Two neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.Two neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.Two neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.
- Nominated for 1 BAFTA Award
- 44 wins & 50 nominations total
Tony Leung Chiu-wai
- Chow Mo-wan
- (as Tony Chiu Wai Leung)
Siu Ping-Lam
- Ah Ping
- (as Ping-Lam Siu)
Tung Cho 'Joe' Cheung
- Man living in Mr. Koo's apartment
- (as Tung Joe Cheung)
Kelly Lai Chen
- Mr. Ho
- (as Lai Chen)
Szu-Ying Chien
- Amah
- (as Tsi-Ang Chin)
Paulyn Sun
- Mrs. Chow
- (voice)
- (as Jia-Jun Sun)
Roy Cheung
- Mr. Chan
- (voice)
Julien Carbon
- French tourist
- (uncredited)
Laurent Courtiaud
- French reporter
- (uncredited)
Charles de Gaulle
- Self (1966 visit to Cambodia)
- (archive footage)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Kar-Wai Wong was shooting the ending and editing the film a little over a week before its debut at Cannes.
- GoofsWhen Mr. Chow is waiting with Mrs. Chan for the rain to stop, he is suddenly completely dry despite running through the rain only moments earlier.
- Quotes
Caption: He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.
- Alternate versions32 minutes was cut off the end of the film by Wong before release. These additional scenes take place in years subsequent to the film's original ending in 1966, extending into the 1970s, where Mr. Chow and Mrs. Chan meet again several times. The scenes have been included on Criterion's DVD release of the film in 4 bonus tracks, and are available for streaming on the Criterion Channel. The scenes are as follows: Room 2046 (8:05), Postcards (8:27), The Seventies (9:00), A Last Encounter (7:53).
- SoundtracksYumeji's Theme
Composed and recorded by Shigeru Umebayashi (as Umebayashi Shigeru)
Courtesy of Emotion Music Co., Ltd.
Featured review
I won't bore you with story and plot lines, as they have been presented many times already on this page, so
It's been along time coming since I have seen such a film. Beautiful, elegant and restrained, with a narrative pace to match. A film with sensitivity and understated qualities that is rare in these times of clichéd plots. The beautifully subdued photography, saturated in rich luxurious colors, and for lack of better words, each frame is filled with an air of tension. The settings and locations are used repeatedly but the film manages to breath new life into them each time they featured, there always seems to be a key prop, light fixture, or set piece to slightly clue the audience as to where we are in the characters world.
The acting reminds me of the "The Bicycle Thief", not the style, but the fact that you forget that you are watching two actors engaged in their craft. There is meaning behind every gesture and almost every movement has assigned significance to explain the inside world of the characters, the relationship, the feelings, and situation of the two lovers. The dialogue is sparse but like the rest of the movie, is imbued with meaning. Speaking of meaning, the soundtrack is infectious. Used here it becomes a story telling device. And although the film is of Chinese origins, even a song sung in Spanish by Nat King Cole imparts the film with subtle meaning. The orchestrated soundtrack is repetitive, but the repetition is what makes it comfortable. It is used in conjunction with the story, and not just a means to put music to action, or to cue the audience to feel a certain way at a certain plot point.
I would not recommend this film to anybody, I fear most people would be jaded by the calm flow of the story, but I would recommend it to someone who is looking for an alternative to the romantic schlock that fills the multiplexes on our side of the world. I must say that I was completely taken by this film, and continued to watch it night after night. The story takes time to present itself and bears repeated viewings as very few films in this genre are open to such a broad interpretation. A very beautiful movie.
The acting reminds me of the "The Bicycle Thief", not the style, but the fact that you forget that you are watching two actors engaged in their craft. There is meaning behind every gesture and almost every movement has assigned significance to explain the inside world of the characters, the relationship, the feelings, and situation of the two lovers. The dialogue is sparse but like the rest of the movie, is imbued with meaning. Speaking of meaning, the soundtrack is infectious. Used here it becomes a story telling device. And although the film is of Chinese origins, even a song sung in Spanish by Nat King Cole imparts the film with subtle meaning. The orchestrated soundtrack is repetitive, but the repetition is what makes it comfortable. It is used in conjunction with the story, and not just a means to put music to action, or to cue the audience to feel a certain way at a certain plot point.
I would not recommend this film to anybody, I fear most people would be jaded by the calm flow of the story, but I would recommend it to someone who is looking for an alternative to the romantic schlock that fills the multiplexes on our side of the world. I must say that I was completely taken by this film, and continued to watch it night after night. The story takes time to present itself and bears repeated viewings as very few films in this genre are open to such a broad interpretation. A very beautiful movie.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The Age of Blossoms
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,738,980
- Opening weekend US & Canada
- $113,280
- Feb 4, 2001
- Gross worldwide
- $15,064,528
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1(original aspect ratio & theatrical release)
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