There's something refreshing about a film that is only made for a certain, small audience. They usually know precisely what they are, and therefore the audience ends up enjoying themselves all that much more when they watch it. But every once and a while, there are movies of the sort that have so much potential and yet the end up squandered and falling short. While not the complete case here, "Knights of Badassdom" definitely needed another draft or two on its script. As much as I wanted to love this movie, I just couldn't. At least, not fully.
"Knights of Badassdom" is about a group of friends whom, after one of the three getting dumped by his girlfriend, go to a LARP festival for the weekend to get his mind off her. What is LARPing? Live-action-role- playing. Imagine a bunch of dudes in armour and robes with foam weapons playing out scenarios from Dungeons and Dragons. This alone was enough to get me interested in the film. I've always considered attending one of these events, if just for the experience. The money and passion some people put into this stuff is out of this world. And even the most anti- fantasy person could get down with swinging around a sword of any type against other people without consequence. It taps into a child-like imagination that I think really ups the enjoyment in the film for me. Had this been any other type of event where the plot happened, I wouldn't have enjoyed it as much I think.
The second things that got me into wanting to watch this knight's tale is the cast. "Game of Thrones"' Peter Dinklage (who also produces this film) and Summer Glau of "Firefly" and "Terminator: The Sarah Connor Chronicles" (two of my favourite TV shows) are both featured. No matter what these two do, I'll always watch it. And they are without a doubt the best parts of the movie. Not just from a fan-based perspective, but they have the two most interesting characters in my opinion. Dinklage is an accidental millionaire who is a regular attendee and enthusiast of LARPing, while Summer Glau plays chaperone to her hardcore LARPing cousin whom she watches after, due to him having a mental disability. Quite touching for a movie that didn't really require any emotional depth to the characters, but it's highly welcomed and appreciated that the film actually took this next step and made it more logical for a drop-dead gorgeous woman to attend something like this. Not to say LARP women can't be attractive, it's just in media, the stereotype works against that.
So how is the acting in the film? Well, it's hit and miss. Some characters are great, others aren't. Our main hero is Joe; a heavy-metal singing guy who just wants to live a normal life, despite his eccentric friends. Actor Ryan Kwanten does him decently, but his characters archetype is so clichéd that I can't help but barely care for him. I don't know if he didn't do as great of a job because of the weak nature his portions of the script were, or because Kwanten himself just isn't that great an actor. Either way, mediocre to say the least. For me, the biggest disappointment was Steve Zahn as Eric, the most dedicated of the company. I like Zahn in what I've seen him in, especially the highly underrated (in my opinion) "A Perfect Getaway". Here, however, his character was flat, annoying and expendable. I think this fault is more on the writers and director Joe Lynch, as whenever Eric makes a joke it always falls flat and I wind up hoping for his scenes to end.
The two final things I want to address here are the special effects and the climax. I feel like with a film like this, it's important to point out how impressed I was with these elements. The special effects are almost all practical, with a little bit of low-quality CGI. However that kind of works with the half-assed nature of LARPing and the characters costumes in general, so I can run with it. In the end of the film, there is a giant monster that goes on a killing spree. And I was so joyed to see it was rubber suit. Too many low-budget horror films use almost all their spendings on terrible CG to make their creatures, or they try to make sure the monster is in the film, but just rarely or never show it to "add mystery". It's so refreshing to see this art has not completely died out. Considering the nature of this film, I think they nailed this perfectly. Also, the climax of this film is great. It's a fun little field battle, speeches and all. The comical nature of legions of grown people waving foam swords around had me thoroughly entertained and I think it was the best part of the whole film. Also, the way the monster is defeated completely lives up to the title of 'badassdom' and is one of my favourite film kills as of late.
In the end, I didn't completely love nor hate "Knights of Badassdom". I'll say it was worth the watch, but I'm unsure whether I'd buy it. Maybe if I saw it for $5, as Dinklage and Glau definitely add rewatchability to it and the overall premise is amusing. Not as good as it could have been, but it didn't fail in its purpose either. Now, if these knights select to go on a second quest, I would most certainly accompany them once more.
