Directed by
| Rita Osei | ||
Writing Credits (in alphabetical order)
| Alex Ferguson | ... | (screenplay, story & dialogue) |
| Rita Osei | ... | (concept by) |
| Rita Osei | ... | (story) |
| Jenny Wilkes | ... | (story) |
Cast (in credits order)
Produced by
| Alex Ashworth | ... | associate producer |
| Kirsty Bell | ... | executive producer |
| Jason Garrett | ... | executive producer |
| Julian Hicks | ... | executive producer: GSP Studios |
| Njål Lambrechts | ... | line producer |
| Alan Latham | ... | producer |
| Bruce J. Nachbar | ... | line producer |
| Rita Osei | ... | producer |
| David Rogers | ... | executive producer |
| Paul Ward | ... | executive producer: GSP Studios |
Music by
| Hélène Muddiman | ||
Cinematography by
| Richard Stoddard | ||
Editing by
| Kant Pan | ||
Casting By
| Lucy Jenkins | ||
Production Design by
| John Ellis | ||
Costume Design by
| Georgina Napier | ||
Makeup Department
| Molly Connors | ... | hair and make-up assistant |
| Danielle Jones | ... | assistant makeup artist |
| Tracy Whalen | ... | makeup designer |
| Lisa Zipper | ... | makeup artist |
Production Management
| Liane Escorza | ... | production manager |
| Joe Hargreaves | ... | unit manager |
| Emma James | ... | production manager |
| Kate Wright | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Dawn Franklin | ... | second assistant director |
| Christopher Linton | ... | second assistant director: Norway unit |
| Abi Ross | ... | third assistant director |
| Patrick James Stephens | ... | first assistant director |
Art Department
| Jade Bateson | ... | props buyer |
| Alex Brook | ... | assistant art director |
| Jonathan Tolson | ... | standby art director |
| Alice Webster | ... | art department key assistant |
| Ross Wilson | ... | property master |
Sound Department
| Chris Alford | ... | foley mixer |
| Giancarlo Dellapina | ... | sound mixer |
| Fred Englefield | ... | dubbing assistant |
| David Ingram | ... | a.d.r. recordist / sound mixer |
| Thomas Markwick | ... | boom operator (as Tom Markwick) |
| Richard Miller | ... | sound mixer |
| Adam Severs | ... | re-recording mixer |
Visual Effects by
| Stuart D. Gordon | ... | effects animation |
| Martyn Hawkins | ... | compositor |
| Jamie Lochhead | ... | visual effects supervisor |
| Ben Louden | ... | visual effects supervisor |
| Alejandro Orjuela Álvarez | ... | visual effects |
Stunts
| Elliot Hawkes | ... | stunt double: David Leon |
| Curtis Rivers | ... | stunt coordinator |
| Arran Topham | ... | stunt performer |
| Charlotte Williams | ... | stunt double |
Camera and Electrical Department
| Scott Coulter | ... | second assistant camera |
| Tom Evans | ... | camera trainee |
| Anders Fløysand | ... | aerial cinematographer: Norway |
| Russ Greening | ... | electrician |
| Mark Holownia | ... | gaffer |
| Lauren Jones | ... | trainee electrician |
| Sarah E. Jones | ... | first assistant camera (as Sarah Emmett Jones) |
| Paul Kemp | ... | key grip |
| Dean King | ... | assistant grip |
| David Mordey | ... | spark |
| Kiri Nicholetts | ... | best boy |
| Aubrey Pascoe | ... | grip |
| Steven Rundle | ... | digital imaging technician |
| Guy Smith | ... | grip / key grip |
| Paul Mark Synnott | ... | grip trainee |
| Evelin van Rei | ... | second assistant camera: teaser (as Ann Evelin Lawford) |
Casting Department
| Alicia M. Eidesund | ... | casting department: norway / extras casting: norway |
Costume and Wardrobe Department
| Mimi Milburn-Foster | ... | costume supervisor |
| Rosie Tipler | ... | costume assistant |
Editorial Department
| Steven Rundle | ... | colorist: dailies |
| Chris Timson | ... | colorist / title sequence designer |
| Matthew Wingad | ... | post production assistant |
| Kate Wright | ... | post-production supervisor |
Location Management
| Nick Graham | ... | location assistant |
| Karl Hall | ... | location manager |
| Joe Hargreaves | ... | location manager |
| Håvard Nesbø | ... | location scout norway unit |
Music Department
| Yak Bondy | ... | composer: additional music |
| Benoit Grey | ... | orchestrator |
| Patty Macmillan | ... | Composer Agent |
| Mateo Messina | ... | Composer: Additional music |
| Eimear Noone | ... | scoring conductor |
| Jonathan Padilla | ... | composer: additional music |
| Thanh Tran | ... | music preparation |
| Johnnie Traunwieser | ... | score music mixer (as John Traunwieser) |
Script and Continuity Department
| Gladys San Juan | ... | script supervisor |
Additional Crew
| Shelly Bancroft | ... | acquisition consultant: Premiere Picture |
| Loraine Biggins | ... | production accountant |
| René Bjerregaard | ... | production assistant (as Rene Bjerregaard) |
| Rob Carter | ... | production assistant |
| Sarah Durham | ... | production assistant |
| Claire Gerrard | ... | financier |
| Erlend S. Granrud | ... | miscellaneous crew |
| Paul Hillier | ... | insurance |
| Eddie Kane | ... | production accountant |
| Keith Kehoe | ... | Production & Acquisitions Executive: GSP Studios |
| Christopher Linton | ... | production coordinator |
| Linda Løvheim | ... | production runner |
| Alex Martin | ... | consultant |
| Suria O'Connor | ... | marketing assistant |
| David Peck | ... | financier |
| Joe Rayner | ... | accounts |
| Steven Rogers | ... | financier |
| Liam Rough | ... | floor runner |
| Marcus Searancke | ... | business affairs / financier |
| Paul Stephenson | ... | stills photographer |
| Mark Timmons | ... | studio security |
| Marina Tyndall | ... | dialect coach: pre-production |
| Alena Walker | ... | financier (as Alena Trower) |
Thanks
| Raquel Azevedo | ... | The director wishes to thank |
| Christine Benson | ... | The director wishes to thank |
| Sarah Heal | ... | The director wishes to thank |
| Sigmund Elias Holm | ... | The director wishes to thank |
| Truls Kontny | ... | The director wishes to thank |
| Roman Osin | ... | The director wishes to thank |
| Barry Spikings | ... | The director wishes to thank |
| Cleo Sylvestre | ... | The director wishes to thank |
| Teresa Symes | ... | The director wishes to thank |
| Natalie Usher | ... | The director wishes to thank |
