A neurotic, twice-divorced sci-fi writer moves back in with his mother to solve his personal problems.A neurotic, twice-divorced sci-fi writer moves back in with his mother to solve his personal problems.A neurotic, twice-divorced sci-fi writer moves back in with his mother to solve his personal problems.
- Awards
- 3 wins & 5 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSince she had received no alimony from ex-husband Paul Simon, Albert Brooks asked good friend (and daughter of the movie's star Debbie Reynolds), Carrie Fisher, if she would ask her ex to give Brooks the right to use an adapted version of his famous song "Mrs. Robinson", which had originally been used in the film The Graduate (1967). Both Simon and his equally famous partner Art Garfunkel had previously refused to allow anyone to use their iconic song. For instance, in the early eighties, the duo were offered a lot of money to rework the song for a "Mr. Coffee" commercial. They refused that and all other offers. However, because of his relationship with Fisher, Simon agreed, and the song was rewritten using the name "Mrs. Henderson" instead.
- GoofsThe "original" baseball card that Jeff tells John is worth $50,000 clearly has the words "Reprint Series" visible on the back, which means it wouldn't be worth more than one dollar in 1996.
- Quotes
Beatrice Henderson: I love you.
John Henderson: I know you think you do, Mother.
- SoundtracksMrs. Robinson
by Paul Simon
Special lyrics by Albert Brooks & Monica Mcgowan Johnson (as Monica Johnson)
Performed by Steve Lively & Jess Harnell
Produced by Marc Shaiman
Featured review
I saw Mother in a theater and came away only partially impressed. Although I appreciated the witty script, I thought director/writer Albert Brooks missed making his point about the complicated relationships between mothers and sons. However, I've warmed to this film after seeing it over and over on cable. The dialogue is great, and the perpetually whining Brooks and a surprisingly droll Debbie Reynolds are a sharp comedy team. For example, I love the way Brooks wags a banana at Reynolds when she questions why women leave him. And when Brooks and his brother fight over Reynolds like she was their mistress. The ending is a little too pat -- I don't think sons ever resolve their conflicts with their mothers, or even understand them. But it's Brooks' best film after Lost in America. And that ain't bad.
- Andrew_Eskridge
- Mar 5, 1999
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Details
Box office
- Gross US & Canada
- $19,145,198
- Opening weekend US & Canada
- $137,701
- Dec 29, 1996
- Gross worldwide
- $19,145,198
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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