A group of teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and g... Read allA group of teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.A group of teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
- Awards
- 1 win
- ABA Scout
- (as Jeffrey Hayenga)
- Eva
- (as Zoë Saldana)
- Erik
- (as Shakiem Evens)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSusan May Pratt, who plays the best dancer in the school, Maureen Cummings, had no ballet training before being cast.
- GoofsThe audience that watch the students' performance at the end of the movie is exactly the same as when the students go to watch the ballet at the beginning of the movie.
- Quotes
Maureen Cummings: Erik got injured today. And do you know the first thing I thought when I saw him go down?
Jim Gordon: What?
Maureen Cummings: "I wish that was me." So that made me think, you know, 'cause that's not a normal reaction. How much of what you liked about me was because I was a ballet dancer, and how much because I was me?
- SoundtracksAdagio for a Ballet Class
Written and Performed by Dmitry Polischuk
Two points seem worth mentioning.
The first is the matter of dance in film. Dance is intrinsically cinematic in terms of emotion as motion. But it is too personal, too directly a matter between humans, to convey well to the funnel of film: everything squashed into an image, then given indiscriminately and undifferentiatingly to all viewers. So the cinematographer has a tough choice: what to do with the camera to increase bodily intimacy.
One, unacceptable, extreme is to stay stationary at a few points, another is to choreograph the camera so the viewer is one of the dancers. In this case, at the end at least, we have a happy medium so far as camera involvement. The camera is stationary, but often within the field of dance, and it pans. The staging of the dance was partly to the audience pictured, and partly to us, which is very clever. But it would have been nice to be more adventurous in this regard, especially since there are several choreographers in NYC who are up to the challenge, and cheap!
The second point is a matter of self-reference, which I appreciate almost without qualification when I see it.
The filmmaker gives us a bunch of young actors (actually dancers) who surprise us by effectively showing us their souls in a little love triangle drama. And the matter of their story? A bunch of young dancers who surprise the audience in the film by effectively showing their souls in a little love triangle drama. The film as summarized in the dance is a very intelligent device which I appreciated. And you will too.
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Details
- Release date
- Country of origin
- Language
- Also known as
- City Ballet
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $29,000,000 (estimated)
- Gross US & Canada
- $17,200,925
- Opening weekend US & Canada
- $4,604,621
- May 14, 2000
- Gross worldwide
- $26,385,941
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1