28 reviews
I saw this film during the film festival in Norway; it's been a long, long time since I watched a movie which captivated me even after the credit started to roll.
It's a movie which primarily focus on every little moment of an elderly woman, but it is never a dull moment as the first impression might seem. It's a movie which really drives you to care for the characters in a natural way as opposed to many films where they "force" you with "natural" gimmicks. No, this movie broke most typical western styles, but at the same time made it entertaining and thrilling.
It's a movie where there're no explosions, no foresight drama or no extreme twists... it's truly, a simple life, which showed me how simple it can be to be humble, and care for those we love.
It's a movie which primarily focus on every little moment of an elderly woman, but it is never a dull moment as the first impression might seem. It's a movie which really drives you to care for the characters in a natural way as opposed to many films where they "force" you with "natural" gimmicks. No, this movie broke most typical western styles, but at the same time made it entertaining and thrilling.
It's a movie where there're no explosions, no foresight drama or no extreme twists... it's truly, a simple life, which showed me how simple it can be to be humble, and care for those we love.
Ann Hui's "A Simple Life" is a poignant and melancholic film about the relationship between an old servant and her companion, a successful film producer to whose family the servant had been in service with. It is a beautiful, touching, and, more importantly, human film. It lives and breathes its own life with the help of the cast and crew involved.
The performances by Andy Lau as Roger the man and especially Deannie Yip as Ah Tao complement the movie's atmosphere as a whole. It is a warm, homely and crystal-clear one – subtly quiet, slightly louder when there's more people around. This film's screenplay relies more on the look on the actors' faces rather than relying on dialogue. This is a good thing. It allows the audience to focus on the performances in rapt attention. Relying on dialogue/subtitles more than often will distract from the movie. This is one movie which follows my rule for any great movie: subtlety is key. In many dramatic Chinese movies, the piano is a must for every music score, and it is overdone cheesily at many times. For this movie, however, composer Law Wing-Fai knows crucial music timing - the music is not overdone, yet not too minimal, and it knows when to appear at the right time. Correct.
Hui's focused yet calm, serene direction basically drives Susan Chan's screenplay right at home. Hui seems to have learned a thing or two about human drama from greats like Yasujiro Ozu and Akira Kurosawa – it is put into terrific use here. But Yip's performance as the altruistic Ah Tao is simply wonderful; her face and body language speak more than herself, her vocal qualities ranging from sharp balking to solemn calm. She is the heart of the movie, alive, beating and like her, moving quietly along as her life goes by. Lau is also very good here, being more stoic than usual but hiding uneasiness within his eyes.
There is no great story without good characters, and "A Simple Life" has two great characters that drives the movie. Roger is a successful film producer, his whole family has migrated to America, and he's seemingly living the high life with his wealthy friends (featuring many non- intrusive cameos by Chinese celebrities including humorous ones by Sammo Hung, Tsui Hark and Anthony Wong) and yet he is more concerned with Ah Tao than everyone else. Ah Tao is an orphan since World War II and has since been serving Roger's family for four generations without expecting any sort of compensation in return. Roger doesn't mind taking care of Ah Tao as everyone else progresses around him – the same way Ah Tao doesn't mind living her life on her own at an old folks' home without Roger to help her around after a stroke attack – she feels guilty if he did that. The two characters are bonded, play with, even depend on each other as if they're the only two people who understand each other. A sort of mother-son love, but more powerful. Compare with later scenes with Roger and his real mother and you'll see the difference. I'm not implying Roger's real mother is a morally bad character, far from it. The relationship between them is more real and human than I had expected.
Some will call this tedious and pretentious; others will call it pointless. I'm not sure, but I'd love to see movies like this where the characters unwrap the story around them as life progresses with its ups and downs. Sure, there are a few bits and pieces that did not really relate to the main character's story – but they make up the story and the characters as a whole – shaping this narrative up. It is a thing of beauty. So is life. So is this film - one of the year's best.
Overall rating: 88%
The performances by Andy Lau as Roger the man and especially Deannie Yip as Ah Tao complement the movie's atmosphere as a whole. It is a warm, homely and crystal-clear one – subtly quiet, slightly louder when there's more people around. This film's screenplay relies more on the look on the actors' faces rather than relying on dialogue. This is a good thing. It allows the audience to focus on the performances in rapt attention. Relying on dialogue/subtitles more than often will distract from the movie. This is one movie which follows my rule for any great movie: subtlety is key. In many dramatic Chinese movies, the piano is a must for every music score, and it is overdone cheesily at many times. For this movie, however, composer Law Wing-Fai knows crucial music timing - the music is not overdone, yet not too minimal, and it knows when to appear at the right time. Correct.
Hui's focused yet calm, serene direction basically drives Susan Chan's screenplay right at home. Hui seems to have learned a thing or two about human drama from greats like Yasujiro Ozu and Akira Kurosawa – it is put into terrific use here. But Yip's performance as the altruistic Ah Tao is simply wonderful; her face and body language speak more than herself, her vocal qualities ranging from sharp balking to solemn calm. She is the heart of the movie, alive, beating and like her, moving quietly along as her life goes by. Lau is also very good here, being more stoic than usual but hiding uneasiness within his eyes.
There is no great story without good characters, and "A Simple Life" has two great characters that drives the movie. Roger is a successful film producer, his whole family has migrated to America, and he's seemingly living the high life with his wealthy friends (featuring many non- intrusive cameos by Chinese celebrities including humorous ones by Sammo Hung, Tsui Hark and Anthony Wong) and yet he is more concerned with Ah Tao than everyone else. Ah Tao is an orphan since World War II and has since been serving Roger's family for four generations without expecting any sort of compensation in return. Roger doesn't mind taking care of Ah Tao as everyone else progresses around him – the same way Ah Tao doesn't mind living her life on her own at an old folks' home without Roger to help her around after a stroke attack – she feels guilty if he did that. The two characters are bonded, play with, even depend on each other as if they're the only two people who understand each other. A sort of mother-son love, but more powerful. Compare with later scenes with Roger and his real mother and you'll see the difference. I'm not implying Roger's real mother is a morally bad character, far from it. The relationship between them is more real and human than I had expected.
Some will call this tedious and pretentious; others will call it pointless. I'm not sure, but I'd love to see movies like this where the characters unwrap the story around them as life progresses with its ups and downs. Sure, there are a few bits and pieces that did not really relate to the main character's story – but they make up the story and the characters as a whole – shaping this narrative up. It is a thing of beauty. So is life. So is this film - one of the year's best.
Overall rating: 88%
I seriously do not know why it took this movie so long to be in the cinemas. It is one of the defining works of the year and essentially a simple movie about simple and unexplored characters of Hong Kong people. Ms Ann Hui is truly at her very best once again. After winning awards for The Way We Were, Hui strikes the cord to the highest potential by casting Andy Lau and former box office queen of 80s Deanie Ip whose chemistry dates back to almost 23 years old in their last corroboration. It is truly a delight to sit through a movie like this and while this being one Hui's most accepted work to the general public; she never strays away from her principles and values. At its core, it is a film about human interactions, feelings, relationships and old age. One day, we will die and old age is a burning topic for the baby boomer's generation.
Deanie Ip puts in a career defining performance and as she puts it, acting as an old lady is not difficult at all, as she is just playing herself. The manner she manages to make the audience enjoy her character the Chinese servant of Hong Kong family for 3 generations is impressive to say the least. Life is never easy and sometimes, we just tend to forget those people who work their life within behind the scene, with heart, soul and pure dedication. These are people who gave up on having a family of their own and instead spend their whole life raising other people's families. Nowadays, the loyalty and the servant and master relationships are a lot more different. As mentioned before, Ip's characters work so well because there is an underlying chemistry between Andy Lau and her. Lau puts in an underrated performance that doesn't allow him to overshadow the main character. It is a compliment that it is because of the understated manner Lau manages to approach his character that allows Deanie Ip's the spotlight and attention.
A Simple Life has already won a lot of awards and not to mention plenty of admiration from a new league of fans young and old. Hui has been around a long time and has never strayed from the commercialism of Hong Kong cinema. To finally witness an Ann Hui film making splash at the box office is really as a good a feeling as watching a fine piece of cinema. In many ways this is a true and realistic look at simple aspects of life, characters and old age. It is this simplistic that makes Hui's films so different, enjoyable and ultimately touching. All in all, A Simple Life is a Hong Kong movie and more importantly a movie that takes us along the ride, respects those around us and allows the audience to reflect upon their own lives. Movies like these only comes along once in a generation and while this may not be Hui's best work, but in terms of balancing the needs of the Hong Kong people and her own vision, it is certainly the most accessible of her works. A fine piece of cinematic experience
Neo rates it 9/10
Deanie Ip puts in a career defining performance and as she puts it, acting as an old lady is not difficult at all, as she is just playing herself. The manner she manages to make the audience enjoy her character the Chinese servant of Hong Kong family for 3 generations is impressive to say the least. Life is never easy and sometimes, we just tend to forget those people who work their life within behind the scene, with heart, soul and pure dedication. These are people who gave up on having a family of their own and instead spend their whole life raising other people's families. Nowadays, the loyalty and the servant and master relationships are a lot more different. As mentioned before, Ip's characters work so well because there is an underlying chemistry between Andy Lau and her. Lau puts in an underrated performance that doesn't allow him to overshadow the main character. It is a compliment that it is because of the understated manner Lau manages to approach his character that allows Deanie Ip's the spotlight and attention.
A Simple Life has already won a lot of awards and not to mention plenty of admiration from a new league of fans young and old. Hui has been around a long time and has never strayed from the commercialism of Hong Kong cinema. To finally witness an Ann Hui film making splash at the box office is really as a good a feeling as watching a fine piece of cinema. In many ways this is a true and realistic look at simple aspects of life, characters and old age. It is this simplistic that makes Hui's films so different, enjoyable and ultimately touching. All in all, A Simple Life is a Hong Kong movie and more importantly a movie that takes us along the ride, respects those around us and allows the audience to reflect upon their own lives. Movies like these only comes along once in a generation and while this may not be Hui's best work, but in terms of balancing the needs of the Hong Kong people and her own vision, it is certainly the most accessible of her works. A fine piece of cinematic experience
Neo rates it 9/10
- www.thehkneo.com
- webmaster-3017
- May 5, 2012
- Permalink
This film is about a maid who is forced to retire after a stroke. Her life and the relationships around her change drastically.
"A Simple Life" is a touching story about a maid who has served a family for 60 years. She was seen as a servant in the beginning of the film, with her employers having no emotional attachment whatsoever. It saddens me to see how Ah Tao was treated with little respect. As the story progresses, the emotional connections and the direction of servitude turn 180 degrees, making a heartwarming and satisfactory change.
The environment in the old age home is strikingly authentic as well, from the residents, staff, the relationships between residents and relationships between residents and their children. How they care for each other is touching to say the least.
There are many effective and powerful scenes. The very brief 5 second scene of the old man walking in an alley with a young woman has so much emotion in it, I felt this spectrum of feelings towards this old man, from shame to anger. The numerous scenes with Ah Tao's humble personality are also very moving. A picture is really worth more than a thousand words.
It is also striking to see how the old age home manager speaks accented Cantonese, something that is very usual among old age home staff. This adds to the authenticity of the film. Another striking thing is that she is just 5 months younger than the actress playing Ah Tao. Who would have guessed!
In short, "A Simple Life" tells a heartwarming story of a humble, dedicated and selfless maid. The plot is so strong, that it moves people without the need of special effects or fancy sets. "A Simple Life" is a refreshing change for theHong Kong cinema, as it finally churns out a quality drama.
"A Simple Life" is a touching story about a maid who has served a family for 60 years. She was seen as a servant in the beginning of the film, with her employers having no emotional attachment whatsoever. It saddens me to see how Ah Tao was treated with little respect. As the story progresses, the emotional connections and the direction of servitude turn 180 degrees, making a heartwarming and satisfactory change.
The environment in the old age home is strikingly authentic as well, from the residents, staff, the relationships between residents and relationships between residents and their children. How they care for each other is touching to say the least.
There are many effective and powerful scenes. The very brief 5 second scene of the old man walking in an alley with a young woman has so much emotion in it, I felt this spectrum of feelings towards this old man, from shame to anger. The numerous scenes with Ah Tao's humble personality are also very moving. A picture is really worth more than a thousand words.
It is also striking to see how the old age home manager speaks accented Cantonese, something that is very usual among old age home staff. This adds to the authenticity of the film. Another striking thing is that she is just 5 months younger than the actress playing Ah Tao. Who would have guessed!
In short, "A Simple Life" tells a heartwarming story of a humble, dedicated and selfless maid. The plot is so strong, that it moves people without the need of special effects or fancy sets. "A Simple Life" is a refreshing change for theHong Kong cinema, as it finally churns out a quality drama.
The Palm Springs Film Festival ended with a day that included the best films of the fest. A Simple Life was on the list and was the icing on the cake of this great festival. This is a film about our connections to those we love, those we hardly know, and to ourselves. It is a sublimely graceful work and truly seamless. Deannie Yip, plays a maid who has worked for a family for many, many years. When she falls ill she moves to a long term care facility. Her struggle to move into her new role as an "ill person" is completely in keeping with what we know about her character. Great acting! The relationships she shares with the family members she's worked for are studies in the nuances of intimacy. Directed by Ann Hui....it's no wonder she's said to be "Asia's most important female director".
- bjoycelampert
- Jan 16, 2012
- Permalink
This is a simple film - two main characters with no blood relation and yet deeply connected to each other - and presumably made with a modest budget. It is slow, and arguably a tad long (but I am OK with it), but as the story evolves I begin to care about them.
As a film it is a great antidote to the sex, violence, intriguing plots, and CGI (I must admit I like some of those too) that we are so used to on the big screen these days. Director Ann Hui indicated the story was inspired by true events and I believe her. What makes this story unique is we are looking at love, respect and a feeling of duty and obligation between two human beings as if they were mother and son - but they are not. Instead, what started out as a servant-master relationship transcended itself to become something more sublime when the care-giver became incapacitated and the table was turned. When this happened the roles were reversed and yet it happened in such an unforced, natural and leisurely fashion.
There are tear-jerking moments, of course, but they came in such an unpretentious manner. The ending is as you would expect when age and illness took their toll on Tao Jie, played by Deannie Yip. And yet, I finished watching the film feeling uplifted, and with a strong sense of hope on humanity.
As a film it is a great antidote to the sex, violence, intriguing plots, and CGI (I must admit I like some of those too) that we are so used to on the big screen these days. Director Ann Hui indicated the story was inspired by true events and I believe her. What makes this story unique is we are looking at love, respect and a feeling of duty and obligation between two human beings as if they were mother and son - but they are not. Instead, what started out as a servant-master relationship transcended itself to become something more sublime when the care-giver became incapacitated and the table was turned. When this happened the roles were reversed and yet it happened in such an unforced, natural and leisurely fashion.
There are tear-jerking moments, of course, but they came in such an unpretentious manner. The ending is as you would expect when age and illness took their toll on Tao Jie, played by Deannie Yip. And yet, I finished watching the film feeling uplifted, and with a strong sense of hope on humanity.
Ah Tao, an old maid in Hong Kong who have served Roger's family for four generations suffering stroke that make her deciding to retire and move into old people's place. She recover her stroke there, learns many thing and also is treated well. Every once a week, her master Roger visits her and accompanies her to take a walk. Sometimes, Roger's mom also comes to visit Ah Tao and bring her many useful things. Roger's family really love Ah Tao and feel thankful after what she has done for them about 60 years long by taking care of their family.
'A Simple Life' have shown that a simple story could give good impression and enjoyable to watch. The storyline is not complicated at all, the movie goes on slowly and very detail. Ann Hui as a director tries to make it safe and straight without any meaningful conflicts which sometimes could make audience feels bored watching it. The relationship between Roger and Ah Tao built really well, it shows how they support and take care one another even sometimes telling jokes. Credits should be given to Andy Lau and Deannie Yip, their acting is so natural as two characters who has known each other for a long time. Overall, 'A Simple Life' is a memorable Chinese movie I've seen recently. Actually I felt exhausted during watching 'A Simple Life' because of it's slow plot but when I rewind what I just saw, the movie isn't bad at all and has so much lesson to be learned from it. It teaches audience to respect and appreciate people who has done good things in lives and not forgetting their merit.
'A Simple Life' have shown that a simple story could give good impression and enjoyable to watch. The storyline is not complicated at all, the movie goes on slowly and very detail. Ann Hui as a director tries to make it safe and straight without any meaningful conflicts which sometimes could make audience feels bored watching it. The relationship between Roger and Ah Tao built really well, it shows how they support and take care one another even sometimes telling jokes. Credits should be given to Andy Lau and Deannie Yip, their acting is so natural as two characters who has known each other for a long time. Overall, 'A Simple Life' is a memorable Chinese movie I've seen recently. Actually I felt exhausted during watching 'A Simple Life' because of it's slow plot but when I rewind what I just saw, the movie isn't bad at all and has so much lesson to be learned from it. It teaches audience to respect and appreciate people who has done good things in lives and not forgetting their merit.
I saw this film as part of the Rotterdam Film Festival 2012. Relatively long with nearly 2 hours running time, but not long winded at all. How does this film maker achieve that?? Carefully filmed, very nearby the two main characters. At the same time it showed an inside view in a retirement home, and a small view over the fence into the film industry.
The retirement home at hand may look different from similar institutions in our own country, but that is only the surface. Like here in The Netherlands, it is a small population with very different people who did not choose each other, many of them leading vegetative lives. Our first main character (the "amah", a lifelong help) is still relatively active, in spite of her stroke. Being moved to the retirement home was her explicit wish, unwilling to become a burden for the family she served for 60 years. This particular situation is something we cannot imagine in our own world, but apparently it exists there.
The other main characters is the last living son of the family. Though not being blood relatives, we see the two main characters behave like mother and son. To the outside world they explain their relationship as mother and godson, or alternatively as aunt and nephew, whatever fits the situation best. Her position as an "amah" is not known to others than the immediate family members, who all seem to care for her.
The inside view in the film industry is less extensive and mostly concentrated in the beginning, with a hefty meeting about an ever growing budget that some film maker needed, and a subsequent meeting with a bank manager about the fine print in a contract that was ignored by the bank. It merely serves to portray the "son" part in the story, and to explain why he is abroad for longer periods and cannot always find time to visit the retirement home. This has the definite purpose to prevent putting him on display as someone not caring. We see the fact that he really cares confirmed in the way he brings her along to a industry screening of this newly produced film, presenting her as his aunt.
The retirement home at hand may look different from similar institutions in our own country, but that is only the surface. Like here in The Netherlands, it is a small population with very different people who did not choose each other, many of them leading vegetative lives. Our first main character (the "amah", a lifelong help) is still relatively active, in spite of her stroke. Being moved to the retirement home was her explicit wish, unwilling to become a burden for the family she served for 60 years. This particular situation is something we cannot imagine in our own world, but apparently it exists there.
The other main characters is the last living son of the family. Though not being blood relatives, we see the two main characters behave like mother and son. To the outside world they explain their relationship as mother and godson, or alternatively as aunt and nephew, whatever fits the situation best. Her position as an "amah" is not known to others than the immediate family members, who all seem to care for her.
The inside view in the film industry is less extensive and mostly concentrated in the beginning, with a hefty meeting about an ever growing budget that some film maker needed, and a subsequent meeting with a bank manager about the fine print in a contract that was ignored by the bank. It merely serves to portray the "son" part in the story, and to explain why he is abroad for longer periods and cannot always find time to visit the retirement home. This has the definite purpose to prevent putting him on display as someone not caring. We see the fact that he really cares confirmed in the way he brings her along to a industry screening of this newly produced film, presenting her as his aunt.
'A simple life' is a film about human kindness. About caring for others. About harmonious human relationships. Does this sound cheesy? It's not meant that way. The film shows how caring for one another can make a difference, but it's never sentimental and there's no tear jerking at all.
The story centres around A Tao, a housekeeper who cooks and cleans for film producer Roger, who is not married and travels a lot. When returning home from one of his travels from Hong Kong to mainland China, A Tao doesn't open the door. She has had a stroke and after her stay in the hospital, she moves to an old people's home. Roger visits her regularly and gradually they become closer. At the start of the movie they are employer and employee, at the end they are friends.
Director Ann Hui shows this process with small, symbolic scenes. When A Tao serves Roger his food in one of the first scenes, only one word is spoken, when she asks him to move something on the table to make room for the dish she has prepared. The contrast with another key scene, later on in the movie, is huge. After A Tao has recovered from the stroke, Roger takes her to the first screening of his new film and introduces her to movie stars as his godmother. Afterwards, they walk away hand in hand, chattering affectionately about the film business.
A Tao visibly enjoys this party, and the attention she receives from her 'godson'. This is just one of the examples of the wonderful acting by Deannie Yip, a famous actress in the Hong Kong film industry but unknown to the rest of the world. In this film, she seemingly effortlessly plays A Tao first as a humble servant, then as a physically handicapped patient and also as a coquettish lady. How wonderful it must have been for her to receive a 'best actress'-award at the Venice Film Festival for her part as A Tao.
The film focuses on the relationship between Roger and A Tao, and the development of their mutual appreciation. Apart from that, not much really happens. There are some humorous little scenes that will make you smile, as well as some more emotional ones. This is a slow and low-profile film, to be appreciated by a typical art-house audience.
The story centres around A Tao, a housekeeper who cooks and cleans for film producer Roger, who is not married and travels a lot. When returning home from one of his travels from Hong Kong to mainland China, A Tao doesn't open the door. She has had a stroke and after her stay in the hospital, she moves to an old people's home. Roger visits her regularly and gradually they become closer. At the start of the movie they are employer and employee, at the end they are friends.
Director Ann Hui shows this process with small, symbolic scenes. When A Tao serves Roger his food in one of the first scenes, only one word is spoken, when she asks him to move something on the table to make room for the dish she has prepared. The contrast with another key scene, later on in the movie, is huge. After A Tao has recovered from the stroke, Roger takes her to the first screening of his new film and introduces her to movie stars as his godmother. Afterwards, they walk away hand in hand, chattering affectionately about the film business.
A Tao visibly enjoys this party, and the attention she receives from her 'godson'. This is just one of the examples of the wonderful acting by Deannie Yip, a famous actress in the Hong Kong film industry but unknown to the rest of the world. In this film, she seemingly effortlessly plays A Tao first as a humble servant, then as a physically handicapped patient and also as a coquettish lady. How wonderful it must have been for her to receive a 'best actress'-award at the Venice Film Festival for her part as A Tao.
The film focuses on the relationship between Roger and A Tao, and the development of their mutual appreciation. Apart from that, not much really happens. There are some humorous little scenes that will make you smile, as well as some more emotional ones. This is a slow and low-profile film, to be appreciated by a typical art-house audience.
- himanshug1
- Aug 17, 2012
- Permalink
- KineticSeoul
- Aug 18, 2013
- Permalink
- harry_tk_yung
- Mar 14, 2012
- Permalink
Ah Tao has been working for Roger's family for 4 generations and more than sixty years. Everyone but Roger lives now in America, and Ah Tao takes care of Roger as he was still a little child. But then she has a stroke and can't work anymore. Ah Tao, seeing that she's already 70 years old, asks Roger to find her a nursing home. But he decides not to forget about her, and visits her as much as possible.
"A Simple Life" is a very good film, with great acting and a very touching story. It is all a little bit too beautiful (rich guy decides to give his time to old sick maid) as we almost don't see any tension between the characters (except the guy that asks for money constantly and Anthony Wong's shady character). The worst we see is Ah Tao telling Roger to use a tablecloth or checking if there's dust in the flat now that she's not cleaning it. And it goes for the tear once or twice. But everyone, from the writers to director Ann Hui, to the actors, do a great job to make us invest in the story and care about all involved. Andy Lau (from "Infernal Affairs" fame) does a great job as the film producer, going from joyful to subdued to caring, but this is Deannie Yip's show and she is amazing.
The movie also has lots of famous faces from Hong Kong film industry, so a fan can have some fun recognizing Chapman To or Sammo Hung.
The story is simple (it is there in the title) but simple doesn't mean worthless or boring. Simple can be great. Like here.
"A Simple Life" is a very good film, with great acting and a very touching story. It is all a little bit too beautiful (rich guy decides to give his time to old sick maid) as we almost don't see any tension between the characters (except the guy that asks for money constantly and Anthony Wong's shady character). The worst we see is Ah Tao telling Roger to use a tablecloth or checking if there's dust in the flat now that she's not cleaning it. And it goes for the tear once or twice. But everyone, from the writers to director Ann Hui, to the actors, do a great job to make us invest in the story and care about all involved. Andy Lau (from "Infernal Affairs" fame) does a great job as the film producer, going from joyful to subdued to caring, but this is Deannie Yip's show and she is amazing.
The movie also has lots of famous faces from Hong Kong film industry, so a fan can have some fun recognizing Chapman To or Sammo Hung.
The story is simple (it is there in the title) but simple doesn't mean worthless or boring. Simple can be great. Like here.
- tenshi_ippikiookami
- Jan 13, 2016
- Permalink
A fine family drama, there was no over emotions but a simple story and I loved it to the core. I love kids movies as well old people character movies, my heart will melt when I see them struggle. I am really very happy to saw this rare Hong Kong movie and I am glad I picked particularly this.
Andy Lau, vastly known name if anyone familiar with the Hong Kong movies. Many his movies are my favourites and goes this movie as well to that list. This movie is about the two normal people's relationships, an old maid and his young master. It was quite different, when maid turns too old left no strength to serve his owner what comes to her rescue is to repay for her long and faithful service she did. Like I said the movie get rid of the sappy melodrama and portrayed like that happening in a real environment.
This movie does not have any twist and was very plain. The story development was steady and gives away the audience to where it is heading so if you are a smart enough you will get it before you finish watching it. This is the movie, the characters it had that make us to judge what we have done in our whole life, someday when we become old. This movie deserves an ovation and all the credits goes to the writers and the director. A must see movie.
9/10
Andy Lau, vastly known name if anyone familiar with the Hong Kong movies. Many his movies are my favourites and goes this movie as well to that list. This movie is about the two normal people's relationships, an old maid and his young master. It was quite different, when maid turns too old left no strength to serve his owner what comes to her rescue is to repay for her long and faithful service she did. Like I said the movie get rid of the sappy melodrama and portrayed like that happening in a real environment.
This movie does not have any twist and was very plain. The story development was steady and gives away the audience to where it is heading so if you are a smart enough you will get it before you finish watching it. This is the movie, the characters it had that make us to judge what we have done in our whole life, someday when we become old. This movie deserves an ovation and all the credits goes to the writers and the director. A must see movie.
9/10
- Reno-Rangan
- Sep 9, 2013
- Permalink
- politic1983
- Jan 24, 2014
- Permalink
How to write about simple movie? And how tell about simple life? How to live such life? Perhaps the answer to these questions lie exactly here. But first, it takes strength and courage to overcome yourself, your self-esteem, dreams and ambitions. It takes curiosity and thirst for life.
The film comes into our minds easily and quickly shows us the power of being, of being born with the fate of being a human being in its overall appearance. Shows how quickly are changing the roles of young and old, it shows what should be the relationship between people, always. It shows where is the spring of goodness and that it is there because "You have to be at rest first with yourself before helping others"... with unabated good that enjoys anyone to whom it touches. That everyone accepts as a given, but feels the pain of its loss.
How nice it is when our deepest desires are so simple. When we are truly, picky, but because we are looking for soul mates. How nice it is to experience the happiness of loving relatives, to know your place and perhaps, most importantly, not cheating in first place - not cheating yourself.
http://vihrenmitevmovies.blogspot.com/
The film comes into our minds easily and quickly shows us the power of being, of being born with the fate of being a human being in its overall appearance. Shows how quickly are changing the roles of young and old, it shows what should be the relationship between people, always. It shows where is the spring of goodness and that it is there because "You have to be at rest first with yourself before helping others"... with unabated good that enjoys anyone to whom it touches. That everyone accepts as a given, but feels the pain of its loss.
How nice it is when our deepest desires are so simple. When we are truly, picky, but because we are looking for soul mates. How nice it is to experience the happiness of loving relatives, to know your place and perhaps, most importantly, not cheating in first place - not cheating yourself.
http://vihrenmitevmovies.blogspot.com/
"A Simple Life" ("Tou Ze") is not your average Hong Kong movie, as it is neither an adrenaline-packed action movie or an over the top silly romantic comedy. "A Simple Life" is a beautiful movie about real life, love and humanity.
The story is about again domestic housekeeper Ah Tao (played by Deannie Yip) who has been taking care of the same family for 60 years, and as Roger (played by Andy Lau) returns from USA, roles become switched as Ah Tao suffers a stroke and has to move into a nursing home. What was once a master and servant relationship becomes a relationship of friendship, compassion, companionship and genuine love and sense of family bond despite having no blood ties.
"A Simple Life" is filmed in a style very much similar to a documentary, and that is part of the charm, because it is really like you, as the audience, is right there alongside the actors and actresses.
But what really makes this movie unique is the spectacular performances of all people in the movie, especially that of Deannie Yip and Andy Lau. Together they really carry the movie so nicely.
This movie is a gem in the Hong Kong cinema, and should be on the shelf of any collector or fan of Hong Kong cinema. I am glad that I purchased the movie from Amazon, given my interest in Hong Kong cinema, and I was more than genuinely surprised by the authenticity and heart-warning compassion that is shown in this movie.
"A Simple Life" is well worth a watch, especially if you enjoy movies that are realistic and will have an impact on the audience.
The story is about again domestic housekeeper Ah Tao (played by Deannie Yip) who has been taking care of the same family for 60 years, and as Roger (played by Andy Lau) returns from USA, roles become switched as Ah Tao suffers a stroke and has to move into a nursing home. What was once a master and servant relationship becomes a relationship of friendship, compassion, companionship and genuine love and sense of family bond despite having no blood ties.
"A Simple Life" is filmed in a style very much similar to a documentary, and that is part of the charm, because it is really like you, as the audience, is right there alongside the actors and actresses.
But what really makes this movie unique is the spectacular performances of all people in the movie, especially that of Deannie Yip and Andy Lau. Together they really carry the movie so nicely.
This movie is a gem in the Hong Kong cinema, and should be on the shelf of any collector or fan of Hong Kong cinema. I am glad that I purchased the movie from Amazon, given my interest in Hong Kong cinema, and I was more than genuinely surprised by the authenticity and heart-warning compassion that is shown in this movie.
"A Simple Life" is well worth a watch, especially if you enjoy movies that are realistic and will have an impact on the audience.
- paul_haakonsen
- Jun 28, 2014
- Permalink
- cagenicholas44
- Nov 26, 2014
- Permalink
The accumulation of quiet moments with a ring of truth outweighed any doubts I'd had about the sentimental piano score and obvious narrative trajectory. The film is a little uneven, and both characters perhaps too virtuous, but it surprises by refraining from overt judgment about Tao's role as a servant. It also takes Hong Kong for granted, for once seeing it with a human eye for local, specific truths.
As population is ageing quickly in the world, elderly film need to be produced to reflect the reality. This movie is like a virtual show of an elderly maid to a family. She is still single, like all other live in maids in the past.
The scene in elderly homes depicts the harsh truth of poor elderly care in Hong Kong. The lack of space makes it difficult to provide more land for elderly home.
The acting of both leads is superb. A brave act of Andy Lau to produce such a film with a not so popular genre. But the result is non stop award winning. If I had remembered correctly the female lead is 7 times Best Actress in various movie award ceremonies around the world.
Thank you Andy Lau to create such a moving movie for HK.
And I just cannot figure out why the overall score is not ten.
Also see As long as you live, a HK TV Series, and Intouchables, a French movie, both on elderly issues
The scene in elderly homes depicts the harsh truth of poor elderly care in Hong Kong. The lack of space makes it difficult to provide more land for elderly home.
The acting of both leads is superb. A brave act of Andy Lau to produce such a film with a not so popular genre. But the result is non stop award winning. If I had remembered correctly the female lead is 7 times Best Actress in various movie award ceremonies around the world.
Thank you Andy Lau to create such a moving movie for HK.
And I just cannot figure out why the overall score is not ten.
Also see As long as you live, a HK TV Series, and Intouchables, a French movie, both on elderly issues
- madbird-61243
- Apr 6, 2019
- Permalink
I've seen movies similar to A Simple Life before, but every time I watch one I'm emotionally affected. Because films like this connect with me on an emotional level, I'm kinder to them in my rating/ranking. But there isn't a whole lot of story involved beyond an old woman living out her final years in a nursing home while being visited by her "family." You can certainly see why A Simple Life earned its title, because the main character did live a rather uneventful life which completely revolved around the family that employed her. The actors are all good, and you can't help loving the character of Ah Tao because Deannie Ip is absolutely charming. Andy Lau makes a bold choice in presenting Roger as a stoic character who internalizes his emotions, but you can still feel how these sad times are affecting him. A Simple Life is a decent film, but not one that is special or unique enough to set it apart from other movies with similar plotlines. Yet, it still made me cry, so there is an engaging quality to the movie that might work extremely well for some viewers.
- blott2319-1
- Oct 11, 2021
- Permalink
Life for a parent is a bad deal. You raise someone for 20 years and then are abandoned by them to face death for the next 40 years. Strangely, it's the only selfless thing we do as human beings. But it seems so unfair, someone takes care of you, you should take care of them as well right?
That is the central idea of A Simple Life. The story is about Toh Jie, transliterated as "Sister Peach" (played by Deannie Yip), is a household maid who has worked for the Leung family for 60 years. She still currently takes care of the young master, Roger (played by Andy Lau). Her health deters and now she in need of Roger to take care of her.
Deannie Yip owns this role. She reminded me of my grandmother at times, who is currently in an old folk's home. She has the physicality of an old person down, the little tics and the way you lean to take off weight when you walk. She deserved that Venice Film Festival award. Heck, give her more!
Andy Lau has come a long way since his younger days of "playing-a-heartthrob-who- dies-at-the-end-of-the-movie-to-his own-pop-soundtrack" thing. He has learned how to use the subtlety of his face and knows when to chew up a moment. There's one noteworthy scene where Roger is hanging out with his childhood friends and they all decide to give Sister Peach a call and reminisce about the great food dishes she used to make for them. This aches Roger as he realizes this is basically how people will remember her. And I urge people to watch Andy Lau in that moment.
There is a little detail with the layout of the old folk's home I wanted to address: it had an open door at the entrance. Many times the old people just opened and closed the door and exited freely. My mother and I debated the reality of this, usually these old folk's home have a exit button that unlocks the door for safety purposes. There are scenes where Sister Peach and other elderly people are opening and closing this door without supervision. What's worse is the old folk's home is right across from a mechanic's shop! Thinking more about this, it dawned on me: this is an aesthetic choice. It is probably unrealistic but what that aesthetic choice lead me to consider how dangerous the situation was for the elderly people.
As I realized this, there was many aesthetic choices in the story that were designed to raise a discussion about how we should treat and handle elderly people. I admired its subtlety. For example, there's a scene where Roger and his sister discuss how Sister Peach's expenses should be handled and it gets pretty dark as it starts to sound like a business transaction.
There are a lot of funny moments in the movie and thank goodness for it. It is very grim to watch old people suffering and deteriorating in an old folk's home. The film knows that and shows that there is indeed laughter in their lives, and Sister Peach does not have it too bad. The story is not about how the whole world is against her. We never linger on her suffering. Things are never dialed up to eleven. It retains a lot of realism (a lot of the old people in the old folk's home seem to belong there) and still manages to find drama within it. Good work, Ann Hui!
That's one major thing I appreciated about this movie: it does not set out to make you cry. It could have easily done so using melodramatic sensibilities and it does not set that as it's goal.
I did not cry at the end, but I felt the touching cleanse of a cry. I left the theater thinking about how I should treat my grandparents, my parents someday and even the elderly in general. Sometimes they need help walking down from a bus, someone to talk to or simply they just need to feel needed. The film's heart is in the right place and I ultimately agree with it's sentiments: nobody that raised and took care of you deserves to die alone.
For more reviews, please visit my blog @ http://hkauteur.wordpress.com
That is the central idea of A Simple Life. The story is about Toh Jie, transliterated as "Sister Peach" (played by Deannie Yip), is a household maid who has worked for the Leung family for 60 years. She still currently takes care of the young master, Roger (played by Andy Lau). Her health deters and now she in need of Roger to take care of her.
Deannie Yip owns this role. She reminded me of my grandmother at times, who is currently in an old folk's home. She has the physicality of an old person down, the little tics and the way you lean to take off weight when you walk. She deserved that Venice Film Festival award. Heck, give her more!
Andy Lau has come a long way since his younger days of "playing-a-heartthrob-who- dies-at-the-end-of-the-movie-to-his own-pop-soundtrack" thing. He has learned how to use the subtlety of his face and knows when to chew up a moment. There's one noteworthy scene where Roger is hanging out with his childhood friends and they all decide to give Sister Peach a call and reminisce about the great food dishes she used to make for them. This aches Roger as he realizes this is basically how people will remember her. And I urge people to watch Andy Lau in that moment.
There is a little detail with the layout of the old folk's home I wanted to address: it had an open door at the entrance. Many times the old people just opened and closed the door and exited freely. My mother and I debated the reality of this, usually these old folk's home have a exit button that unlocks the door for safety purposes. There are scenes where Sister Peach and other elderly people are opening and closing this door without supervision. What's worse is the old folk's home is right across from a mechanic's shop! Thinking more about this, it dawned on me: this is an aesthetic choice. It is probably unrealistic but what that aesthetic choice lead me to consider how dangerous the situation was for the elderly people.
As I realized this, there was many aesthetic choices in the story that were designed to raise a discussion about how we should treat and handle elderly people. I admired its subtlety. For example, there's a scene where Roger and his sister discuss how Sister Peach's expenses should be handled and it gets pretty dark as it starts to sound like a business transaction.
There are a lot of funny moments in the movie and thank goodness for it. It is very grim to watch old people suffering and deteriorating in an old folk's home. The film knows that and shows that there is indeed laughter in their lives, and Sister Peach does not have it too bad. The story is not about how the whole world is against her. We never linger on her suffering. Things are never dialed up to eleven. It retains a lot of realism (a lot of the old people in the old folk's home seem to belong there) and still manages to find drama within it. Good work, Ann Hui!
That's one major thing I appreciated about this movie: it does not set out to make you cry. It could have easily done so using melodramatic sensibilities and it does not set that as it's goal.
I did not cry at the end, but I felt the touching cleanse of a cry. I left the theater thinking about how I should treat my grandparents, my parents someday and even the elderly in general. Sometimes they need help walking down from a bus, someone to talk to or simply they just need to feel needed. The film's heart is in the right place and I ultimately agree with it's sentiments: nobody that raised and took care of you deserves to die alone.
For more reviews, please visit my blog @ http://hkauteur.wordpress.com