It is a project that connects art with places and their use; that art which in all its forms is capable of regenerating, of dialogue, of conflict, of questioning our being in the world. What could a life be without art? How could we love life without loving ART? These are questions that I often ask myself together with the other artists who will work for this new Cavrigliese edition.

Have you seen 'Imagined Fronts: The Great War and Global Media' yet? This exhibition explores how the media spectacle in which we live had origins in World War I, and considers how it was able to mobilize the masses, imagine the battlefield, and contain the aftermath. With 200 objects by artists, war photographers, filmmakers, and soldiers, Imagined Fronts explores the relationship between mass media and artistic imagination ↓

How do you approach editing a film with a strong story? Video editing is much more than a series of technical cuts. It's an art that provides rhythm to the narrative, shapes emotions, and ensures that each scene reinforces the film's overall message. Our editing decisions shape how stories are perceived and felt. In recent years, I had the opportunity to work on a documentary with an exceptional story, "The Oath of Cyriac." From the beginning, I was captivated by the story, so much so that I transcended my role as a video editor and became a co-producer of the film. This experience showed me how deeply immersing oneself in the narrative can expand our role and impact in cinematic creation. My deep commitment to the film's story enriched every editing decision I made, allowing me to weave the nuances of the plot with increased sensitivity and meticulous attention to every detail. Working closely with the director, we explored different ways to present the narrative, which sometimes led to bold choices but always served the powerful story we wanted to tell. Today, journalist Rolf Brockschmidt from the excellent newspaper Tagesspiegel has brought this story to the forefront of the German public, and I am deeply grateful to him. I also want to thank the entire film team and all the actors. Without them, none of this would have been possible, and they deserve recognition for their work! I invite you to share your own experiences with editing films that have a strong narrative charge. How has your personal connection with the story influenced your editing choices? How do you handle the challenges of respecting the director’s vision while adding your personal touch? #VideoEditing #Storytelling #FilmEditing #Cinema