A recently unemployed single father struggles to get back his foreclosed home by working for the real estate broker who is the source of his frustration.A recently unemployed single father struggles to get back his foreclosed home by working for the real estate broker who is the source of his frustration.A recently unemployed single father struggles to get back his foreclosed home by working for the real estate broker who is the source of his frustration.
- Awards
- 12 wins & 24 nominations
Douglas M. Griffin
- Officer Dudura
- (as Doug Griffin)
Alex Aristidis
- Alex Greene
- (as Alex Aristidis Perdikis)
Albert C. Bates
- Derek
- (as Albert Bates)
Jayson Warner Smith
- Jeff
- (as Jayson Smith)
Storyline
Did you know
- TriviaDirector Ramin Bahrani used a 24mm lens for close-ups of Andrew Garfield as it gave greater depth as to what was showing on his face.
- GoofsSimple admissions of guilt someone in a stressful situation is not going to cause the police to immediately arrest you. Nash was facing an armed man who clearly wasn't bent upon self injury or perhaps harming others. Even if he "admitted" his alleged guilt in a criminal matter, the police would have required more evidence (such as the event had actual occurred) before they could arrest him.
- Quotes
Rick Carver: Don't be soft. Do you think America give a flying rats ass about you or me? America doesn't bail out the losers. America was built by bailing out winners. By rigging a nation of the winners, for the winners, by the winners.
- SoundtracksLoco Loco
Written by Marlon Betancur
Performed by Mr. Kapri
Published by Edimusica USA
Courtesy of Miami Records Inc.
By arrangement with Ocean Park Music Group
Featured review
For most of the running time, 99 HOMES is an exemplary thriller. It's always a delight when you find a film detailing a subject matter that's not been covered very much in film before and the financial crash of 2008 is the topic here, in particularly the glut of ill-conceived sub-prime mortgages in America that led to the worldwide recession. The film follows the fortunes of a real estate broker who makes a living from evicting people from their homes.
It's an electrifying premise and one that's superbly directed by Ramin Bahrani who brings a documentary-style realism to his work. Certainly the camera-work is fantastic, often hand held and getting into the faces of the actors so that you feel close up and involved with the situations. However, the real ace up the sleeve is the casting of Michael Shannon as the criminal broker; he gives a performance of reptilian magnitude as an amoral money-hunter and he's simply magnificent. I loved this guy in BOARDWALK EMPIRE and he continues to go from strength to strength here.
The eyes and ears of the viewer is played by Andrew Garfield, less impressive in a more subtle part. Garfield isn't bad when he gets the opportunity - he was fine in THE SOCIAL NETWORK - and he's more than believable as the desperate young man in this. Laura Dern and Clancy Brown flesh out the rest of the cast. The film is by turns intense, awkward, moving, and exciting, but always engrossing and not to mention gripping. The only misstep is a rather silly sub-plot in which Garfield tries to hide his work from his family, which feels rather irrelevant (if he's putting food on the table, what does it matter?). The other problem is the trite Hollywood ending; for a film that's exemplified gritty realism throughout, to cop out in this way is a real joke. Other than those problems, it's fine.
It's an electrifying premise and one that's superbly directed by Ramin Bahrani who brings a documentary-style realism to his work. Certainly the camera-work is fantastic, often hand held and getting into the faces of the actors so that you feel close up and involved with the situations. However, the real ace up the sleeve is the casting of Michael Shannon as the criminal broker; he gives a performance of reptilian magnitude as an amoral money-hunter and he's simply magnificent. I loved this guy in BOARDWALK EMPIRE and he continues to go from strength to strength here.
The eyes and ears of the viewer is played by Andrew Garfield, less impressive in a more subtle part. Garfield isn't bad when he gets the opportunity - he was fine in THE SOCIAL NETWORK - and he's more than believable as the desperate young man in this. Laura Dern and Clancy Brown flesh out the rest of the cast. The film is by turns intense, awkward, moving, and exciting, but always engrossing and not to mention gripping. The only misstep is a rather silly sub-plot in which Garfield tries to hide his work from his family, which feels rather irrelevant (if he's putting food on the table, what does it matter?). The other problem is the trite Hollywood ending; for a film that's exemplified gritty realism throughout, to cop out in this way is a real joke. Other than those problems, it's fine.
- Leofwine_draca
- Aug 21, 2016
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Details
- Release date
- Country of origin
- Languages
- Also known as
- 99 будинків
- Filming locations
- New Orleans, Louisiana, USA(set as Orlando, Florida)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $1,411,927
- Opening weekend US & Canada
- $32,253
- Sep 27, 2015
- Gross worldwide
- $1,828,232
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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