A family in Hawai'i faces the imminent death of their eldest as the ghosts of the past haunt the countryside.A family in Hawai'i faces the imminent death of their eldest as the ghosts of the past haunt the countryside.A family in Hawai'i faces the imminent death of their eldest as the ghosts of the past haunt the countryside.
- Awards
- 3 wins & 6 nominations
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Did you know
- TriviaConstance Wu said in an interview that she and her acting coach, Craig Archibald, discussed her acting method in the film I Was a Simple Man. They talked about seeing oneself as a plant or an animal. Archibald explained to Fan, "choosing an animal that a role resembles 'helps you feel the essence of it.' " When the pair concluded her character was fundamentally a plant, Wu exclaimed, "This is the first time I'm being a plant!"
Featured review
Film is first and foremost a story-telling medium. Film is at its best when it has straight forward story, strong characters, a linear plot that is easy to follow, and a theme you don't have to search for. If this had any of these, it went over my head.
When people go into an art gallery, there are those who look at the art on the walls and ponder, and (with honest sincerity, or the need to show pretentious artistic knowledge) say, "Hmmm, very deep. It truly moves me." Then there are those who look at it, with head askew, and say "Huh?" I am the latter. I don't know, maybe I am just a landscape and flowers kind of guy. I could never pretend that I understood and liked wine, either. I am more of a coffee guy, with just a little cream and sugar to take the bitter out.
This film seemed slow, drawn out, plodding, and all over the place with unintroduced characters, a story that roamed, and a theme that never penetrated for me. The beautiful cinematography simply could not make for for what it lacked. I had to strain to hear what little dialog there was, I had to strain to see through the persistent darkness, and I had to strain just to understand what it was about. Maybe it was a cultural thing, but when we strive today for a cross-cultural awareness, I felt left behind.
Film as art for art sake has never interested me. I just wondered what the point was, and that question was never answered...for me.
When people go into an art gallery, there are those who look at the art on the walls and ponder, and (with honest sincerity, or the need to show pretentious artistic knowledge) say, "Hmmm, very deep. It truly moves me." Then there are those who look at it, with head askew, and say "Huh?" I am the latter. I don't know, maybe I am just a landscape and flowers kind of guy. I could never pretend that I understood and liked wine, either. I am more of a coffee guy, with just a little cream and sugar to take the bitter out.
This film seemed slow, drawn out, plodding, and all over the place with unintroduced characters, a story that roamed, and a theme that never penetrated for me. The beautiful cinematography simply could not make for for what it lacked. I had to strain to hear what little dialog there was, I had to strain to see through the persistent darkness, and I had to strain just to understand what it was about. Maybe it was a cultural thing, but when we strive today for a cross-cultural awareness, I felt left behind.
Film as art for art sake has never interested me. I just wondered what the point was, and that question was never answered...for me.
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Box office
- Gross US & Canada
- $12,669
- Opening weekend US & Canada
- $7,525
- Nov 21, 2021
- Gross worldwide
- $12,669
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.85 : 1
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