Tomorrow Night

1998
1h 27m

IMDb RATING

YOUR RATING

Charles is the owner of a photo-shop. He is not too friendly and spends his evenings alone, and one day he finally decides to get a social life. He meets elderly Florence, who is tormented b... Read allCharles is the owner of a photo-shop. He is not too friendly and spends his evenings alone, and one day he finally decides to get a social life. He meets elderly Florence, who is tormented by her gambling husband Lester and longs for the son Willie she hasn't seen or heard from i... Read allCharles is the owner of a photo-shop. He is not too friendly and spends his evenings alone, and one day he finally decides to get a social life. He meets elderly Florence, who is tormented by her gambling husband Lester and longs for the son Willie she hasn't seen or heard from in 20 years.

See production info at IMDbPro

IMDb RATING

6.3/10

729

YOUR RATING

See production info at IMDbPro

Awards
- 2 nominations

Photos

More like this

8.5

6.7

3.9

6.3

6.4

6.8

5.3

4.8

6.0

7.9

Louis C.K. Learns About the Catholic Church

5.7

Homegrown

5.4

The Legend of Willie Brown

Storyline

Edit

Did you know

Edit

Trivia
Chris Rock, Jon Stewart, Brett Butler, David Cross, and Denis Leary all gave C.K. money to make the film. Jerry Seinfeld turned him down.

Crazy credits
At the end it states: "The characters and events in this film are definitely completely fictional. Any resemblance to persons living or dead is purely coincidental. Except for that Ice Cream bit. That's based on My Uncle Timmy."

Connections
Featured in The Tonight Show with Jay Leno: Episode #22.55 (2014)

User reviews10

Review

Featured review

10/10

The Laemmle Theate audience was thoroughly whacked and guffawing at the screening...exquisitely funny and out there.

Starring the exquisite veteran Martha Greenhouse as a horny old senior, Louis C.K.'s absurdist b & w psychological howler, Tomorrow Night, rocked the L.A. Laemmle Theater audience in it's June, 2000 screenings. With an array of New York characters heads and goiters above Woody Allen's pale squatters--an angry chain-smoking Queen hungry for a few fingers, Lola Vagina - love temptress, and a homy postman funnier and wiser than any Greek Chorus, Louis C.K. o'er-leaps his tv and comedy club roots and lures his audience into a deeper, darker, and more difficult tradition of absurdist cinema laughs--hard to pull off, but he did it, combining fetish, aging, repression, queerness, friendship, and yearning into a timeless, fresh, and ultimately hysterical--in all the best ways-