Happy 4th, Atlanta! 🎈🇺🇸 We’re just days away from unveiling our new exhibition, “Telling Stories: Gone With the Wind and American Memory,” at the Margaret Mitchell House. Atlanta History Center Midtown reopens to the public on July 10–get tickets at the link below! https://lnkd.in/e5_d7-u9 📸 photos from our Peachtree Road Race viewing party at Margaret Mitchell House/Atlanta History Center Midtown in 2019
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🦐 Curious to see how we can harness the real power of the sea? Make your way to ARTIS | Natura Artis Magistra Groote Museum and explore ways that we can cultivate land, sea, and the lab to provide for our ever growing population. Here's a little snippet of the sea video, told by Reinier (R.W.) Nauta, produced by BIND and animated by me at YIPP!
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Roots and Faces, 2018, solo exhibition inspired by Family reminiscences: The 'Roots and Faces' exhibition, inspired by family reminiscences, likely explores themes of identity, heritage, and personal history. These elements can evoke emotional connections and reflections on familial bonds, contributing to the depth and meaning of the artwork displayed. Tree forms are powerful metaphors in art, symbolizing how individuals connect to their families. They represent lineage, growth, and interconnectedness, reflecting family histories' deep roots and branching paths.
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Minister of Word & Sacrament in the PCUSA, Doctoral Candidate in Church History and Research Associate at the University of Bonn Center for Dependency & Slavery Studies
New Dependency Blog post from the BCDSS is out! This time, we have a thought-provoking article from five students in the BCDSS MA programs in Slavery and Dependency Studies! Worth a read!
📣 It's time for the new #BCDSS #blog post! For this month's post, our #MA students Adiam Tadele Abadi, Klaudia İnanç, Sonia Tesfaye, Ishita Sarkar, and Prateeti Mukhopadhyay share their impressions of their field trip to the Museum for Modern Art in Frankfurt/Main. In "Through the Walls of Silence: Building Sensory Narratives and Countering History in Cameron Rowland’s 'Amt 45i' in Frankfurt am Main," they relate how they learned more about the colonial past of Germany and its subsequent involvement in upholding the institution of #slavery and highlight the importance of continuing the discussion initiated by Rowland. 👉 Read the full blog post here: https://ow.ly/gmQQ50Q4pON Rheinische Friedrich-Wilhelms-Universität Bonn Deutsche Forschungsgemeinschaft (DFG) - German Research Foundation
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Hey connections, Have you ever been on a virtual tour? If not, then I'm pretty sure you're gonna love it. Here's a review of my first-ever virtual tour experience, from the National Museum of Natural History. Share your first experience in the comment section. #virtualtour #museum #review #bestexperience #naturalhistory
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We visited the Smithsonian National Museum of African-American History today in Washington, DC and it was just fabulous. We highly recommend it to all Linked In members visiting DC. Visitors are able to enter the museum until 4:00 p.m. Passes are released at 8:00 a.m., for time slots up to 30 days out. Same-day passes are released beginning at 8:15 a.m. They are free to reserve. It’s a little more complicated than needed (eg you have to enter your email twice) so leave some time for filling it out via your cell phone on site! All groups (schools, families, educational groups, etc.) larger than nine must use the group reservation link. Important Conditions: The Smithsonian’s timed pass reservation system is for visitors’ personal use only, and Smithsonian timed passes are valid only for the stated visitor(s), guest(s), date, and time. Passes may not be sold or transferred. Reservations that violate these conditions may be cancelled. Once inside you are going to absolutely love it! The presentations are on six floors so just pick one to get the most out of your visit. We picked Concourse 3 : the earliest period of African-American history but other floors cover cultural developments, including music and film so do a little planning! #nationalmuseumofafricanamericanhistory
National Museum of African American History and Culture · 1400 Constitution Ave. NW, Washington, DC 20560
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I understand the desire to reclaim Africa's history and heritage that was suppressed and distorted under colonial rule. However, dwelling on what was lost keeps us stuck in victimhood. Our rich, multidimensional #history persists through our elders, stories, traditions, #art, and collective spirit. Rather than ceding power to colonial institutions that house African artifacts, we must take pride in our living cultures. We must have the courage to shape the future we want, grounded in the #wisdom of our ancestors and values of #sustainability, #justice, and #community. Our diverse #cultures and connections remain strong foundations to build upon. The path forward is not lamenting what is gone but boldly writing a new chapter—one that harnesses Pan-African values to create prosperity equitably shared. #History informs but does not define us. By interpreting it judiciously and focusing on agency in the present, we can build the #Africa we want—one that achieves economic gains through cultural revitalization and social inclusion. This is a story of #resilience, #restoration and boundless potential. Our #future is unwritten, and ours to envision.
Chief Executive Officer at African Granary Initiative, Restoring the Granary in our homes for food soreighnity
If you don't know your history you cannot write "your story ". Alkebulan, our history is written in tablets and animal skins and hidden in British museum of Art and at the Vatican volts. Why do they need our history hidden and some displayed and owned by those who stole it?....they know if they keep our history hidden we will never know who we are and we will keep writing our story from their perspective. #wakeupAfrica #Alkebulanarising
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Exploring confluence of artificial intelligence, art, music, dancing, yoga and spirituality for wellness of one and all. YouTube Arnab Kumar, X, Instagram @arnabch01, Investor, Author, Dancer, Artist, AI, philanthropy.
There will always be exception. But extreme and vulgar materialism has completely destroyed culture. All people care for is money and 24 hour shopping binge. Welcome to hell! But obviously people have to pay a huge price for this extreme stupidity of blindly following materialism. Mental illness will hit 30% or more population in 20 years. Smart people will spend at least some time in art, music, dancing etc else be prepared to go for dates with psychriatists. #art #arte #culture #cultura #nga #wellness #wellbeing #wellnesstips #wellnesscoach #psychology #psychiatry #health #healthawareness #mentalhealthawareness #mentalhealth #mentalhealthmatters
So refreshing to see someone looking down at an art catalog rather than a cell phone screen. 📱 In need of a screen break? Stop by our “Philip Guston Now” exhibition for an excuse to turn off your phone and immerse yourself in the mind of a true visionary before it closes on August 27. Guston's eye-opening work and willingness to challenge societal norms make him a complex and influential figure in the art world. His contributions have left an enduring impact, inspiring discussions about artistic expression, politics, and the boundaries of creativity. Plan your visit 🔎👉🏽 https://rb.gy/gwcgb
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In addition to the data we publish on MNAHA Collections, where we focus on the display and contextualization of the objects in the museum's collection, we want to test publishing some curated datasets on data.public.lu in order to make them more accessible to people who wish to work with them. The first one is about the Jospeh Kutter collection of the MNAHA and its exhibition history. Let me know what you think! https://lnkd.in/dX2c4x9a
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Director Room 102 Founder Live Design Practice Senior Lecturer | University of Westminster Architecture | Design | Art | Community | Ecology
Here a clip of our end of year OPEN exhibition: https://lnkd.in/d4GUVtCf Please come and visit! As part of the brief we ask critical questions that demand responses from creative thought and practice: How can we include the intricate and intimate relations between nature and culture? How can we record and respond to the changing terrain? How can we consider the participation of not just human communities and their livelihood practices that intersect with natural processes, but also of beyond-human entities and forces such as other creatures whose paths intersect with them?
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