Jo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and... Read allJo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and kindly linguistics professor Friedrich Bhaer.Jo struggles for independence and sometimes clashes with her beloved mother and sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie and kindly linguistics professor Friedrich Bhaer.
- Nominated for 3 Oscars
- 6 wins & 19 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWinona Ryder introduced Christian Bale to his future wife Sibi Blazic on the set of this film. At the time she worked as Ryder's personal assistant.
- GoofsWhen Amy discovers that Jo will be her teacher, she sulks twice. However, this is in keeping with Amy's character - if no one noticed her sulking the first time, she would most likely do it again.
- Quotes
Laurie: I have loved you since the moment I clapped eyes on you. What could be more reasonable than to marry you?
Jo March: We'd kill each other.
Laurie: Nonsense!
Jo March: Neither of us can keep our temper-...
Laurie: I can, unless provoked.
Jo March: We're both stupidly stubborn, especially you. We'd only quarrel!
Laurie: I wouldn't!
Jo March: You can't even propose without quarreling.
- Crazy credits19th-century-style portraits of the sisters are seen under the early part of the credits.
- SoundtracksLeila! Dieu Puissant
No.9 "Act II of the Pearl Fishers"
Music by Georges Bizet (uncredited)
Lyrics by Eugène Cormon (uncredited) and Michel Carré (uncredited)
Performed by Barbara Hendricks and John Aler with L'Orchestre National du Capitole de Toulouse (as Orchestre du Capitole de Toulouse)
Conducted by Michel Plasson
Courtesy of EMI Classics, under license from CEMA Special Markets
Though the filmmakers took license to cut away certain specifics, the end result is an absolutely gorgeous film that stands on it's own completely. One would be able to watch this film without ever having read or known the book and seen it as it's own film.
The film thrives on small scenes and nuances, moments of person to person contact, production design and cinematography, the all important score (which adds a great deal to the film). This delicate and complicated symbiosis between all aspects tactfully and poignantly creates the story, something missing from many movies these days which creates a tangible and effervescent emotional layer. Then the acting of one of the best ensembles to hit the screen in a long time. Keep an eye out for Susan Sarandon and Claire Daines in roles that ought to have been nominated along with Ryder. These actors create people that endear themselves to us, and make the film even more than it could have been.
It's a small scale masterpiece that will leave you in tears. The film is honest and true in it's portrayal of human emotion. It went from being an adaptation of the book to it's own story and portrayal of people and their lives. It's beautiful aesthetically and dramatically, and a real gem of a film.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Mujercitas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $50,083,616
- Opening weekend US & Canada
- $2,411,247
- Dec 25, 1994
- Gross worldwide
- $50,085,123