Two professors team up to locate a lost treasure and embark on an adventure that takes them from a Tibetan ice cave to Dubai, and to a mountain temple in India.Two professors team up to locate a lost treasure and embark on an adventure that takes them from a Tibetan ice cave to Dubai, and to a mountain temple in India.Two professors team up to locate a lost treasure and embark on an adventure that takes them from a Tibetan ice cave to Dubai, and to a mountain temple in India.
- Awards
- 1 nomination
Yixing Zhang
- Xiaoguang
- (as Lay Zhang)
Paul Philip Clark
- Max
- (as Paul Clark)
Yuxian Shang
- Circe
- (as Circe Shang)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis is the sequel to The Myth (2005), Jackie Chan played the archeologist Jack in both movies. This can be related by the painting of the queen that Jack gets from the Dasar expedition in The Myth (2005).
- GoofsThe Indian story is about Magadha Kingdom which was in the modern day Bihar and other nearby states in eastern part of India, whereas the filming is done in Rajasthan forts which is in the western side of India.
- ConnectionsFeatured in What Will I Watch? (Netflix Browsing) (2018)
- SoundtracksEndless Love
performed by Jackie Chan and M.I.C.
Composer: Choi, Joon Young / SA: Wang Zhong Yan
Original Publisher: Warner/Chappell Music Korea Inc.
Sub Publisher: Warner/Chappell Music, H.K. Ltd.
Featured review
Why? Seriously, just why? Jackie Chan once again delivers a boring adventure movie that doesn't even come close to the heights of his early career in the 80s and 90s. Kung Fu Yoga is boring, dumb, way too cartoonish, and not that fun.
I have the same problem with this that I did with Chan's other 2012 action/adventure project, Chinese Zodiac (2012). Both movies focused way too much on the adventure plot, with way too little of a focus on why everyone loves Jackie. Yes he's funny and likable, but we want to see him fight and do stuns and there is painfully little of that here. The girls' roles were obnoxious and not well fleshed out, and the scene with the hyenas was ok, but a little annoying. The villain is not very evil, and too OTT. He's annoying, and seems like a villain from a Disney movie. The ending has to be one of the weirdest movie endings I've ever seen. Like, the entire cast does this big choreographed dance, and they sing. Seriously, what?
Stanley Tong, obviously trying something new, should stick to his usual action territory. This movie's marketing made a big deal out of him directing, which is fair as he's responsible for some of Jackie's all-time best vehicles. Here though, he abandons everything everyone loved about his previous works for this strange, strange movie.
There are some fun action scenes. The fight in the ice caves, the street fight, the fight with the briefcase, the car chase (in which Jackie drives a car with a lion in it), and the final fight. The long climax in the caves with the artifacts is very derivative of Indiana Jones and the Last Crusade (1989), and while the final fight is ok, it's a little short.
I can't recommend this one, and even Jackie Chan fans should exercise caution. It's not very fun, and much screen time is given to people we don't care about. It seems here that Jackie's losing his edge for the action scenes, but he proved that he obviously still has it with The Foreigner (2017) in the same year.
I have the same problem with this that I did with Chan's other 2012 action/adventure project, Chinese Zodiac (2012). Both movies focused way too much on the adventure plot, with way too little of a focus on why everyone loves Jackie. Yes he's funny and likable, but we want to see him fight and do stuns and there is painfully little of that here. The girls' roles were obnoxious and not well fleshed out, and the scene with the hyenas was ok, but a little annoying. The villain is not very evil, and too OTT. He's annoying, and seems like a villain from a Disney movie. The ending has to be one of the weirdest movie endings I've ever seen. Like, the entire cast does this big choreographed dance, and they sing. Seriously, what?
Stanley Tong, obviously trying something new, should stick to his usual action territory. This movie's marketing made a big deal out of him directing, which is fair as he's responsible for some of Jackie's all-time best vehicles. Here though, he abandons everything everyone loved about his previous works for this strange, strange movie.
There are some fun action scenes. The fight in the ice caves, the street fight, the fight with the briefcase, the car chase (in which Jackie drives a car with a lion in it), and the final fight. The long climax in the caves with the artifacts is very derivative of Indiana Jones and the Last Crusade (1989), and while the final fight is ok, it's a little short.
I can't recommend this one, and even Jackie Chan fans should exercise caution. It's not very fun, and much screen time is given to people we don't care about. It seems here that Jackie's losing his edge for the action scenes, but he proved that he obviously still has it with The Foreigner (2017) in the same year.
- monkeysgalore
- Apr 22, 2020
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Обладунки Бога: У пошуках скарбів
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $362,657
- Opening weekend US & Canada
- $111,979
- Jan 29, 2017
- Gross worldwide
- $257,753,889
- Runtime1 hour 47 minutes
- Color
- Aspect ratio
- 2.39 : 1
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