APRA AMCOS’ Post

Anton Bruckner: The Misunderstood Genius of Symphonic Music Anton Bruckner, an Austrian composer of the Romantic era, is now celebrated for his expansive symphonies and religious compositions. However, during his lifetime, he was often criticized and even mocked, with some contemporaries branding him a fool for his unconventional musical arrangements. This article delves into the reasons behind this harsh reception and explores why Bruckner's music was misunderstood in his time. Learn the whole story here: https://lnkd.in/g2BwxuSM

It explores the musical ideas and influences associated with Mozart and Chopin, focusing on their contributions to classical and romantic music. https://bit.ly/3ODVFlM

🌹The Baroque period, roughly spanning 1600 to 1750, was a vibrant era in Western music. Imagine music that's both dramatic and ornate, with flourishing melodies and strong contrasts between loud and soft passages. ☘️🎼 Here are some key features: ☘️ Drama and Emotion: Baroque music aimed to stir emotions, using techniques like fast tempos and grand crescendos for excitement and slower, more intimate sections for reflection. 🌹 ☘️Polyphony and Counterpoint: Multiple independent melodies weaved together created a rich tapestry of sound. Think of it as a conversation between instruments. 🌹 ☘️ New Forms: Opera, the dramatic telling of stories through music, took center stage. Instrumental forms like the concerto grosso (featuring a small group of soloists) and the solo concerto (showcasing a single virtuoso) also flourished. 🌹 ☘️Innovation: This era saw the rise of the violin and the development of new orchestral techniques. Composers like Bach, Handel, and Vivaldi left us a stunning legacy of music that continues to resonate today. 🌹

Urtext editions are not something that musicologists create just for musicology's sake. They are practical editions for musicians. I think it's great that musicians and musicologists can profit from each other in these partnership! 💙🎻 #henleverlag #trustinblue #musicians #partnership #sheetmusic #henlelibrary

Check out my blog post.From Bach to Bieber: Baroque Music's Impact on Pop Culture by Sarnia de la Maré FRSA #music #research #baroque #bach #sarniadelamare #taletellerclub #iservalan #newblogpost

Stringed instruments and their printed scores had been in existence for centuries before the piano was invented. When music started being written expressly for the piano many of the notational conventions of string music were carried over. Slurs and staccatos are found in the early works for piano by J.C. Bach, Haydn, Mozart, and others. The way to create these articulations is obviously different because of the differing methods for producing sound on these instruments. In this article we’ll explore just one articulation, portato, and the way to produce this on the piano. Read more here : https://lnkd.in/dEjxfz25 Article by Raj Bhimani. This article first appeared on Serenade Magazine

Beyond the Baton: The Conductor as the Heartbeat of the Orchestra by Adam Scull https://lnkd.in/eqfYcF74 An orchestral conductor stands as a pivotal figure in the realm of classical music, embodying the crucial link between the musical score and its execution by the orchestra. This essay delves into the multifaceted role of the conductor, focusing on how they maintain the pace and harmony of the orchestra through their profound understanding of the music and the deft use of their baton. At the core of a conductor’s role is the interpretation of the musical score. The conductor must not only understand the technical aspects of the score—such as tempo, dynamics, and articulation—but also grasp the emotional and historical contexts that influence the piece. This deep comprehension allows the conductor to make informed decisions about how the piece should sound, which in turn guides their interactions with the orchestra.