Barton Malow’s Post

My latest article on the Richard Gilder Center for Science explores the extraordinary transformation of a space into something so innovative and inspiring. As technology advances, the Gilder Center harnesses the latest in design and construction techniques to create an environment that seamlessly blends architecture with scientific exploration. Drawing inspiration from nature, the center's design reflects the beauty and complexity of the natural world, fostering a deeper connection between visitors and the exhibits. In my opinion, it's a remarkable asset to the historic American Museum of Natural History, set to redefine how people engage with museums and approach scientific education and research for generations to come!

Anyone involved in the museum world is likely familiar with Nina Simon, the trailblazer behind the concept of the participatory museum. I first encountered her ideas when I watched her TED talk and delved into her book, 'The Participatory Museum,' during my very first semester in my master's program at the Rhode Island School of Design. Her book evoked a myriad of 'Hell yeah' moments, nearly causing me to leap out of my seat with inspiration. As I questioned the conventional and somewhat static nature of museums, her work provided me with a roadmap for what a museum could become, introducing me to the vital concept of participation in the realm of design. I embarked on a journey to explore various forms of participation, learning from Simon's book along with my own experiments and ideas that led to co-creating a participatory project with Shivani Pinapotu at the RISD Museum called '(un)heard voices.' Through '(un)heard voices,' we created spaces to create, share, and connect. As I continue to contemplate these ideas, I wish to offer a glimpse into what set me on this transformative journey that I am currently navigating. If you are interested in participatory projects, I wholeheartedly recommend reading Nina Simon's book. In case you want to know more about '(un)heard voices,' you can check it out on my website: www.priyatabosamia.com #museums #participatorymuseums #interactivemuseum #museumnerd #museumsforall #participatorydesign #experientialdesign

Starting new museum #wayfinding project and using Spaceagency book as reminder of process The information architecture of signs is a good starting point. What is the user actionable purpose of the sign? Here are are the four main reasons: direction, identification, regulation and orientation.

Worth the wait: _Understanding Use: Objects in Museums of Science and Technology_, ed. Tim Boon et al. (Open Access). In which Alison Boyle, James Inglis, Louis Volkmer and I show in our chapter, 'The Immaterial Turn?' that despite curatorial hand-wringing, museum objects tend not to feature in high-impact peer-reviewed history of science and history of technology journals. Rather, we show, they are important for a range of other communities of practice and outputs. https://lnkd.in/e4awmvGr

Calling all #Architects: Instead of putting the whole museum in semi-darkness.... ...why not place only the most sensitive objects in ArtRatio #smartglass display cases? This allows in more natural light without jeopardising the fragile objects on display. For more :- artratio.co.uk

Shanghai Industrial Museum, Shanghai, China, 2024 The space between the roof and the platform below is treated like a Chinese garden spread over the various platforms and walkways. This is where the museum items are exhibited. The roof is shaped like that of a temple. "For us, a museum is not a building shell in which various objects are explained or stored. For us, a museum is a Cloud of Knowledge." Wolf dPrix #coophimmelblau #wolfprix #architecturecompetition #deephimmelblau #generativeai #creativeai #diffusionmodels #aiarchitecture #artificialintelligence #designresearch #machinelearning #parametricarchitecture #deeplearning

“Whether you’re eight or eighty, you want your world to work for you.” This quote from the “Unlimited by Design” exhibition at the Cooper Hewitt, Smithsonian Design Museum in New York encapsulates the spirit of universal design. The same conditions for everyone, no matter their age, rather than special solutions for the select few. But what is behind the term “universal design”? How does the approach, which is at once both #innovative and universal, address the challenges of demographic change? Read more at https://lnkd.in/g4NCaG_q

Sila Sveta, translating to 'Power of Light', isn't just a phrase; it's an odyssey into the essence of luminescence and its profound impact on humanity. Envision a journey where light isn't just observed but felt and understood in a kaleidoscope of contexts. That's the vision behind our ambitious project: the 'Museum of Light.' Over the past two years, our team has meticulously curated this space, not just as a museum but as a crucible of learning and wonder, blending the allure of entertainment with the depth of education. Imagine a sprawling expanse of 4000 square meters, where light isn't just a subject but a storyteller. Our museum houses seven uniquely themed halls, each a universe in itself, exploring light from the explosive revelations of the 'Big Bang' to its serene presence in nature and its profound symbolism in various religions. Delve into the physics that govern the behavior of light, and see how it becomes a pivotal tool in our everyday lives. And for the art enthusiasts, we have a dynamic exhibition space dedicated to 'Light in Art'. The heart of our museum beats in the Laboratory. Here, light transcends its physical form, becoming a medium for education and exploration through interactive lectures and master classes. It's where curiosity meets clarity. Mark your calendars for 2024, as we unveil this beacon of knowledge and inspiration. Our vision doesn't stop here; we're setting our sights globally, with plans to illuminate corners of the world with branches of the Museum of Light. Join us in this luminous journey of discovery and enlightenment. #SilaSvetaStudio #MuseumOfLight #JourneyOfLight #IlluminatingMinds #rustospace #experientialmarketing #immersiveexperiences #immersivetechnology #immersiveexperience #digitalart

Let's make it happen! A brilliant 😉 concept deserves to be shared with more cities. Who's ready to join forces and bring it to life? Let's turn talk into action in 2024 and make a difference together. #collaboration #entrepreneurship

Funded by Creative Europe, this groundbreaking project takes a giant leap toward the realization of the Experimenta Paisagem Museum—a unique concept of an open-air museum without walls. Landscape Together is not just an art project; it's a celebration of creativity seamlessly blending with the natural beauty of our surroundings. Imagine art installations in harmony with the landscape, creating an immersive experience for everyone. This project is a cornerstone of Experimenta Paisagem, a collaborative platform for territorial development. The ultimate goal? The creation of a museum accessible to all, rooted in democratic principles and the active participation of local communities. Picture an open-air museum where art is not confined by traditional boundaries. The Experimenta Paisagem Museum is designed to be a space for freedom, creativity, and inclusivity—a museum that transcends physical walls and welcomes everyone with open arms. At the heart of this initiative is the belief that art should be accessible to all. By involving local communities in the creative process, we aim to foster a sense of ownership and pride in the shared cultural heritage. Let's shape a museum where creativity knows no bounds, and nature is the canvas! Join us on this incredible journey as we unfold the possibilities of art, nature, and community coming together Photo Credentials: LT Launch_©MAG-Marques_de_Aguiar #LandscapeTogether #ExperimentaPaisagem #ArtMeetsNature #CreativeEurope