A TV interviewer and his cameraman meet a former actress and travel through her memories and career.A TV interviewer and his cameraman meet a former actress and travel through her memories and career.A TV interviewer and his cameraman meet a former actress and travel through her memories and career.
- Awards
- 6 wins & 8 nominations
Shôzô Îzuka
- Genya Tachibana
- (voice)
Shôko Tsuda
- Eiko Shimao
- (voice)
Hisako Kyôda
- Mother
- (voice)
Tomie Kataoka
- Mino
- (voice)
Takkô Ishimori
- Head Clerk
- (voice)
Masamichi Satô
- Young Genya
- (voice)
Masaya Onosaka
- Kyoji Ida
- (voice)
Stephen Bent
- Junichi Otaki
- (English version)
- (voice)
Greg Chun
- Man of the Key
- (English version)
- (voice)
Matt Devereaux
- The Man with the Scar
- (English version)
- (voice)
Ben Diskin
- Kyoji Ida
- (English version)
- (voice)
Storyline
Did you know
- TriviaCranes appear frequently throughout the film, typically with Chiyoko in the same frame. In Japanese culture, cranes represent longevity and fidelity, and are said to live for a thousand years.
- GoofsIn the Japanese Version, the news indicates that the astronauts of the Apollo 11 mission departed from Cape Canaveral in 1969. During the Apollo missions, the name was Cape Kennedy. The name of Cape Canaveral, was re-registered until 1974.
- Quotes
[last lines]
Chiyoko Fujiwara: The part I really loved, was chasing him.
- ConnectionsFeatured in WatchMojo: Top 10 Anime Movies (Redux) (2017)
- SoundtracksRotation (Lotus-2)
Written, Composed and Performed by Susumu Hirasawa
Featured review
Satoshi Kon is the extremely talented director who brought us the memorable Perfect Blue (1997) and perhaps changed the face of Japanimation forever. Here at his second feature film, ripe after a four years hiatus, he makes the wait well-worthed with a cunning cinematographic experience that literally plunges the viewer into the wonderful world of film.
Using the animation medium to push storytelling in film to new levels of effectiveness, Kon tells the story of a legendary actress who's life and career sparks the interest of documentary director Genya Tachibana. Along with his trusted cameraman, he undertakes to interview the now very old Chiyoko Fujiwara, spotlight actress in her hay days, and together they delve into her past.
This session blooms into a captivating narrative, blending elements of her life with roles in some of her films, and exploring her great search for love. The movie thus explores the personal challenges and self-realization that one undergoes through the different stages of life. It does so with the help of probing questions from Genya and is not shy of being epic in scale, passing seamlessly through fictional eras and time periods, superimposing characters, persons and life teachings. The fusion of reality and fiction is truly remarkable, and Satoshi Kon distinguishes himself from conventional dogmas in that aspect. For him, sky is the limit. He is only limited by his boundless imagination. The result is something fresh and spectacular. From the beauty of the vibrant images to the backdrop of lyricism and poetry, the movie explores life with us... and comes up with interesting conclusions. You will have to see and judge for yourself, but I promise that, if nothing else, it will have made you think.
I was privileged to attend the world premiere at the Montreal FantAsia Festival and was greatly honored to be blessed with the incarnation of the director himself, in flesh and bone. He strikes me as a very intelligent, very mature and wise man. There is an old woman in the film who says to Chiyoko: "I love you and I hate you more than you can imagine." I asked him the significance of that and he simply answered: "I do not really know what it means. I know that I understand many things that I did not 15 years ago. I just tried to project myself in the future, and thought of what I might be able to bestow to a younger inexperienced person like myself, with this increased wisdom that comes with life's trials and tribulations." I admit I am paraphrasing just a little (my japanese is not that good in any case), but that's essentially what he said, and this confirmed my belief, based on the artistic genius and masterful integration of complex thoughts into a simple, flowing, living piece, that this man is gifted. He has an incredible depth and is able to conjure it up to the surface and present it to us. One cannot but delight in his work and wait again for more enlightenment...
A suivre...
Using the animation medium to push storytelling in film to new levels of effectiveness, Kon tells the story of a legendary actress who's life and career sparks the interest of documentary director Genya Tachibana. Along with his trusted cameraman, he undertakes to interview the now very old Chiyoko Fujiwara, spotlight actress in her hay days, and together they delve into her past.
This session blooms into a captivating narrative, blending elements of her life with roles in some of her films, and exploring her great search for love. The movie thus explores the personal challenges and self-realization that one undergoes through the different stages of life. It does so with the help of probing questions from Genya and is not shy of being epic in scale, passing seamlessly through fictional eras and time periods, superimposing characters, persons and life teachings. The fusion of reality and fiction is truly remarkable, and Satoshi Kon distinguishes himself from conventional dogmas in that aspect. For him, sky is the limit. He is only limited by his boundless imagination. The result is something fresh and spectacular. From the beauty of the vibrant images to the backdrop of lyricism and poetry, the movie explores life with us... and comes up with interesting conclusions. You will have to see and judge for yourself, but I promise that, if nothing else, it will have made you think.
I was privileged to attend the world premiere at the Montreal FantAsia Festival and was greatly honored to be blessed with the incarnation of the director himself, in flesh and bone. He strikes me as a very intelligent, very mature and wise man. There is an old woman in the film who says to Chiyoko: "I love you and I hate you more than you can imagine." I asked him the significance of that and he simply answered: "I do not really know what it means. I know that I understand many things that I did not 15 years ago. I just tried to project myself in the future, and thought of what I might be able to bestow to a younger inexperienced person like myself, with this increased wisdom that comes with life's trials and tribulations." I admit I am paraphrasing just a little (my japanese is not that good in any case), but that's essentially what he said, and this confirmed my belief, based on the artistic genius and masterful integration of complex thoughts into a simple, flowing, living piece, that this man is gifted. He has an incredible depth and is able to conjure it up to the surface and present it to us. One cannot but delight in his work and wait again for more enlightenment...
A suivre...
- christian94
- Aug 21, 2001
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Vai Diễn Ngàn Năm
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $262,891
- Opening weekend US & Canada
- $18,732
- Sep 14, 2003
- Gross worldwide
- $264,847
- Runtime1 hour 27 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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