An astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive and can survive until a potential rescu... Read allAn astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive and can survive until a potential rescue.An astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive and can survive until a potential rescue.
- Nominated for 7 Oscars
- 40 wins & 199 nominations total
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Storyline
Did you know
- TriviaRich Purnell slips and falls after he finds a way to rescue Mark Watney and tells his boss "I need more coffee." Donald Glover revealed in an interview that he slipped for real and just got up and continued to act, and the footage was retained in the final edits for the movie.
- GoofsDue to Mars' low atmospheric pressure, the effective wind pressure in martian wind storms is much lower than shown in the movie, very unlikely to be sufficient to tip a spacecraft. Also, the wind on Mars is much too weak to carry large rocks. In interviews, Andy Weir has acknowledged this and admitted that he took creative license with this in order to create the story.
The dust on Mars at the surface tends to be very fine, with grain sizes comparable to smoke particles. There are dust storms on Mars, but they look and behave like puffs of smoke instead of raging wind storms depicted in the movie.
- Quotes
Mark Watney: I don't want to come off as arrogant here, but I'm the greatest botanist on this planet.
- Crazy creditsDisco music, which had been a running gag throughout the film, is played during the ending credits. Appropriately, the first song played is "I Will Survive," which features the lyric "And so you're back, from outer space."
- Alternate versionsIn June of 2016, an extended cut was released on Blu-Ray and Ultra HD 4K Blu-Ray that adds 10 additional minutes of footage:
- Extended footage of Watney shortly after his abandonment, waking up in the habitat
- Additional moments when Watney charts a course for the rover and dozes off at the wheel, commenting on this to his vlog
- An additional scene after the NASA press conference confirming Watney survived, in which PR Director Annie warns director Vincent Kapoor not to use the phrase "bring him home alive", and also complains about her private life
- Additional moments while Watney and the Pathfinder team communicate, including more repartee between Kapoor and the young JPL technician, and Watney using an unusual insult when he hears his crew have not been told he is alive, followed by the reaction of NASA team members to this
- A short scene after Watney patches the hole in the habitat after the explosion using plastic sheets, in which he uses smoke currents to detect and patch holes with sealant
- Additional scenes showing Rich Purnell requiring the use of a supercomputer to deliver his Earth slingshot calculations
- A scene in which Watney completes the soil analysis started by his crewmates in order to complete their original mission before he leaves Mars
- A scene in which Watney inflates a pressurized tent to eat and clean his body outside the rover on his way to the Ares IV coordinates. He also leaves an apology to the Ares IV team for using their supply drop.
- A short moment in which Commander Lewis and Martinez discuss how many times their simulated rescue mission has resulted in Watney's death
- ConnectionsFeatured in Ares III: Farewell (2015)
- SoundtracksHappy Days Theme
Written by Charles Fox and Norman Gimbel
Performed by Pratt and McClain (as Pratt & McClain)
Courtesy of Reprise Records
By arrangement with Warner Music Group Film & TV Licensing
Featured review
I heard a lot about this film regarding its scientific validity as a piece of fiction. Perhaps as a result of this I assumed that the film would be a dry affair – an impression sort of confirmed by the longer than normal running time. As it happens, this is not the case at all because The Martian has much more in common with the entertaining blockbuster that the starry cast list and presentation suggest it will be. The story wears its science very much on its sleeve, but yet makes it accessible and fun – with the slick presentation making it so. As a result everything seems to be explained with everyday objects, and even the most complex principles are presented in simple terms (references to Iron Man for instance). As a result the film gets to have its cake and eat it – although the film is helped by the knowledge of a lot of this being possible (eg hitting a point near Pluto recently with very tight tolerances on a journey of years).
The film itself doesn't really play up the drama in a heavy way, but rather does enough to invest the viewer in it without making it too much of a downer or serious. The soundtrack is hugely upbeat, the content is mostly light in tone, and the science is delivered in a very user-friendly fashion – essentially in the service of the tone and the entertainment value, nothing more than this. The starry cast add to this feeling, and use their screen presence well. Damon is consistently likable, which is just as well since he is alone in the vast majority of his scenes. The ensemble cast has a lot of depth to it, all of which are solidly watchable – Chastain, Wiig, Daniels, Eiofor, Peña, Bean, and so on. The Chinese aspects of the plot serves as another reminder that this film is a blockbuster out to make money, but it doesn't seem too out of place. Technically it looks great and it impressive how convincing the surface of Mars looks.
In the end we get to the fist-pumping mission control scenes that we all knew were coming, but along the way the film is slickly packaged and entertaining as a result; even if the oft-mentioned scientific validity of it all is not something it ever seems concerned with itself.
The film itself doesn't really play up the drama in a heavy way, but rather does enough to invest the viewer in it without making it too much of a downer or serious. The soundtrack is hugely upbeat, the content is mostly light in tone, and the science is delivered in a very user-friendly fashion – essentially in the service of the tone and the entertainment value, nothing more than this. The starry cast add to this feeling, and use their screen presence well. Damon is consistently likable, which is just as well since he is alone in the vast majority of his scenes. The ensemble cast has a lot of depth to it, all of which are solidly watchable – Chastain, Wiig, Daniels, Eiofor, Peña, Bean, and so on. The Chinese aspects of the plot serves as another reminder that this film is a blockbuster out to make money, but it doesn't seem too out of place. Technically it looks great and it impressive how convincing the surface of Mars looks.
In the end we get to the fist-pumping mission control scenes that we all knew were coming, but along the way the film is slickly packaged and entertaining as a result; even if the oft-mentioned scientific validity of it all is not something it ever seems concerned with itself.
- bob the moo
- Jul 1, 2016
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Misión rescate
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $108,000,000 (estimated)
- Gross US & Canada
- $228,433,663
- Opening weekend US & Canada
- $54,308,575
- Oct 4, 2015
- Gross worldwide
- $630,621,406
- Runtime2 hours 24 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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