A refugee couple makes a harrowing escape from war-torn South Sudan, but then they struggle to adjust to their new life in an English town that has an evil lurking beneath the surface.A refugee couple makes a harrowing escape from war-torn South Sudan, but then they struggle to adjust to their new life in an English town that has an evil lurking beneath the surface.A refugee couple makes a harrowing escape from war-torn South Sudan, but then they struggle to adjust to their new life in an English town that has an evil lurking beneath the surface.
- Won 1 BAFTA Award
- 8 wins & 37 nominations total
Sope Dirisu
- Bol Majur
- (as Sopé Dìrísù)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhile researching his screenplay, Remi Weekes was struck by how many immigrants were sold on coming to the United Kingdom because it's the land of Charles Dickens, Jane Austen and the royal family. In reality, for immigrants, it's grey concrete housing estates in deprived areas, something that he wanted to visually bring to his film.
- GoofsAt around 29 minutes when Rial is getting her blood drawn, the woman drawing her blood fills a purple top tube while the yellow top is clearly shown to be empty. When drawing blood, however, the purple top (EDTA) tube is always drawn last after all other tubes to avoid cross contamination of tube additives.
- ConnectionsFeatured in FoundFlix: His House (2020) Ending Explained (2020)
- SoundtracksFixing Love in Me
Composed by Emmanuel Diu Deng Kachuol
Performed by Yogoman
Published by Sheer Publishing
Courtesy of Sheer Publishing
Featured review
There are so many terrible films, particularly in the horror genre, on Netflix at the moment. This is not one of them. All the horrors I've watched recently are either far too dumb, or too far the other way - relying on being artsy or having powerful imagery but sacrificing a satisfying story. This one gets it just right. It is genuinely intriguing but leaves you with a resolution. There are layers of interpretation, but also a nice clear cut story.
I found for a good part of the film I thought it was just a theme of asylum seeking; a couple fleeing something bad and arriving at a not-beautiful side of Britain, with the man trying to adjust to a new culture and then woman conversely holding onto her roots, all through the narrative of an apparently haunted house. The pair being explicitly warned that they might be sent "back" if they made any trouble, or didn't integrate properly, emphasised this theme. But it turned out to be about something quite different - something I can't really say without giving away the plot substantially. It could have been based on anyone with a past, and the fact that the main characters were refugees worked well for the narrative but was not the entire theme.
It was well cast and very well acted, which is not actually all that typical in many films being streamed at the moment. Matt Smith is in it but as a side character: they don't try to force him into it beyond his welcome just to exploit the well known name; also refreshing. He is good in his part, but the two leads are allowed to shine.
I'm not much of an artistic critic but I felt they built and maintained the atmosphere brilliantly. I can't even tell you if it was visuals or score or lighting or whatever because I'm not the type of audience to dissect that - I just know it gripped me and took me with it emotionally. The tension is good and there were jump scares that work well. Personally I can't stand a film that's just reliant on jumpy moments or gore and lacks any actual substance. This, to me, gives the best of all worlds. And when it ended I felt genuinely glad I'd watched it, and watched it to the end.
Honestly this little film buried far below the (poorer quality) netflix recommendations was a very positive surprise for me and I would definitely recommend watching.
I found for a good part of the film I thought it was just a theme of asylum seeking; a couple fleeing something bad and arriving at a not-beautiful side of Britain, with the man trying to adjust to a new culture and then woman conversely holding onto her roots, all through the narrative of an apparently haunted house. The pair being explicitly warned that they might be sent "back" if they made any trouble, or didn't integrate properly, emphasised this theme. But it turned out to be about something quite different - something I can't really say without giving away the plot substantially. It could have been based on anyone with a past, and the fact that the main characters were refugees worked well for the narrative but was not the entire theme.
It was well cast and very well acted, which is not actually all that typical in many films being streamed at the moment. Matt Smith is in it but as a side character: they don't try to force him into it beyond his welcome just to exploit the well known name; also refreshing. He is good in his part, but the two leads are allowed to shine.
I'm not much of an artistic critic but I felt they built and maintained the atmosphere brilliantly. I can't even tell you if it was visuals or score or lighting or whatever because I'm not the type of audience to dissect that - I just know it gripped me and took me with it emotionally. The tension is good and there were jump scares that work well. Personally I can't stand a film that's just reliant on jumpy moments or gore and lacks any actual substance. This, to me, gives the best of all worlds. And when it ended I felt genuinely glad I'd watched it, and watched it to the end.
Honestly this little film buried far below the (poorer quality) netflix recommendations was a very positive surprise for me and I would definitely recommend watching.
- downstage_right
- Oct 29, 2020
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Details
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- Also known as
- Su casa
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- See more company credits at IMDbPro
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39:1
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