Our London studio has an exciting opportunity to join our 2D Team on a permanent basis as a 2D, VFX Supervisor. Experience within advertising and being ambidextrous across Flame and Nuke are essential for this role. Apply below or reach out to matt rock for further information: https://smrtr.io/m2MBr #careersatthemill #themill #vfxjobs #Compositingjobs
Sharing this.
Shooting for VFX can get quite technical, it's best to have someone from the VFX team or a VFX supervisor on set. However, on smaller projects, that might not be possible. Don't worry though! Even a basic understanding of the technical side can make a big difference. Here are some key tips to remember when shooting for VFX. 😎
this is pretty accurate
Applying for a job in VFX during the current times has me like: (Any resemblance with Digital Domain’s recent post is purely coincidental) #vfxjobs
🌟 Excited to Share My Recent Work! 🌟 As a VFX Compositor, I've recently had the opportunity to work on some exciting projects that involved creating clean plates. Clean plate creation is a crucial part of the VFX process, where I meticulously remove unwanted elements from footage to provide a seamless background for adding visual effects. 🎬 **Key Highlights:** - **Precision and Detail:** Ensured the removal of all unnecessary elements while maintaining the integrity of the original footage. - **Collaborative Effort:** Worked closely with other departments to ensure the final output met the project’s visual standards. - **Enhanced Visual Storytelling:** Contributed to creating visually stunning scenes that enhance the narrative and overall production quality. I'm proud of the work I've done and excited to continue pushing the boundaries of visual effects. Check out some before-and-after examples of my clean plate work below! #VFX #Compositing #CleanPlate #VisualEffects #Filmmaking
🎥 Life in VFX: Where's the Next Adventure? Chatting with my dad today, he was stoked to hear the strikes were wrapping up and threw a classic dad question my way – "So, how do you get your next VFX gig?" Honestly dad, I don't know, it's different everytime. As a VFX Supervisor, the 'where' and 'how' of landing the next project is a bit of a mixtape – different tune each time. 🌴 LA Showrunners & The Vancouver Vibe: Sometimes (and almost always preferably) you get brough on early in the prep of a series of feature directly at the studio level. Being based up here in Vancouver while the showrunners are soaking up the sun in LA can be a bit like shouting across a canyon. But hey, it's all about making sure your echo carries. 🤝 Old Pals, New Gigs: Sometimes it's the local PMs or those cool (and almost always attarctive) post supervisors that I've worked with before. Getting the band back together. 🔄 The Referral Boomerang: Most often it seems to be those solid gold recs from other VFX pals who are too swamped to take on more. Of course thats just Production Side, not even counting the Vendor side which is its own wooly animal. So, what's the secret sauce? A little bit of who you know, a sprinkle of right place-right time, and a whole lot of just rolling with it. Curious about how you all find your way through the VFX jungle – hit me up with your stories! #VFXLife #CareerPaths #Networking #BehindTheScenes #VFXCommunity
VFX Artists! I have a big ask. I need your help! 🙏 I need a moment of your time in order for us to continue to shape the future of ActionVFX through a research study that I'm conducting! Ever since the beginning back in 2016, we have always put surveying VFX Artists at the forefront of anything we've built. (Putting the end-user at the start of the process. Weird, right? 😜) And today is no different! I know that this is a season where unfortunately a lot of VFX Artists have a bit more time on their hands due to slowed production. And while this survey doesn't explicitly focus on the current economical status, having as many submissions to this as possible greatly influences the impact we're able to have on your specific career long-term. Who is this survey for? 👇 Visual Effects professionals that have used ActionVFX at some point in their career. Whether as a VFX Producer, VFX Coordinator, etc! It's estimated to take about 6 minutes to complete. But I've made it as streamlined and painless as possible. 😄 After completion, it would mean the absolute world if you would share this with your industry colleagues. This research period will only run for a short time, so we're trying to gather as much information as we can. We have some huge plans for the end of 2023 into 2024. And I can't wait to show them to you! 🔥 🚀 Link to Research Survey: https://lnkd.in/gnubQWsm #VFX #visualeffects #postproduction #2d #3d #animation #compositor #vfxsupervisor #vfxartist #vfxcoordinator
Meet Team Covert: Daniel Andrew - Creative Director | VFX Supervisor. Read more about Dan's career and vision for VFX's future in our latest article. Dive into his story and discover why he's the perfect fit for Covert. 👉 Check it out here > > https://lnkd.in/e_7AsKZE
This will be a bit of rant of what VFX sup is supposed to do, what is VFX sup's real job. Yesterday I had a chance to share a stage with great crew that made a film that won #Palme D'Or on #Cannes film festival. We had screening and great people from Croatian audiovisual center presented to each of us with a smal replica of Palm D'Or. It was realy nice gesture. Because film is a team work. I worked on that film as VFX supervisor. And it ended up having almost no VFX at all. So question is: why I'm so proud of working as a VFX sup on film having almost no VFX? In my opininion my job, as VFX sup is not to push as much work as possible into VFX studio. My job is to help director tell his story in best way possible while keeping production on budget. In this film, in beginning, we were supposed to do whole lot of environments. Actually almost all environments were supposed to be made with CGI. But we knew that it will be almost impossible to do all of it on time and on budget with quality that it requires. So I spoke with director and we looked at what we REALLY need to show and realized that with slight change to micro location and few tweaks of camera positions and bit fogging of windows we could get almost all environments needed in cammera. And get decent time and money for few shots that realy needed VFX work. That, in my opinion, is real job of VFX sup. To work in a team. To underestand what is emotion and vision that director wants to show. And help team to produce the best possible film with given constraints. And that is why I'm so proud to be a VFX sup on film that had almost no VFX at the end. Thank you #antitalent, Nebojša Sljepčević and #Poster for giving me this oportunity. #VFX #VFXsupervisor #Cannes
VFX, CG & On-set Supervisor | Compositor & Online Artist | Offline Editor | GenAI Explorer
1moDo people like this even exist??? I once had a friend who had a friend whose friend heard his other friend had a friend who was, you know, LIKE THAT, fully ambidextrous.