I was looking forward to this one for a while. Unfortunately, the execution is way too clumsy. The mother's quest to find her daughter was mostly dull, Morgan Obenreder and Monroe Cline were wasted, and the film has too much illogical content: a captive apparently doesn't need to use the bathroom, a certain culprit conveniently goes down with little evidence of wrongdoing, daylight appears during a night scene, and someone says "I love you" to the last person she should say it to, in about that order.
I thought that the film could've benefitted from more focus on Rebecca Marshall's character and her motivations, as she's the only real standout.