One of the most impressive parts of The Shape of Water will probably go unstated by many, because it is easy to overlook. It is stunning how much chemistry a woman who never talks and a fish monster can have. The energy between them radiates, and I had to keep stopping myself to consciously think about what a feat that truly is. As a direct result to how great the writing, directing, and performances are, this relationship between a woman and a monster never feels strange. If done by lesser talent, this could have come across as very weird or wrong. But del Toro crafts this film in such a way that it never comes across in this manner. In fact, in feels only natural, and that is applause-worthy on his part. That is the single biggest thing that Del Toro needed to pull off flawlessly, and he rises to meet the challenge. As with every Guillermo del Toro movie, the production elements are all spectacular. Del Toro really has a great understanding of mise-en-scène, something I'm continuously taken aback by every time I watch a movie of his. His cinematography isn't usually something that lunges out at you and calls attention to itself; rather, it works to very subtly draw you into the film. I do very much like cinematography that stands out and pops, but there is also something to be said for more the subtle kind of shooting a film. Del Toro has a strong hold on his production design. From the set design to the costume design to the color palette, every del Toro movie has a clear direction that is unique to its own story, and this film is no exception...
