Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.
- Won 1 Primetime Emmy
- 1 win & 3 nominations total
Shelley Stewart Hunt
- Alice
- (as Shelley S. Hunt)
Marlowe Windsor
- Suzie
- (as Marlowe Windsor-Menard)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn an Archive of American Television interview, Jason Alexander said that the day after the movie aired, he received a bouquet of flowers and a note that read "Dear Jason. Now I know how to play the role. You were terrific. Love Dick Van Dyke."
- GoofsAlbert, Rose and Conrad are shown departing from New York's Pennsylvania Station, in the film a terminal with "head-end" outdoor platforms at the same level as the station lobby. In reality, trains ran through Penn Station with platforms on the lower level.
- ConnectionsFeatured in Stealing Focus: ABC Musical Madness - Bye Bye Birdie '1995' (2019)
Featured review
This film should be filed in the why bother cabinet. Yes, you could say that it sticks closer to the Broadway version of the show, and you would be right. However, the Hollywood version of this Broadway show was always a lot more fun, with incredibly impressive musical numbers. This version, with alleged choreography by Ann Reinking, is just a big bore. The cast is generally not right for their roles, either. Jason Alexander is in fine voice, but he just isn't Albert, Chynna Phillips (looking more and more like Papa John, everyday), is too old. So was Ann-Margret in the 1963 version; but at least she had the energetic appeal of a 16 year old. Phillips comes off like she has iron poor blood. Tyne Daly, is just too loud and annoying, to give Mae Peterson any real laughs or charm (see Maureen Stapleton's 1963 performance). The lone exception is Vanessa Williams, who is delightful as Rosie. She is the only reason to see this misguided remake. She's a true musical comedy talent! But she's not enough to save it. Watch the 1963 film version. It doesn't disappoint. This one, too often, does.
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