The Ratcatcher lacks the emotional weight of the other Roald Dahl shorts but it remains a beautifully crafted short film that contrasts its visual beauty with a generally creepy nature and some unexpectedly violent imagery in its closing moments.
Making up for being underutilised in Henry Sugar, Richard Ayoade gets so much more here as the narrator and fulfils the missed potential. Between his funny yet off-putting Ratcatcher and once again closing the short as Dahl himself, Ralph Fiennes shows his incredible versatility.
Wes Anderson continues to craft beautiful worlds and briefly returns to his stop motion skills. As with Poison, he also continues to break some new ground with these, using his usual style to showcase some impressive horror sensibilities.
