Cultural Counsel

EDGLRD just released AGGRO DR1FT (ft #TravisScott)! Read about the film's disruptive distribution strategy and what's next for the design collective led by #HarmonyKorine. Stream the film (edglrd.com) today. https://lnkd.in/gAxcuZEe PR & Marketing collab by Cultural Counsel (Adam Abdalla Ali Rigo) Digital Counsel (Marcella Zimmermann Ethan Halpern)

Join us for the exhibition preview of ‘Frank Auerbach: Starting Again’ at Palazzo da Mosto in Venice, tomorrow, Wednesday, 17 April, 9–11 am. Presented by art dealer Max Levai, the exhibition brings together a curated selection of 11 rarely-seen paintings spanning five decades of Auerbach’s career (1960s to the 2010s), providing a succinct overview of his hermit-like artistic practice and favorite subjects. The exhibition will take place at the historical Palazzo da Mosto, a magnificent 17th-century private residence that will be open to the public for the occasion. ‘Starting Again’ marks Frank Auerbach’s grand return to Venice after his participation at the 1986 Art Biennale and will be accompanied by an essay by Pulitzer Prize-winning writer Hilton Als. Address: Calle dei Muti S. Polo, 1866, 30125 Venezia VE, near Rialto Bridge. 📸: Frank Auerbach, Reclining Head of Julia III, 1993. Copyright the artist. Courtesy of Frankie Rossi Art Projects, London. https://lnkd.in/ew3Fj6jB

If in Venice, be sure to stop in and see “Starting Again” by Frank Auerbach at Palazzo da Mosto on view April 18 – June 28, 2024 as featured in CULTURED Magazine. The exhibition marks Auerbach's first return to Venice since winning the Biennale’s Golden Lion with his 1986 presentation. https://lnkd.in/eihbhVeA

In showing Paloma Contreras Lomas and Ines Doujak together, the Center for Art, Research and Alliances (CARA) has created opportunities to examine hierarchies of race, class and gender in new ways. Read more on the Observer: https://lnkd.in/eeGjqNG8

Thank you Anny Shaw for talking to Max Levai about his historical exhibition of works by #FrankAuerbach in Venice to coincide with the Biennale. Read more on The Art Newspaper.

After establishing his reputation in the 1990s with his monumental watercolor paintings of wild animals, American artist Walton Ford continues to produce grand works inspired by true or legendary stories of dramatic encounters between humankind and nature. Fascinated by the perception of wilderness in the collective imagination and by the consequences of human behavior—from colonialism to climate change—for the future of wildlife species, Ford develops complex narratives that have renewed the genre of animal painting. “Walton Ford: Birds and Beasts of the Studio,” on view at The Morgan Library & Museum from April 12–October 6, 2024, celebrates the artist’s recent gift of sixty-three studies and sketches to the Morgan, shown publicly for the first time alongside large-scale paintings on loan from private collections and their respective studies. The show also includes a selection of animal drawings and prints by earlier artists, from Rembrandt and Dorothea Maria Gsell to Eugène Delacroix, Antoine-Louis Barye, and John James Audubon, selected by Ford from the Morgan’s collection. 📸: Charlie Rubin

This past Sunday, the Dallas Art Fair closed out its sixteenth edition in splendid fashion! This year, the fair was marked by energetic collectors, strong sales, and enthusiastic exhibitors.One of the highlights of this year’s fair was the continuation of the Dallas Art Fair Foundation Acquisition Program, an annual gift from the Dallas Art Fair Foundation that places works from the fair into the Dallas Museum of Art’s permanent collection. The works chosen were by Ailbhe Ní Bhriain , JooYoung Choi, and Thania Petersen. Congratulations to all who participated on another excellent fair! We’re looking forward to next year.

This week, the Center for Art, Research and Alliances (CARA) announced the recipients of the 2024-2026 CARA Fellowship, honoring the transformative work of multidisciplinary artist Napoleon Jones-Henderson and the Valerie J. Maynard Foundation. The CARA Fellowship, now in its second year, is designed to honor mid-career artists and artists' legacies recognized for their profound cultural impact. With unrestricted $75,000 grants and tailored support, this recognition underscores both pioneers, Jones-Henderson and the legacy of Valerie J. Maynard, and their indelible influence on our arts ecosystems and their dedication to centering Black identities. 

✨ This just in! ✨ Cultural Counsel now represents Project Brazen, a global journalism & production studio creating captivating stories across all forms of media. Founded in 2021 by Bradley Hope and Tom Wright, bestselling authors of “Billion Dollar Whale,” Project Brazen is a hub for some of the world's top journalists and creators. Hailed for its investigative prowess, Project Brazen has released numerous critically acclaimed podcasts, including: “The Sound: Mystery of Havana Syndrome,” named one of The New York Times’ best podcasts of 2023; the Peabody Award-nominated podcast “Kabul Falling” about the Taliban’s takeover of Afghanistan; and “Corinna and The King,” the unbelievable true story of a love affair that brought the Spanish royal family to its knees. Stay tuned for more news about their documentaries, books, podcasts, newsletters, and film adaptations.

On view at Pérez Art Museum Miami through September 8, 2024, Spirit in the Land is a dynamic group exhibition by over 30 artists including Terry Adkins, Firelei Báez, and Carrie Mae Weems among others, exploring the interconnection between cultural traditions and urgent ecological concerns. Featuring over 63 works, this multi-dimensional exhibition examines contemporary ecological concerns from a cultural perspective -- investigating natural environments under stress and presenting a belief in the possibility of transformation and regeneration. Through a collective effort between the artists, Spirit in the Land will be a poignant moment in examining the restorative potential of our connection to nature and exemplifying how both biodiversity and cultural diversity are essential to our collective existence. Learn More at Pérez Art Museum Miami