Alexander Hahn’s Post

«The Air is Full of Voices» (1982) This installation features three suspended satellites, each assembled from a speaker, a white noise generator, and a mini amplifier, all loaded with salt, colored magenta, blue, and yellow respectively, representing the primary colors. These satellites orbit 10 feet above a human figure on the floor, which is hardwired to a walkie-talkie set to capture signals from any walkie-talkie users who might happen to pass by, a rare and unlikely event. The electronic components were sourced from Canal Street's surplus shops. The white noise generates a sense of scrambled voices, and its vibrations cause the salt crystals to drizzle onto the human figure below. Made from wet blotting paper, the figure absorbs the salt, and the pure colors dissolve, merging into an earthy mix. «The Air is Full of Voices» embodies a vision of a future where wireless communication is ubiquitous, at the time met with skepticism. I remember a critic who, despite appreciating it, confidently asserted that telephones would always rely on landlines. Installation documentation from «Works :: 1976 - 2006», solo exhibition at the Kunstmuseum Solothurn in 2007. #KineticSculpture #ArtInstallation #ContemporaryArt #ModernArt #ArtAndTechnology #ArtisticExpression #FuturisticArt #TechArt #ElectronicArt #MixedMediaArt #canalstreetart #experimentalArt #ArtInMotion #museumexhibit #ArtisticVision #ArtisticInnovation

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