massimoperloni

House five, is not the continuation of the other houses. House five, extension for the first time a true fact of property, recognized from the sacred Roman church. The history is draft from the book " the 100 cases of demonic property recognized from the Holy Roman Church of father "Malachia" For the first time in a property film, the splitting of the two children is looked at entirety, l' real spirit and that possessed. An exchange of the two children happens, with the parents and its family goes that mistaking. The child will be saved with exorcism, from a priest who had lost the faith, tormented and scared, from the demon and now, alcoholic victim . This priest will return to the faith, during l' exorcism. It had lost the faith in order to have confessed a modern witch, condemned to the capital punishment on the chair electrical worker, in reality the woman was possessed from a demon between most frightful: Ameth, that it eats the spirits of the children in order to become stronger. (it is in the Bible) to the history appeals to me so much, for the depth. The film is to low cost, but the special effects beautiful because are made as years were made ago, when the computer did not exist. The film is of 1990 and task that would have to be praised who little succeeds with money to make a film that however it scares, thanks to the many ideas of the script and to a good direction. Task is easy to make good films when many money is had. The scene that it has hit to me more, is that of little the child, that it dreams to wake up sluice in a coffin, where, the family sees dead to it, but it is alive, she screams, and she screams, but she feels it to nobody, then encircle it to the witches, making them a magical deceit, in order to steal them spirit. The witches are devout people to Ameth. Much fear and much Gore. The Louisiana still renders more l' atmosphere. To see and to appreciate also for the suspense in the long, from the taste of the past, without those movements of movie-cam, too much fast times and you deprive of sense, within the history and in the turned scene, only used for giving rhythm, to case. The atmospheres thriller the fear, manifest in the waits. For this ballot 10/10. To revalue

Armored it is a rare example of Italian "faida" between siblings, told like a epics novel, it is much inner violence and physical violence. Two siblings and two families cursed for a fact of the past, where a brother kills l' other brother, like Caino and Abel of the Bible. This door in the time to a series of ferocious crimes for revenge. the film carries out in Calabria native land, of the Mafia (original name Calabria mafia) "ndrangheta". Skillful scenes and interesting, new history absolutely outside from every logic of the TV Italian series. Fragasso and Drudi, fantastic brace, diabolic brace in all. This film, realized in the year 1999. Today it is looked at alone very bad fiction, I hope o that our fantastic brace lathes soon also in this Italian TV dead for the fiction very bad that continuous Italy to make. This fiction it has a cast of relief, a lot important, like Stefania Sandrelli and Andrea Giordana, brace never seen before on the screen. Luca Lionello, Francesco Benigno ( Palermo-Milan One Way 1995)and many other actors from the perfect characters. Mariano Rigillo in the role of the old brother, ago an optimal performance from actor of high profile. To see also for curiosity one of the first apparitions dell' actress: Michela Ramazzotti (tutta la vita avant 2008), interprets the daughter of Luca Word, one of the relatives in faida, comes killed in memorable way, from an uncle, in a scene that will pass to the history for audacity, violence and scenic fantasy of diabolic mind for Drudi writer, looks at the body of Michela, thrown in road, inside of an ambulance, to all speed, while it is legacy on the stretcher. Turned in skillful way the best Director Fragasso. Only this scene is worth all the film. Recommended.

This film returns to tell with a deep analysis, thanks to a perfect job of writing of Rossella Drudi, a sad past annoying and all Italian. The direction of Fragasso as one always moves with ability in full dangerous roads of traps. E' a great thriller that with the breath suspended of the final scene. Never before who does not discover itself is the true assassin or guilty, null banal or she is left the case. A new experience that please the lovers of thriller the classic, and who want to think analyzing a past to forget, annoying and sad as who anchor today is obstinate not to want to change ahead watching, and who instead has felt the need to make a "mea culpa" (old Latin language) for the passed errors, than to the comparison dell' today's horror, is youth sins. The social analysis of the today's narcissism and the individualism, that it has transformed l' man in a machine money, without feelings and ethics is absolutely perfect. Competition of guilt is a film to see and see again also for the perfect synchrony of the history, the longest row of to them Chinese box, with precise indications to their inside. I could define this film, a social thriller psychological all to see. We pardon ourselves in order to go ahead improving to us, seems the final outcry of the film. Beautifulst.