A faded professional wrestler must retire, but finds his quest for a new life outside the ring a dispiriting struggle.A faded professional wrestler must retire, but finds his quest for a new life outside the ring a dispiriting struggle.A faded professional wrestler must retire, but finds his quest for a new life outside the ring a dispiriting struggle.
- Nominated for 2 Oscars
- 58 wins & 93 nominations total
Dylan Keith Summers
- Necro Butcher
- (as Dylan Summers)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDue to the film's modest budget, Axl Rose donated the use of Guns N' Roses' "Sweet Child O' Mine" free of charge for the final match.
- GoofsThe promoter mentions that Ram's match with Tommy Rotten will be for "the strap", which refers to a promotion's title belt. However, following Ram's victory over Rotten, he is not seen holding a title belt or announced as the new champion.
- Quotes
Randy 'The Ram' Robinson: The only place I get hurt is out there. The world don't give a shit about me.
- ConnectionsFeatured in At the Movies: Summer Special 2008/09 (2008)
- Soundtracks(Bang Your Head) Metal Health
Written by Frankie Banali, Carlos Cavazo, Tony Cavazo, and Kevin DuBrow
Performed by Quiet Riot
Courtesy of Hands On Productions, LLC
Featured review
"The Wrestler" is a beautiful movie, but it wouldn't be half as good if Mickey Rourke hadn't given the main character a face and a heart. There's virtually no other Hollywood actor that could have embodied Randy "The Ram" Robinson as perfectly as Rourke, and it's shocking to think how the movie could have turned out had someone else, say Bruce Willis or - as originally planned - Nicolas Cage played the part. With Rourke it's not so much an actor memorizing lines and delivering them convincingly, it's like watching a guy having gone through hell and now showing his scars. Rourke's performance even lets one overlook some rather clichéd elements in the story (the exotic dancer with a golden heart, the neglected daughter, a dance in a romantic dilapidated ballroom). It's all good, because one look at Randy's face reminds us of all the hits and punches he must have taken in the past, and it all becomes real again.
So, Rourke obviously makes the movie, but that's not the only remarkable thing. Besides a very good performance by the beautiful Marisa Tomei, "The Wrestler" is also worth mentioning because it marks the first time Darren Aronofsky has made a straight forward drama that's not heavy headed or laden with too much symbolism. After the highly pretentious "The Fountain" such a movie was more than due. "The Wrestler" proves that Aronofsky is not only capable of stylistic extravaganza, but can also handle the art of "plain" storytelling.
The fine title song by Bruce Springsteen must not be forgotten, either. After "Streets Of Philadelphia" and "Dead Man Walking" this is his third soundtrack contribution that captures the feel of a movie beautifully. Props to Aronofsky for putting an emphasis on that song by letting it play over a black screen for a couple of seconds before the closing credits start to roll.
In the end, "The Wrestler" is such a huge success because Aronofsky made the right choice by insisting on Rourke to play the main role, and because Rourke more than lived up to the director's expectations. Sean Penn may have been very good in "Milk", but the character of The Wrestler is a thousand times more interesting and memorable, and considering that fact that Rourke will forever be remembered for this great performance, he would really have deserved the Oscar.
So, Rourke obviously makes the movie, but that's not the only remarkable thing. Besides a very good performance by the beautiful Marisa Tomei, "The Wrestler" is also worth mentioning because it marks the first time Darren Aronofsky has made a straight forward drama that's not heavy headed or laden with too much symbolism. After the highly pretentious "The Fountain" such a movie was more than due. "The Wrestler" proves that Aronofsky is not only capable of stylistic extravaganza, but can also handle the art of "plain" storytelling.
The fine title song by Bruce Springsteen must not be forgotten, either. After "Streets Of Philadelphia" and "Dead Man Walking" this is his third soundtrack contribution that captures the feel of a movie beautifully. Props to Aronofsky for putting an emphasis on that song by letting it play over a black screen for a couple of seconds before the closing credits start to roll.
In the end, "The Wrestler" is such a huge success because Aronofsky made the right choice by insisting on Rourke to play the main role, and because Rourke more than lived up to the director's expectations. Sean Penn may have been very good in "Milk", but the character of The Wrestler is a thousand times more interesting and memorable, and considering that fact that Rourke will forever be remembered for this great performance, he would really have deserved the Oscar.
- Superunknovvn
- Feb 26, 2009
- Permalink
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $26,238,243
- Opening weekend US & Canada
- $202,714
- Dec 21, 2008
- Gross worldwide
- $44,734,660
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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