Highly entertaining movie, admittedly derivative of old suspense melodramas, full of common places and clichés, but tightly done. I watched it because I liked other works by director Roland Suso Richter, but I was very pleased to also find Ryan Phillippe doing a fine job, with good support from Sarah Polley, Robert Sean Leonard, Piper Perabo, the three Stephens and the rest of the cast in supporting but key roles.
At its core, it is a family drama, an upper-class sibling drama, a tale of betrayal, blackmail, fatal accidents, and apparent insanity: actually more than a "time travel" film, as seen by some, it is a story told simultaneously in planes of the same reality separated by two years, the story of a young man who goes from the year 2000 to 2002, to put together the puzzle in front of him when he forgets his past, after an accident in which he lost his life for a few minutes and was resurrected by a medical team.
The adaptation from stage to film is quite remarkable, I cannot imagine how this was made in theater, and although it relies a lot on the spoken word it is highly attractive from the visual point of view, thanks to the contribution of the cinematography, and the art and design departments. Besides, the score is typical of the ones composed for this kind of suspenseful fantasies, but it effectively helps the evolution of the plot, building tension without overdoing its function. Recommended.
