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Check out the collaboration CRUX Technology and Security Solutions were able to provide for Mansfield ISD. 🎭 Elevating Performances with the Right AV Equipment! 🎬 As we continue to celebrate the magic of the performing arts, it's crucial to acknowledge the pivotal role that state-of-the-art Audio-Visual (AV) equipment plays in creating unforgettable experiences. 🎶🎥 🌟 Unparalleled Immersion: Imagine being transported into a different world, where every note resonates crystal clear and every visual element is showcased in stunning detail. The right AV equipment transforms a regular performance into an immersive masterpiece, captivating the audience's senses and leaving them spellbound. 🔊 Crystal Clear Acoustics: In the heart of any performing arts center, impeccable sound quality reigns supreme. The perfect harmony of audio elements enhances the emotive power of live performances, ensuring that every whispered dialogue, crescendo, and thunderous applause is heard with utmost clarity. 🎨 Visual Spectacle: From intricately designed stage setups to larger-than-life projections, visual storytelling is taken to new heights with cutting-edge AV equipment. Lighting, projections, and displays work in tandem to create captivating visual narratives that resonate with the audience on a profound level. 💡 Technical Precision: Behind the scenes, the right AV equipment empowers performers, technicians, and directors to bring their creative visions to life with precision. Seamless integration of technology minimizes disruptions, allowing the focus to remain solely on the artistry unfolding on stage. 🚀 Elevating Talent: Just as a painter needs the finest brushes and a writer requires the perfect pen, artists thrive when they have the right tools at their disposal. The right AV equipment empowers performers to unleash their full potential, pushing the boundaries of creativity and leaving audiences awestruck. 📈 Attracting Audiences: In today's digitally connected world, word travels fast. A high-quality performing arts center equipped with top-tier AV infrastructure not only delights existing patrons but also becomes a magnet for new audiences seeking extraordinary cultural experiences. Let's continue championing the arts by investing in the right AV equipment. Together, we can cultivate an environment where performances transcend the ordinary and venture into the realm of the extraordinary. Here's to a future where technology and artistry coalesce, enriching our lives through shared moments of beauty and inspiration. 🎉🎭 #PerformingArtsExcellence #AVTechnology #ArtistryUnleashed #UnforgettableExperiences

Wow what an honour to be recognised and make it into, for the very first time - The Stage top 100 for 2024! We couldn’t do it without all our amazing teams, cast and performers and everyone who makes our family business what it is. Team @entertainersuk A big thank you to KWPR and everyone involved. Dynamic father and son duo Michael Taylor & James Taylor, who run entertainers from their Canvey Island HQ - have made THE STAGE 100 - for the first time! The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. https://lnkd.in/ds8SBGYx The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. It is considered from the point of view of The Stage, as a trade publication, and so focuses both on theatre as a business and an art form. Inclusion within the list and ranking is weighted towards impact over the past 12 months. We also aim to have a list that – as much as is possible and plausible – reflects the astonishing breadth of the theatre industry. However, the list also seeks to reflect how the theatre and performing arts industry is, not what it aims to be, or we would like it to be.

Wow what an honour to be recognised and make it into, for the very first time - The Stage top 100 for 2023! We couldn’t do it without all our amazing teams, cast and performers and everyone who makes our family business what it is. Team @entertainersuk A big thank you to KWPR and everyone involved. Dynamic father and son duo Michael Taylor & James Taylor, who run entertainers from their Canvey Island HQ - have made THE STAGE 100 - for the first time! The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. https://lnkd.in/d7R-YZnH The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. It is considered from the point of view of The Stage, as a trade publication, and so focuses both on theatre as a business and an art form. Inclusion within the list and ranking is weighted towards impact over the past 12 months. We also aim to have a list that – as much as is possible and plausible – reflects the astonishing breadth of the theatre industry. However, the list also seeks to reflect how the theatre and performing arts industry is, not what it aims to be, or we would like it to be.

The performing arts have always played a crucial role in human culture and society. They help to stimulate the imagination and creativity of the audience. That is what Jeremy’s presentations of biblical scenes can do for his audience. For more information, visit: https://lnkd.in/gtFkAdWk #powertoremember #scripturealive #scripturememory #powersystem #blogpost #scripturememorization

🔔 Calling all performing arts schools Get ready to take control of your finances with our latest blog 💪 If you are looking for ways to increase revenue and grow your school, this one’s is for you 🫵 Access it for free here ➡️ https://bit.ly/3V9ony3 #LoveAdmin #PerformingArts #RevenueBoost #GrowYourPerformingArtsSchool #RevenueGrowthStrategies

We started our Interpreting the Word Catechism. Check it out! #biblicalinterpretation #visualtheology #onlinelearning

Event tip: BECOMING PUBLIC! Governance and Audience Development for Cultural Democratisation in Public Theatre in Germany, France and England. Die Veranstaltung findet in englischer Sprache statt // The event is in English. How public is publicly funded theatre? This question concerns both the (political) governance of theatre and theatre-making itself. And it is more topical than ever: in the wake of the much feared and discussed audience decline in connection with the COVID 19-pandemic, there is increasing discussion about how publicly funded theatre can and must actually be public, who is responsible for it and how it can succeed in reaching as large a public as possible. Date/Termin: 2.11.2023, 1 pm – 10 pm & 3.11.2023, 9 am – 2 pm Place/Ort: Podewil, Klosterstr. 68, 10179 Berlin You can register untill October 25th here: https://lnkd.in/eDKtWT6P Kulturpolitische Gesellschaft e. V. is cooperation partner of this event.

"Fake it til you make it" Agreed? Then why not take it a step further: If you can fake it well enough, why even bother to ever make it at all? Public funding for school arts programs has been gutted in recent decades on the grounds that it's fluff. But if all you really care about is a kid's ability to make money as an adult, think again. You should be demanding that theatre arts be a required element of every school curricula. What's the point of having a certain level of workplace skills if your competition, having lesser skills, can successfully fake that they in fact have more than you, or that they are more productive? Emojis have become a hugely popular crutch to compensate for feeble communication skills, having little of substance to say or just to cover up the unpleasant. But why settle for a static cluster of pixels as the go-to in your BS toolbox? Consider how much further you can go with training in voice, body language, dramatic pacing, staging, etc. Imagine the power of embodying an emoji on steroids, capable of unlimited, on-the-spot shape shifting and improvisation! Those who understand this are already among us and getting ahead (or hanging on against odds). #theatre #arts #fakeittillyoumakeit

The desires and needs of theatre makers and audiences are not mutually exclusive- nor are the crises each are facing. There is so much potential to engage in research, redefinition and elevation of community right now. From new economic models (LEAD, Doughnut Economics etc.) to rigorous ecological care, theatre as an art is not dying but demanding new structure to thrive. Non-profit theatre is perhaps the bellwether to the larger wear on non-profit scaffolding that demands robust structural reconsideration on governmental civil and economic levels. May we lead transformation amidst crises. For the lives of so many stakeholders of these organizations: may we all demand right relationship and respectful, humane care amidst transformation.