In the future of 2041, a cataclysm has reshaped the power structure of the world with the North American based North Hemi in alliance with the pan Asian collective of the Eastern Alliance. North Hemi is in conflict with marauders known as the Centros, and its relations with the Eastern Alliance are of importance to keeping the Centros at bay. Maverick pilot Captain Drake (Don Michael Paul) pilots the Mega Robot with his co-pilot/mechanic Stumpy (James Staley). The Mega Robot is used to conduct tours for civilians, but also carries weaponry for defense against the Centros. Drake is at odds with OpCom Chief Rooney (Peter Haskell) over his recklessness involving taking civilians through hostile territory and Rooney's dealings with General Wa-Lee (Danny Kamekona) of the Eastern Alliance whom Drake suspects may be hiding ulterior motives involving the Centros. When Drake's fears soon prove to be real, Drake, Stumpy, and archaeologist Dr. Leda Fannon (Barbara Crampton) must work together to find a way of stopping Wa-Lee's plot.
Another attempt from Full Moon Entertainment to follow-on loosely from Robot Jox, Robot Wars is in some ways an improvement over the studios previous effort Crash and Burn in that the Robots on the box cover and trailer have more presence and importance in the movie, and also unlike Crash and Burn there's more thought put into the production design with OpCom actually feeling like a tangible area and not just a repurposed abandoned industrial building. But while Robot Wars doesn't have the problems of Crash and Burn's presentation, it's exchanged them for problems with comprehensibility and storytelling with its narrative a confused mess using jargon it's made-up wholesale and rarely (if ever) tells you what it means.
Clocking in at a meager 72 minutes (not including credits) the movie throws the audience into this post-apocalyptic world where the world powers have shifted but unlike Robot Jox that at least opened with an info dump at the beginning giving us context for the world, Robot Wars does the cinematic equivalent of throwing its audience into the deep end of a swimming pool and calling it a day. The movie never lets us in on what exactly North Hemi entails nor does it give any insight into the motivations behind the Centros or the Eastern Alliance so even if you "know" what's going on you'll be hard pressed to figure out the why. The movie also has an unappealing lead in Don Michael Paul who seems to be going for a "devil may care" maverick a la Tom Cruise in Top Gun, but instead comes off more like Biff Tannen from the Back to the Future films if he were framed as the "hero". Much like Bill Moseley in Crash and Burn, Danny Kamekona is having fun as the underwritten villain General Wa-Len who's basically Dr. No by way of Colonel Kurtz, but as stock and shallow as the character is you have to admire Kamekona dedication.
The effects by noted stop-motion artist David Allen are once again employed as they were in Robot Jox and Crash and Burn, and they do give Allen a bit more leeway to stretch himself with the Robots, not as much as in Robot Jox, but it's a DTV film so we're lucky we got what we did. Most of the robot sequences are pretty reserved and don't cut loose until the last 10 minutes, but I will say that as far as robot fights go it's not bad, even if it has a rather BS Deus Ex Machina button in the hero's robot that ends the fight.
Robot Jox improves upon the short comings of Crash and Burn while also adding a whole bunch of new problems. The movie's story and characters are an absolute mess with Don Michael Paul rather lacking as a lead, and the world building and motivations are muddled and confusing. David Allen's Robot effects look nice and you get more of them than Crash and Burn, but not to the point I'd recommend a viewing.
