not surprising. or, maybe, the right manner to present Francisc . because the film reminds the art of Giotto. because it is pure eulogy to the beauty. and splendid trip in the essence of small things defining every day reality. sure, it is slow, the dialogues are more preaches, but its basic virtue remains the status of travel across the sensitive portrait of a time, made by gestures and faith and pain and simple joy. and this does it an useful experience. seductive, convincing, touching, refreshing. and it is enough for escape from the ordinaries circles of life. for understand the roots of a different perspective about near reality.
