Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf.Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf.Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf.
- Awards
- 10 wins & 9 nominations
Pak-Kwong Ho
- Janitor
- (as Pak-Kong Ho)
Storyline
Did you know
- TriviaDirector John Fawcett refused to have CGI effects in the film, opting for all of the special creature effects to be done with prosthetics and makeup.
- GoofsWhen Brigitte and Sam are running through the house trying to find Ginger as a Werewolf, every window they pass has light shining in, even though it's supposed to be late at night.
- Crazy creditsThank you to: ¡EEK! (EXPERIMENTAL ENGINEERING KORPORATION)
- Alternate versionsThe Canadian DVD Release for the DVD includes deleted scenes
- ConnectionsEdited into Ginger Snaps: Deleted Scenes (2000)
- SoundtracksCloning Technology
Written by Burton C. Bell, Dino Cazares & Raymond Herrera
Performed by Fear Factory
Used by permission of BMG Music Publishing Canada Inc. and Roadrunner Records
Featured review
Ginger Snaps is one of the best revisionist horror movies I've seen - if you liked "Ravenous" you'll enjoy this. Contrary to a previous reviewer's remarks, the film is not heartlessly "cool" - no chilly hipster would be capable of the compassion this film shows to its outcast, unbeautiful characters. Like all the best horror films, the true subject of fear is very real - the earthquake effect of sexual maturity on teenagers, girls in this case, and the disruption of sibling relationships by differing levels of sexual maturity. It also speaks to a genuine post-Columbine concern. When youth culture admires alienation, morbid affectation and misanthropy, how can genuine psychosis be distinguished from acting out? The highest praise goes to Isabelle and Perkins, whose characterisation is superb. Mimi Rogers as the mother who raises denial to an art form is also excellent.
On the downside, the last twenty percent of the film declines into cliched stalk-and-slash, with typically idiotic behaviour by previously intelligent characters, and an embarrassingly polymeric monster. The humanoid werewolf makeup is so derivative of "Buffy" I'm surprised Optic Nerve didn't sue. Moreover, for its revisionist pretensions, the films underlying attitudes to sexuality are disappointingly regressive, as are the final fates to which it consigns its characters.
On balance though, highly recommended.
On the downside, the last twenty percent of the film declines into cliched stalk-and-slash, with typically idiotic behaviour by previously intelligent characters, and an embarrassingly polymeric monster. The humanoid werewolf makeup is so derivative of "Buffy" I'm surprised Optic Nerve didn't sue. Moreover, for its revisionist pretensions, the films underlying attitudes to sexuality are disappointingly regressive, as are the final fates to which it consigns its characters.
On balance though, highly recommended.
- phil_eagle
- Aug 12, 2001
- Permalink
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $2,554
- Opening weekend US & Canada
- $1,430
- Oct 28, 2001
- Gross worldwide
- $2,554
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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