29
Metascore
13 reviews · Provided by Metacritic.com
- 80Los Angeles TimesKevin ThomasLos Angeles TimesKevin ThomasA compelling, highly charged film that brings a contemporary perspective to classic prison picture elements.
- 60VarietyVarietyFilm explores the abuses rampant in woman's prisons and the powerlessness of the inmates, while telling the uplifting story of one inmate, Frances (LisaRae).
- 50The Hollywood ReporterSheri LindenThe Hollywood ReporterSheri LindenAlthough the film loses its way in the late going with a preponderance of melodramatic elements that dilute the more compelling social message, for much of its running time it packs a visceral punch, thanks in large part to a strong cast headed by LisaRaye, N'Bushe Wright and Mos Def.
- 40L.A. WeeklyErnest HardyL.A. WeeklyErnest HardyThere are also strong flickers here of a film that might have been.
- 40TV Guide MagazineMaitland McDonaghTV Guide MagazineMaitland McDonaghThere's way too much of the usual bonding, beatings, petty humiliation by guards, cat fights in the yard and trips to the hole.
- 38PremierePeter DebrugePremierePeter DebrugeThere's no question that Civil Brand has an ambitious premise, but it feels boxed in by the standard prison-movie formula.
- 38New York Daily NewsElizabeth WeitzmanNew York Daily NewsElizabeth WeitzmanExploitation shamelessly posing as empowerment, Neema Barnette's self-congratulatory drama about women in prison promises to reveal shocking truths.
- 30The New York TimesDana StevensThe New York TimesDana StevensBefore Civil Brand erupts into over-the-top melodrama (which is pretty early), it shows some interest in its characters, and in its less screechy moments the dialogue has the rough, bantering ring of actual speech.
- 25New York PostV.A. MusettoNew York PostV.A. MusettoThe cast includes rappers Da Brat, Mos Def and MC Lyte. Their fans might get some pleasure from Civil Brand. Everybody else best stay away.
- 20Village VoiceLaura SinagraVillage VoiceLaura SinagraWithout a scorcher like Pam Grier, the sub-NYPD Blue dialogue and acting dilute what could have been a shrieking wake-up call about for-profit prisons.