When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between t... Read allWhen 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.
- Awards
- 7 nominations
Chelsea Chrostowski
- Smiling Passerby Woman
- (uncredited)
Richard Doone
- Man in Bookstore Line
- (uncredited)
Caroline Lindy
- Hostess
- (uncredited)
Shelby Mason
- Lunch Friend
- (uncredited)
Travis Alan McAfee
- Laundromat Thief
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFilmed mostly at Josh Radnor's alma mater Kenyon College, a small liberal arts school located in Gambier, Ohio. Allison Janney was a student there.
- GoofsWhen Dean calls Jesse he identifies himself as the person who reads "Franzen," referring to the book he is always carrying, an author that both he and Jesse enjoy. But, in the hospital scene, the author of the same book is clearly Foster Wallace, that is not mentioned except to say that he killed himself. Franzen is alive and well.
- Quotes
Prof. Peter Hoberg: Any place you don't leave is a prison.
- ConnectionsReferenced in The Tonight Show with Jay Leno: Episode #19.203 (2011)
Featured review
The hyphenate that is this Josh Radnor guy presents a somewhat thin but ultimately rewarding film with LIBERAL ARTS. The story is a charming one—jaded New Yorker makes an excursion back to his alma mater in Ohio and meets a much younger and gorgeous kindred spirit who forces him to self-reflect. But unfortunately, it's also a story that provides enough material for an 80 minute film which Radnor stretches out to around 97 minutes. Thus, some of the film drags a bit. Luckily, Radnor casts actors with incredible talent who breathe life into the film when it begins to deflate.
Elizabeth Olsen, specifically, is an ace. In a character reversal from her breakthrough in MARTHA MARCY MAY MARLENE, she is beautiful and funny, effortlessly natural. The scenes featuring her make the film. Watching her this early in her career and contemplating just how much potential she has and what she'll be able to do with it is exciting for any movie lover. Richard Jenkins is wonderful as always, as is Allison Janney. Even Zac Efron, making a humorous cameo appearance, helps liven things up a bit. The bond shared between Radnor's character and a depressed, anti-social undergrad, played by John Magaro, is particularly sincere.
The film seems to be a meditative-lite work. It's brooding and thoughtful, but it's not something that will permeate your thoughts or stick with you days after watching. But it isn't supposed to be. (At least I don't think so.) The film is probably significantly more appealing to a select group of people—mainly those with a "liberal arts" background, or those able to register all of the literary references—but that is not to say the film is only for some. The pleasant romantic-comedy-ish-drama story and the aforementioned acting is enough to create a film anyone can enjoy if they try. If the viewer tries to get past the somewhat pretentious collegiate talk, tries to hold on for the somewhat slow moments, tries to watch the film as a light and entertaining piece to pass 90-something minutes, it's highly recommended. Seek it out.
Elizabeth Olsen, specifically, is an ace. In a character reversal from her breakthrough in MARTHA MARCY MAY MARLENE, she is beautiful and funny, effortlessly natural. The scenes featuring her make the film. Watching her this early in her career and contemplating just how much potential she has and what she'll be able to do with it is exciting for any movie lover. Richard Jenkins is wonderful as always, as is Allison Janney. Even Zac Efron, making a humorous cameo appearance, helps liven things up a bit. The bond shared between Radnor's character and a depressed, anti-social undergrad, played by John Magaro, is particularly sincere.
The film seems to be a meditative-lite work. It's brooding and thoughtful, but it's not something that will permeate your thoughts or stick with you days after watching. But it isn't supposed to be. (At least I don't think so.) The film is probably significantly more appealing to a select group of people—mainly those with a "liberal arts" background, or those able to register all of the literary references—but that is not to say the film is only for some. The pleasant romantic-comedy-ish-drama story and the aforementioned acting is enough to create a film anyone can enjoy if they try. If the viewer tries to get past the somewhat pretentious collegiate talk, tries to hold on for the somewhat slow moments, tries to watch the film as a light and entertaining piece to pass 90-something minutes, it's highly recommended. Seek it out.
- salbelmondo-570-512867
- Jan 5, 2013
- Permalink
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $327,345
- Opening weekend US & Canada
- $27,435
- Sep 16, 2012
- Gross worldwide
- $1,150,681
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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