If Rodney Dangerfield were alive, hardened and seasoned as a government agent, he would be Jack Bauer. Jack don't get no respect. Without spoiling the sixth season for those who have yet to watch it, our world-class hero Jack, always the odd one out, is now in a fictional African country, helping his old friend, played by the wonderful Robert Carlyle, with missionary work, trying to heal his staggering emotional wounds with peace. He has been served a subpoena to appear before the U.S. Senate concerning torture charges, but declines to go. A U.S. State Department official hints that the Embassy will cut funding for the school if Carlyle goes on protecting Jack, so Jack decides to leave. If that's not enough, he winds up stuck in the middle of a bloody military coup.
Redemption is entertaining and well-acted, and it certainly primes us for the seventh season. Nonetheless I can see why it has been a very long process preparing the theatrical 24 film. Redemption maintains the real-time structural element, which the theatrical film reportedly will not have, but either way, 24 is a series that has transcended the conceivable scope of the feature motion picture. The character archs, gigantic sequence of unravelings and long-term investment in the characters is inherently designed for hours and hours of television. Redemption, on the other hand, is only an hour and forty minutes, which even still is twenty minutes longer than the version that was broadcast on TV not including commercials.
Also, I am unsure of whether or not the creators wanted to have the opportunity to do a lone Jack Bauer piece, but using this TV film as objectivity, one can easily tell that one of the vital elements in the show's scaffolding is its colorful, deeply observed and brilliantly histrionic characters.
However, I am looking forward to Cherry Jones being president and hopefully being rid of Powers Boothe's weak and uncompromising president. And I hope Jon Voight doesn't play essentially the same character as he did in Enemy of the State.
