Like most of Spike Lee's films, "Get on the bus" is first and foremost a refreshing alternative to the wave of black-on-black violence cinema started by "Boyz n the hood". While racial issues are present and highlighted, the focus is still human interaction and man's flocking nature. Spike Lee knows how to add depth to his characters, and as the film evolves, the lives and pasts of the central characters unravel piece by piece. Yet, as the many differences are revealed, so are the similarities, and ultimately, the need for companionship in the fight against racism is stronger than any prejudice. Other issues, like reverse racism and homophobia are added as extra spice, preventing the film from ever becoming boring. "Get on the bus" is a warm feel-good movie from the man who convinced me that Harlem would be a nice place to live.
