The story of Thurgood Marshall, the crusading lawyer who would become the first African-American Supreme Court Justice, as he battles through one of his career-defining cases.The story of Thurgood Marshall, the crusading lawyer who would become the first African-American Supreme Court Justice, as he battles through one of his career-defining cases.The story of Thurgood Marshall, the crusading lawyer who would become the first African-American Supreme Court Justice, as he battles through one of his career-defining cases.
- Nominated for 1 Oscar
- 5 wins & 21 nominations total
Jeremy Bobb
- John Strubing
- (as Jeremy Lowell Bobb)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBoth Chadwick Boseman and Thurgood Marshall went to Howard University.
- GoofsIn the early 1940s, Marshall gives Friedman, whose experience is in civil law, books to get him up to speed on criminal law. However, none of the books focus on criminal law. The first, A Concise Restatement of Torts, Second Edition, about civil law, was published in 1965. The two volumes of Wigmore on Evidence are the McNaughton Revision, published in 1961. Evidentiary law discussed in Wigmore applies in both criminal and civil cases, so Friedman, a trial lawyer, would already be familiar with it. The fourth was Volume 308 of the United States Reports, which published all the US Supreme Court opinions for the 1939 October term.
- Quotes
Thurgood Marshall: The Constitution was not written for us. We know that. But no matter what it takes, we're going to make it work for us. From now on, we claim it as our own.
- ConnectionsFeatured in Andra Day Feat. Common: Stand Up for Something (2017)
- SoundtracksKeep a Knockin'
Written by J. Mayo Williams, Robert Mays (as Bert Mays)
Courtesy of Universal Music Publishing
Performed by Louis Jordan & The Tympany Five (as Louis Jordan & His Tympany Five)
Courtesy of Geffen Records under license from Universal Music Enterprises
Featured review
Whether it's the Godfather of Soul, the first black baseball player, or the first black superhero, it's fair to say Chadwick Boseman is becoming one of the best actors of his generation.
So there was high hopes for this bio-pic about NAACP Civil Rights lawyer and first black supreme court justice Thurgood Marshall.
The film looks at one of the first cases of his career; a black chauffeur accused of rape by his white employer in Connecticut. Josh Gad is also in the film as a Jewish lawyer roped into being lead on the case when a judge decrees Marshall can only assist. This is important as the Gadd character has never tried a criminal case before.
You keep expecting Boseman to get that nomination sooner or later, "Get on Up" should have been his ticket, but "Marshall" while pretty good in most areas, just doesn't feel like it has enough weight to it.
I wish they did go with a bigger case of his, or just go all out and go with the one he's known most for- Brown v. Board of Education.
The movie becomes another case of a black man being railroaded by a biased and corrupt system built on fabrications. For some that may be enough to hold them; the court room scenes that take up most of the movie are often rousing if not predictable.
This is all pretty easy-going though- by the second half it's pretty much a comedy the lengths most of the white people in this movie will go to to hide their prejudices.
At times it almost feels like their trying to start a Thurgood Marshall movie Universe here- like this one may not be that good but we'll tease you with some of the better stuff to come if you want it.
But even so, Boseman brings life to this character, whether it's Marshall's perceptiveness or his gift of gab, he's cool because he knows he's the smartest guy in the room at any given time.
Josh Gad has his moments but he still can't seem to fully get out of the goofy sidekick role. We'll have to see how he does in "Murder on the Orient Express".
Oddly enough this is a bio-pic that comes across more as a crowd-pleasing good time than something that's going to be remembered at the end of the year, which is fine.
I laughed, I was invested in the court trial mostly, the performances, including from Sterling K. Brown as the chauffeur are very good. Yet you just feel like it should have done more.
So the score is 7 out of 10. If you guys liked this, check out Craig James Capsule Reviews on Youtube for more.
So there was high hopes for this bio-pic about NAACP Civil Rights lawyer and first black supreme court justice Thurgood Marshall.
The film looks at one of the first cases of his career; a black chauffeur accused of rape by his white employer in Connecticut. Josh Gad is also in the film as a Jewish lawyer roped into being lead on the case when a judge decrees Marshall can only assist. This is important as the Gadd character has never tried a criminal case before.
You keep expecting Boseman to get that nomination sooner or later, "Get on Up" should have been his ticket, but "Marshall" while pretty good in most areas, just doesn't feel like it has enough weight to it.
I wish they did go with a bigger case of his, or just go all out and go with the one he's known most for- Brown v. Board of Education.
The movie becomes another case of a black man being railroaded by a biased and corrupt system built on fabrications. For some that may be enough to hold them; the court room scenes that take up most of the movie are often rousing if not predictable.
This is all pretty easy-going though- by the second half it's pretty much a comedy the lengths most of the white people in this movie will go to to hide their prejudices.
At times it almost feels like their trying to start a Thurgood Marshall movie Universe here- like this one may not be that good but we'll tease you with some of the better stuff to come if you want it.
But even so, Boseman brings life to this character, whether it's Marshall's perceptiveness or his gift of gab, he's cool because he knows he's the smartest guy in the room at any given time.
Josh Gad has his moments but he still can't seem to fully get out of the goofy sidekick role. We'll have to see how he does in "Murder on the Orient Express".
Oddly enough this is a bio-pic that comes across more as a crowd-pleasing good time than something that's going to be remembered at the end of the year, which is fine.
I laughed, I was invested in the court trial mostly, the performances, including from Sterling K. Brown as the chauffeur are very good. Yet you just feel like it should have done more.
So the score is 7 out of 10. If you guys liked this, check out Craig James Capsule Reviews on Youtube for more.
- iamjacksmoviechannel
- Oct 4, 2017
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Tuổi Trẻ Của Marshall
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $10,051,659
- Opening weekend US & Canada
- $3,000,805
- Oct 15, 2017
- Gross worldwide
- $10,116,816
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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