A woman becomes very curious about one of her psychiatrist husband's inmates, a man who was found guilty of the murder and disfigurement of his former wife.A woman becomes very curious about one of her psychiatrist husband's inmates, a man who was found guilty of the murder and disfigurement of his former wife.A woman becomes very curious about one of her psychiatrist husband's inmates, a man who was found guilty of the murder and disfigurement of his former wife.
- Awards
- 2 wins & 2 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCredited as an executive producer on the film, Natasha Richardson denied this allowed her to dictate proceedings - even when it came to the numerous sex scenes. "I'm an actress and I'm working for the director," she said. "David Mackenzie made it clear he wanted it to be as real as possible. He didn't want any restrictions whatsoever, and he asked me if I was comfortable with that. I said yes, and I was, because I knew that for this movie to work it had to be very hot and very real, and it wasn't going to be a case of doing it Hollywood all covered with a nice little sheet. So I signed up for that, and I thought it was right, but it didn't make it any easier to do. What's in the movie compared to what we shot is the tip of the iceberg."
- GoofsThe story is set in the Summer of 1959. The Mk II Jaguar, as used by Raphael, was only introduced for the London Show in October of that year. (Please see 'Trivia' item, also).
- Quotes
Max Raphael: I want you to understand what's going to happen next. The shock will wear off, and it will be replaced by a devastating grief. In time, you will come to terms with what you have done and you'll just be very, very sad. And that sadness will stay with you for the rest of your life.
- ConnectionsReferences Vertigo (1958)
- SoundtracksClock Tower Cha Cha
Written by James Fieldhouse
Performed by Lindley Band
The brilliance of this film is Marton Csokas' Edger, who never lets Stella nor the audience forget his profound influence even when he is out of the scene. He paints the portrait of a darkly obsessed genius, ranging from intensely passionate to violently out of control on the turn of a moment. Pulling the viewer into his dance with the haunted Stella and the driven Dr. Peter Cleave, meticulously portrayed by the ever diverse Sir Ian McKellan, he robs us of our will to be horrified by his actions - no mean feat, and beckons the viewer to follow him too.
The one flaw in this otherwise darkly intense film is Ms. Richardson's Stella. Though she tries valiantly to create the portrait of a woman lost in the morass of doubt and fragility - a woman who would choose to stay with her abusive lover - Ms. Richardson's innate strength shines through. The viewer is led to wonder why she stays when she is clearly stronger emotionally than her dynamic partner. But stay she does until chance takes her back to her husband and son.
Scenes of violence and sexuality make Asylum a film not for everyone. The R rating is not to be taken lightly, but it is a do not miss for anyone interested in a powerfully intense film that plumbs the depths of the human psyche and establishes Mr. Csokas as a major film talent well on his way.
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Details
Box office
- Gross US & Canada
- $375,403
- Opening weekend US & Canada
- $36,272
- Aug 14, 2005
- Gross worldwide
- $2,788,033
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1