We are proud to be supporting the upcoming Theatre Conference event, organized by the Society of London Theatre and UK Theatre. This event is a great opportunity to engage with industry leaders, explore innovative ideas, and celebrate the vibrant world of theatre. Our team is looking forward to attending, and we can't wait to connect with fellow theatre enthusiasts and professionals. Will you be joining us? #TheatreConference
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Here’s the link to sign up for our #ActGreen 3 webinar. The biggest and most comprehensive view yet of audience views on sustainability in cultural organisations.
Did you see our CEO Katy Raines at Society of London Theatre & UK Theatre #TheatreConference speaking on the benefits of connecting with audiences on sustainability? Our third year of #ActGreen ran throughout May. Come along to our findings webinar on the 27 June, hosted by Supercool: https://lnkd.in/d3RJiQm
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Mmm, fascinating. Are audiences choosing to engage with digital innovations in theatre? I certainly love it, but will our older audiences? And not surprised at all to find out that younger theatregoers are most likely to have experienced digital theatre. A fascinating read, thanks Creative Australia.
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Wow what an honour to be recognised and make it into, for the very first time - The Stage top 100 for 2023! We couldn’t do it without all our amazing teams, cast and performers and everyone who makes our family business what it is. Team @entertainersuk A big thank you to KWPR and everyone involved. Dynamic father and son duo Michael Taylor & James Taylor, who run entertainers from their Canvey Island HQ - have made THE STAGE 100 - for the first time! The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. https://lnkd.in/d7R-YZnH The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. It is considered from the point of view of The Stage, as a trade publication, and so focuses both on theatre as a business and an art form. Inclusion within the list and ranking is weighted towards impact over the past 12 months. We also aim to have a list that – as much as is possible and plausible – reflects the astonishing breadth of the theatre industry. However, the list also seeks to reflect how the theatre and performing arts industry is, not what it aims to be, or we would like it to be.
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ICYMI: Drumroll please, for the results of the 2023 Youth Theatre in Scotland Sector Review, the national survey that helps us identify how we’re all developing as an overall youth theatre sector, and how we can develop further. Findings from the research provide a snapshot of youth theatre provision in Scotland in 2023 and how it compares it to the sector in 2015 and 2020. The findings help YTAS to capture the big picture, and sharpen the focus of our work. Read the full report and our findings over at https://buff.ly/4atAU5a
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ICYMI: Drumroll please, for the results of the 2023 Youth Theatre in Scotland Sector Review, the national survey that helps us identify how we’re all developing as an overall youth theatre sector, and how we can develop further. Findings from the research provide a snapshot of youth theatre provision in Scotland in 2023 and how it compares it to the sector in 2015 and 2020. The findings help YTAS to capture the big picture, and sharpen the focus of our work. Read the full report and our findings over at https://buff.ly/4atAU5a
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Wow what an honour to be recognised and make it into, for the very first time - The Stage top 100 for 2024! We couldn’t do it without all our amazing teams, cast and performers and everyone who makes our family business what it is. Team @entertainersuk A big thank you to KWPR and everyone involved. Dynamic father and son duo Michael Taylor & James Taylor, who run entertainers from their Canvey Island HQ - have made THE STAGE 100 - for the first time! The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. https://lnkd.in/ds8SBGYx The Stage 100 is intended to reflect the 100 most influential people working in theatre and the performing arts. It is considered from the point of view of The Stage, as a trade publication, and so focuses both on theatre as a business and an art form. Inclusion within the list and ranking is weighted towards impact over the past 12 months. We also aim to have a list that – as much as is possible and plausible – reflects the astonishing breadth of the theatre industry. However, the list also seeks to reflect how the theatre and performing arts industry is, not what it aims to be, or we would like it to be.
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My essay for HowlRound Theatre Commons, "We Can't Build an Equitable Theatre While Ignoring Covid," is now published. If we want to build an accessible, anti-racist, equitable theatre field, we MUST enact COVID precautions. It is my hope that my fellow theatremakers (and arts workers of all kinds) will read this essay and it can serve as a loving call-in and an offering for us all to re-commit to our values. Please let me know your thoughts! https://lnkd.in/es9Htf8y
We Can’t Build an Equitable Theatre While Ignoring COVID
howlround.com
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reposting so I can find this title animation cause it's so nice
✨ Welcome to Season 2025 ✨ Your front-row seat to Tony Award winners, international premieres and productions made right here in Melbourne. 🎟️ Subscriptions go on sale Monday 16 September at 7pm. Start exploring the electrifying line-up, chat to your friends and plot out dates for an incredible year of theatre. 🎭 Explore the full season at https://lnkd.in/gQ2mQNJU 🎥 EINWICK Productions 🎵 Joe Paradise Lui #MelbTheatre2025
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🎭 I started working at Konträr in August, Konträr is Sweden’s only contemporary international and national theatre. Sadly, due to a lack of funding, Konträr had to close its doors in September. 💔 In just two years, Konträr showcased 50 premieres, featuring both Swedish and international artists. 🌍 Despite the overwhelming support, the real challenge isn't ticket sales or public interest but the lack of state funding for culture. It’s a harsh reality that many think ticket sales alone can sustain a theatre, but that’s simply not the case. This closure raises important questions about the future of art and culture in Sweden. How can we keep producing bold, innovative theatre when the system doesn’t support us? 🤔 I wonder—is this a unique issue in Sweden, or are theatres worldwide facing similar challenges? I’m eager to hear how other cultural institutions are managing in this environment. Running a theatre is a lot like running a business, but with its own set of challenges: while companies can generate profits through various products or services, theatres often rely solely on ticket sales, which aren’t enough to cover all expenses. Despite these challenges, the desire for theatre remains strong in our society. So, how can we continue to provide this vital cultural experience? 🎭 I’m incredibly grateful to be part of the Konträr team during these trying times. We’re not giving up—we’re strategizing and hoping for a way forward. 🙌 While I don’t have the wealth or influence to save the theatre myself, I do have a voice. 🗣️ I hope this message resonates with those who value the arts. Let’s raise awareness, discuss what’s happening, and advocate for a future where culture is prioritized and funded. 💪 👉 If you believe in the importance of culture, please share this post to help spread the word. If you have ideas or want to support Konträr financially or in other ways, please reach out— https://kontrar.se/ Together, we can make a difference! 💬 #Konträr #SaveKonträr #CultureMatters #ArtsInCrisis #Theatre #SupportTheatre
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https://kontrar.se
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Did You Know – Top Ten Reasons a Dealer is not a Theatre Consultant - By Paul Sanow Sometimes there is confusion in the marketplace about the roles of theatre consultants and dealers. Some owners or architects elect to work with a dealer, thinking they will receive the same level of service as they would from a dedicated theatre consultant, and possibly for free. Theatre consultants and dealers may each be considered “theatre experts”, but they have very different roles and agendas in the construction process. READ THE ARTICLE: https://lnkd.in/gV7y3AdX
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